Comparative Analysis of Techniques Used to Detect Copy-Move Tampering for Real-World Electronic Images

Evolution of high computational powerful computers, easy availability of several innovative editing software package and high-definition quality-based image capturing tools follows to effortless result in producing image forgery. Though, threats for security and misinterpretation of digital images and scenes have been observed to be happened since a long period and also a lot of research has been established in developing diverse techniques to authenticate the digital images. On the contrary, the research in this region is not limited to checking the validity of digital photos but also to exploring the specific signs of distortion or forgery. This analysis would not require additional prior information of intrinsic content of corresponding digital image or prior embedding of watermarks. In this paper, recent growth in the area of digital image tampering identification have been discussed along with benchmarking study has been shown with qualitative and quantitative results. With variety of methodologies and concepts, different applications of forgery detection have been discussed with corresponding outcomes especially using machine and deep learning methods in order to develop efficient automated forgery detection system. The future applications and development of advanced soft-computing based techniques in digital image forgery tampering has been discussed

Comparative Analysis of Techniques Used to Detect Copy-Move Tampering for Real-World Electronic Images

Evolution of high computational powerful computers, easy availability of several innovative editing software package and high-definition quality-based image capturing tools follows to effortless result in producing image forgery. Though, threats for security and misinterpretation of digital images and scenes have been observed to be happened since a long period and also a lot of research has been established in developing diverse techniques to authenticate the digital images. On the contrary, the research in this region is not limited to checking the validity of digital photos but also to exploring the specific signs of distortion or forgery. This analysis would not require additional prior information of intrinsic content of corresponding digital image or prior embedding of watermarks. In this paper, recent growth in the area of digital image tampering identification have been discussed along with benchmarking study has been shown with qualitative and quantitative results. With variety of methodologies and concepts, different applications of forgery detection have been discussed with corresponding outcomes especially using machine and deep learning methods in order to develop efficient automated forgery detection system. The future applications and development of advanced soft-computing based techniques in digital image forgery tampering has been discussed

An Overview on Image Forensics

The aim of this survey is to provide a comprehensive overview of the state of the art in the area of image forensics. These techniques have been designed to identify the source of a digital image or to determine whether the content is authentic or modified, without the knowledge of any prior information about the image under analysis (and thus are defined as passive). All these tools work by detecting the presence, the absence, or the incongruence of some traces intrinsically tied to the digital image by the acquisition device and by any other operation after its creation. The paper has been organized by classifying the tools according to the position in the history of the digital image in which the relative footprint is left: acquisition-based methods, coding-based methods, and editing-based schemes

Image statistical frameworks for digital image forensics

The advances of digital cameras, scanners, printers, image editing tools, smartphones, tablet personal computers as well as high-speed networks have made a digital image a conventional medium for visual information. Creation, duplication, distribution, or tampering of such a medium can be easily done, which calls for the necessity to be able to trace back the authenticity or history of the medium. Digital image forensics is an emerging research area that aims to resolve the imposed problem and has grown in popularity over the past decade. On the other hand, anti-forensics has emerged over the past few years as a relatively new branch of research, aiming at revealing the weakness of the forensic technology. These two sides of research move digital image forensic technologies to the next higher level. Three major contributions are presented in this dissertation as follows. First, an effective multi-resolution image statistical framework for digital image forensics of passive-blind nature is presented in the frequency domain. The image statistical framework is generated by applying Markovian rake transform to image luminance component. Markovian rake transform is the applications of Markov process to difference arrays which are derived from the quantized block discrete cosine transform 2-D arrays with multiple block sizes. The efficacy and universality of the framework is then evaluated in two major applications of digital image forensics: 1) digital image tampering detection; 2) classification of computer graphics and photographic images. Second, a simple yet effective anti-forensic scheme is proposed, capable of obfuscating double JPEG compression artifacts, which may vital information for image forensics, for instance, digital image tampering detection. Shrink-and-zoom (SAZ) attack, the proposed scheme, is simply based on image resizing and bilinear interpolation. The effectiveness of SAZ has been evaluated over two promising double JPEG compression schemes and the outcome reveals that the proposed scheme is effective, especially in the cases that the first quality factor is lower than the second quality factor. Third, an advanced textural image statistical framework in the spatial domain is proposed, utilizing local binary pattern (LBP) schemes to model local image statistics on various kinds of residual images including higher-order ones. The proposed framework can be implemented either in single- or multi-resolution setting depending on the nature of application of interest. The efficacy of the proposed framework is evaluated on two forensic applications: 1) steganalysis with emphasis on HUGO (Highly Undetectable Steganography), an advanced steganographic scheme embedding hidden data in a content-adaptive manner locally into some image regions which are difficult for modeling image statics; 2) image recapture detection (IRD). The outcomes of the evaluations suggest that the proposed framework is effective, not only for detecting local changes which is in line with the nature of HUGO, but also for detecting global difference (the nature of IRD)

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

Re-compression Based JPEG Forgery Detection and Localization with Optimal Reconstruction

In today’s media–saturated society, digital images act as the primary carrier for majority of information that flows around us. However, because of the advent of highly sophisticated easy–to–use image processing tools, modifying images has become easy. Joint Photographic Experts Group (JPEG) is the most widely used format, prevalent today as a world–wide standard, for compression and storage of digital images. Almost all present–day digital cameras use the JPEG format for image acquisition and storage, due to its efficient compression features and optimal space requirement. In this propose work we aim to detect malicious tampering of JPEG images, and subsequently reconstruct the forged image optimally. We deal with lossy JPEG image format in this paper, which is more widely adopted compared to its lossless counter–part. The proposed technique is capable of detecting single as well as multiple forged regions in a JPEG image. We aim to achieve optimal reconstruction since the widely used JPEG being a lossy technique, under no condition would allow 100% reconstruction. The proposed reconstruction is optimal in the sense that we aim to obtain a form of the image, as close to its original form as possible, apart from eliminating the effects of forgery from the image. In this work, we exploit the inherent characteristics of JPEG compression and re–compression, for forgery detection and reconstruction of JPEG images. To prove the efficiency of our proposed technique we compare it with the other JPEG forensic techniques and using quality metric measures we assess the visual quality of the reconstructed image