8 research outputs found

    Sense and Affect

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    Sense and Affect exposes the limits of important recent strands in continental philosophy. It questions the necessity of a certain language of violence, otherness, disruption and pathos saturating Jacques Derrida's texts and the texts of those having a proximity to Derrida's deconstructionist project. This book establishes a connection between such affective terminology and a common, if heterogeneously expressed, theoretical inadequacy binding Derrida and writers such as Lyotard, Foucault, Caputo and Nancy. Their failure to penetrate a presumed irreducibility of suffering in the world is shown to be linked to their dependence on the assumption of an irreducible tension at the origin of meaning. This book develops a fresh method of thought thoroughly unraveling the presuppositions of deconstructive orientations and uncovering a finer silt of the world than is seen via such discourses

    Disclosure and inscription: Heidegger, Derrida, and the technological difference

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    The relationship of Jacques Derrida and Martin Heidegger has always been complex, encompassing an entanglement of two already immense networks and suspended between proximities and distances from infinitesimal to radical. Its peculiarity is evident in the way in which Derrida strategically inscribes his own text at the margin of Heidegger's thought via a double or cl6tural gesture which articulates the paradox that Derrida writes with Heidegger against Heidegger. One of the most decisive aspects of this gesture is Derrida's deconstruction of Heidegger's claims regarding the relation between technology and philosophy. In "The Question Concerning Technology" and accompanying essays Heidegger opens up a way of reflecting upon the essence of technology moves against its metaphysical determination specifying, moreover, the sense of modern technology as a mode of disclosure. These reflections are, however, ambiguous. Heidegger is one of the first thinkers to confront technology in philosophical terms, and yet he wishes to purify thinking of originary technicity. Technology remains a question, and as a question asked by thinking, thinking is not technical. In other words, thinking for Heidegger, is constituted in its very difference from technology. This is the move that must be deconstructed. In simultaneously repeating and displacing the Heideggerian scheme, Derrida elaborates an infinitesimal and decisive différance between the thinking of Being and his own notion of "writing" (Vecriture) or generalized inscription. What is crucial is that as against Heidegger's Being, the general text is not an essence of technics nor is it a proper thinking opposed to technology. On the contrary, Derrida's main point, among other things, against Heidegger, is that technology has always already begun, that it is originary with respect to the history of Being and thinking. In this study I examine the stakes and implications of Derrida's move along with a possible Heideggerian response. To begin with, I develop a reading of Heidegger's text that shows the import of technology to his work as a whole and its centrality to the thinking of Being as difference. I then take up the question of Derrida's deconstruction of Heidegger's analysis of the history of Being and its technological completion as this is played out in The Post Card and related texts. Following this I revert back to Derrida's now "classic" writings of the late 1960s and early 1970s and explore the arguments that relate contemporary developments in technology, science, and the media to the problematic of writing and to the closure of logocentric metaphysics. The preceding chapters lay the groundwork for me to then offer a critical reading of Derrida's text that locates in the articulations and assumptions of deconstruction certain indications of its belonging, within the horizon of Heidegger's thinking of technology. Finally, I offer a reading of some of Derrida's later texts with the aim of showing that and how deconstruction emerges as an affirmative technology

    Disclosure and inscription : Heidegger, Derrida, and the technological difference

