8,334 research outputs found
Features for the classification and clustering of music in symbolic format
Tese de mestrado, Engenharia Informática, Universidade de Lisboa, Faculdade de Ciências, 2008Este documento descreve o trabalho realizado no âmbito da disciplina de Projecto em Engenharia Informática do Mestrado em Engenharia Informática da Faculdade de Ciências da Universidade de Lisboa. Recuperação de Informação Musical é, hoje em dia, um ramo altamente activo de investigação e desenvolvimento na área de ciência da computação, e incide em diversos tópicos, incluindo a classificação musical por géneros. O trabalho apresentado centra-se na Classificação de Pistas e de Géneros de música armazenada usando o formato MIDI. Para resolver o problema da classificação de pistas MIDI, extraimos um conjunto de descritores que são usados para treinar um classificador implementado através de uma técnica de Máquinas de Aprendizagem, Redes Neuronais, com base nas notas, e durações destas, que descrevem cada faixa. As faixas são classificadas em seis categorias: Melody (Melodia), Harmony (Harmonia), Bass (Baixo) e Drums (Bateria). Para caracterizar o conteúdo musical de cada faixa, um vector de descritores numérico, normalmente conhecido como ”shallow structure description”, é extraído. Em seguida, eles são utilizados no classificador — Neural Network — que foi implementado no ambiente Matlab. Na Classificação por Géneros, duas propostas foram usadas: Modelação de Linguagem, na qual uma matriz de transição de probabilidades é criada para cada tipo de pista midi (Melodia, Harmonia, Baixo e Bateria) e também para cada género; e Redes Neuronais, em que um vector de descritores numéricos é extraído de cada pista, e é processado num Classificador baseado numa Rede Neuronal. Seis Colectâneas de Musica no formato Midi, de seis géneros diferentes, Blues, Country, Jazz, Metal, Punk e Rock, foram formadas para efectuar as experiências. Estes géneros foram escolhidos por partilharem os mesmos instrumentos, na sua maioria, como por exemplo, baixo, bateria, piano ou guitarra. Estes géneros também partilham algumas características entre si, para que a classificação não seja trivial, e para que a robustez dos classificadores seja testada. As experiências de Classificação de Pistas Midi, nas quais foram testados, numa primeira abordagem, todos os descritores, e numa segunda abordagem, os melhores descritores, mostrando que o uso de todos os descritores é uma abordagem errada, uma vez que existem descritores que confundem o classificador. Provou-se que a melhor maneira, neste contexto, de se classificar estas faixas MIDI é utilizar descritores cuidadosamente seleccionados. As experiências de Classificação por Géneros, mostraram que os Classificadores por Instrumentos (Single-Instrument) obtiveram os melhores resultados. Quatro géneros, Jazz, Country, Metal e Punk, obtiveram resultados de classificação com sucesso acima dos 80%
O trabalho futuro inclui: algoritmos genéticos para a selecção de melhores descritores; estruturar pistas e musicas; fundir todos os classificadores desenvolvidos num único classificador.This document describes the work carried out under the discipline of Computing Engineering Project of the Computer Engineering Master, Sciences Faculty of the Lisbon University. Music Information Retrieval is, nowadays, a highly active branch of research and development in the computer science field, and focuses several topics, including music genre classification. The work presented in this paper focus on Track and Genre Classification of music stored using MIDI format, To address the problem of MIDI track classification, we extract a set of descriptors that are used to train a classifier implemented by a Neural Network, based on the pitch levels and durations that describe each track. Tracks are classified into four classes: Melody, Harmony, Bass and Drums. In order to characterize the musical content from each track, a vector of numeric descriptors, normally known as shallow structure description, is extracted. Then they are used as inputs for the classifier which was implemented in the Matlab environment. In the Genre Classification task, two approaches are used: Language Modeling, in which a transition probabilities matrix is created for each type of track (Melody, Harmony, Bass and Drums) and also for each genre; and an approach based on Neural Networks, where a vector of numeric descriptors is extracted from each track (Melody, Harmony, Bass and Drums) and fed to a Neural Network Classifier. Six MIDI Music Corpora were assembled for the experiments, from six different genres, Blues, Country, Jazz, Metal, Punk and Rock. These genres were selected because all of them have the same base instruments, such as bass, drums, piano or guitar. Also, the genres chosen share some characteristics between them, so that the classification isn’t trivial, and tests the classifiers robustness. Track Classification experiments using all descriptors and best descriptors were made, showing that using all descriptors is a wrong approach, as there are descriptors which confuse the classifier. Using carefully selected descriptors proved to be the best way to classify these MIDI tracks. Genre Classification experiments showed that the Single-Instrument Classifiers achieved the best results. Four genres achieved higher than 80% success rates: Jazz, Country, Metal and Punk. Future work includes: genetic algorithms; structurize tracks and songs; merge all presented classifiers into one full Automatic Genre Classification System
Unsupervised Graph-based Rank Aggregation for Improved Retrieval
This paper presents a robust and comprehensive graph-based rank aggregation
approach, used to combine results of isolated ranker models in retrieval tasks.