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    The relationship of Jacques Derrida and Martin Heidegger has always been complex, encompassing an entanglement of two already immense networks and suspended between proximities and distances from infinitesimal to radical. Its peculiarity is evident in the way in which Derrida strategically inscribes his own text at the margin of Heidegger's thought via a double or cl6tural gesture which articulates the paradox that Derrida writes with Heidegger against Heidegger. One of the most decisive aspects of this gesture is Derrida's deconstruction of Heidegger's claims regarding the relation between technology and philosophy. In "The Question Concerning Technology" and accompanying essays Heidegger opens up a way of reflecting upon the essence of technology moves against its metaphysical determination specifying, moreover, the sense of modern technology as a mode of disclosure. These reflections are, however, ambiguous. Heidegger is one of the first thinkers to confront technology in philosophical terms, and yet he wishes to purify thinking of originary technicity. Technology remains a question, and as a question asked by thinking, thinking is not technical. In other words, thinking for Heidegger, is constituted in its very difference from technology. This is the move that must be deconstructed. In simultaneously repeating and displacing the Heideggerian scheme, Derrida elaborates an infinitesimal and decisive différance between the thinking of Being and his own notion of "writing" (Vecriture) or generalized inscription. What is crucial is that as against Heidegger's Being, the general text is not an essence of technics nor is it a proper thinking opposed to technology. On the contrary, Derrida's main point, among other things, against Heidegger, is that technology has always already begun, that it is originary with respect to the history of Being and thinking. In this study I examine the stakes and implications of Derrida's move along with a possible Heideggerian response. To begin with, I develop a reading of Heidegger's text that shows the import of technology to his work as a whole and its centrality to the thinking of Being as difference. I then take up the question of Derrida's deconstruction of Heidegger's analysis of the history of Being and its technological completion as this is played out in The Post Card and related texts. Following this I revert back to Derrida's now "classic" writings of the late 1960s and early 1970s and explore the arguments that relate contemporary developments in technology, science, and the media to the problematic of writing and to the closure of logocentric metaphysics. The preceding chapters lay the groundwork for me to then offer a critical reading of Derrida's text that locates in the articulations and assumptions of deconstruction certain indications of its belonging, within the horizon of Heidegger's thinking of technology. Finally, I offer a reading of some of Derrida's later texts with the aim of showing that and how deconstruction emerges as an affirmative technology.EThOS - Electronic Theses Online ServiceArts and Humanities Research Council (Great Britain) (AHRC)GBUnited Kingdo

    Viet Nam Generation, Volume 4, Number 3-4

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    Edited by Dan Duffy and Kali Tal. Contributing editors: Renny Christopher. David DeRose, Alan Farrell. Cynthia Fuchs, William M. King. Bill Shields, Tony Williams, and David Willson

    Mystery of the Other, and its reduction in Rahner and Levinas

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    Karl Rahner, responding to the problems raised by Kant's critical philosophy, sought to present a Thomistic metaphysics of realism in a modern thought-form through a reduction of the interrogative thrust of the intellect to its possibility conditions, and so, like Marechal before him, attain an absolute affirmation of Being. Rahner's transcendental system, however, would seem to have been overtaken by a more existential stress in phenomenological thinking. Emmanuel Levinas, with his thought of the Other and his attempt at an excendence from Being, would seem at first glance to sit uncomfortably alongside Rahner's system, yet, a closer reading of both unearths a remarkable convergence in their thinking. The deeper phenomenological reduction which Levinas undertakes to reveal the inter-subjective context of consciousness helps to humanise Rahner's approach. This thesis attempts a fruitful confrontation of both thinkers by, firstly, indicating the tension between Rahner's own philosophical propaedeutic and his theological writings, particularly on grace, mystery and the love of God and neighbour, where he affirms that human existence is ultimately reductio in mysterium and that human fulfilment is to be found in a personal relationship with a human Other. A second purpose is to show how these same theological themes can be developed from within Levinas' own thought, and how his own philosophy can provide a worthwhile context for Christian theology. The thesis unfolds by considering the various methods - metaphysical, transcendental and phenomenological - which surround both thinkers (Chapter 1) and then proceeds to outline their various philosophical influences (Chapter 2). Since the notion of Being as self-presence is fundamental in Rahner, and since Levinas refuses a philosophy of presence, Chapter 3 questions the privilege of presence. This will lead, in its turn, to a rethinking of the notion of subjectivity: the subject is not to be consider as presence-to-self but as a relationship with the Other (Chapter 4). This relationship is experienced in Desire (Chapter 5) and in the responsibility experienced before the face of the Other (Chapter 6). The relation between ethics (the good) and Being is pursued in chapter 7. Finally, the notion of mystery is indicated as the theme which inspires the work of both Rahner and Levinas (Chapter 8). Rahner's unmastered mystery will become Levinas' incomprehensible infinity in the presence of which the subject is called to response and responsibility

    Bowdoin Orient v.121-122, no.1-21 (1991-1992)

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    https://digitalcommons.bowdoin.edu/bowdoinorient-1990s/1003/thumbnail.jp

    The Viet Nam Generation Big Book

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    An anthology of essays, narrative, poetry and graphics published in lieu of a 1993 issue of Viet Nam Generation, intended to be used as a textbook for teaching about the 1960s. Edited by Dan Duffy and Kali Tal. Contributing editors: Renny Christopher. David DeRose, Alan Farrell. Cynthia Fuchs, William M. King. Bill Shields, Tony Williams, and David Willson
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