The method follows an unsupervised scheme, which is independent of how the
isolated ranks are formulated. Our approach is able to combine arbitrary
models, defined in terms of different ranking criteria, such as those based on
textual, image or hybrid content representations.
We reformulate the ad-hoc retrieval problem as a document retrieval based on
fusion graphs, which we propose as a new unified representation model capable
of merging multiple ranks and expressing inter-relationships of retrieval
results automatically. By doing so, we claim that the retrieval system can
benefit from learning the manifold structure of datasets, thus leading to more
effective results. Another contribution is that our graph-based aggregation
formulation, unlike existing approaches, allows for encapsulating contextual
information encoded from multiple ranks, which can be directly used for
ranking, without further computations and post-processing steps over the
graphs. Based on the graphs, a novel similarity retrieval score is formulated
using an efficient computation of minimum common subgraphs. Finally, another
benefit over existing approaches is the absence of hyperparameters.
A comprehensive experimental evaluation was conducted considering diverse
well-known public datasets, composed of textual, image, and multimodal
documents. Performed experiments demonstrate that our method reaches top
performance, yielding better effectiveness scores than state-of-the-art
baseline methods and promoting large gains over the rankers being fused, thus
demonstrating the successful capability of the proposal in representing queries
based on a unified graph-based model of rank fusions
DJ-MC: A Reinforcement-Learning Agent for Music Playlist Recommendation
In recent years, there has been growing focus on the study of automated
recommender systems. Music recommendation systems serve as a prominent domain
for such works, both from an academic and a commercial perspective. A
fundamental aspect of music perception is that music is experienced in temporal
context and in sequence. In this work we present DJ-MC, a novel
reinforcement-learning framework for music recommendation that does not
recommend songs individually but rather song sequences, or playlists, based on
a model of preferences for both songs and song transitions. The model is
learned online and is uniquely adapted for each listener. To reduce exploration
time, DJ-MC exploits user feedback to initialize a model, which it subsequently
updates by reinforcement. We evaluate our framework with human participants
using both real song and playlist data. Our results indicate that DJ-MC's
ability to recommend sequences of songs provides a significant improvement over
more straightforward approaches, which do not take transitions into account.Comment: -Updated to the most recent and completed version (to be presented at
AAMAS 2015) -Updated author list. in Autonomous Agents and Multiagent Systems
(AAMAS) 2015, Istanbul, Turkey, May 201
Físchlár-DiamondTouch: collaborative video searching on a table
In this paper we present the system we have developed for our participation in the annual TRECVid benchmarking activity, specically the system we have developed, Físchlár-DT, for participation in the interactive search
task of TRECVid 2005. Our back-end search engine uses a combination of a text search which operates over the automatic speech recognised text, and an image search which uses low-level image features matched against video keyframes. The two novel aspects of our work are the fact that we are evaluating collaborative, team-based search among groups of users working together, and that we are using a novel touch-sensitive tabletop interface and interaction device known as the DiamondTouch to support this collaborative search. The paper summarises the backend search systems as well as presenting the interface we have developed, in detail
Polyphonic music transcription using note onset and offset detection
In this paper, an approach for polyphonic music transcription based on joint multiple-F0 estimation and note onset/offset detection is proposed. For preprocessing, the resonator time-frequency image of the input music signal is extracted and noise suppression is performed. A pitch salience function is extracted for each frame along with tuning and inharmonicity parameters. For onset detection, late fusion is employed by combining a novel spectral flux-based feature which incorporates pitch tuning information and a novel salience function-based descriptor. For each segment defined by two onsets, an overlapping partial treatment procedure is used and a pitch set score function is proposed. A note offset detection procedure is also proposed using HMMs trained on MIDI data. The system was trained on piano chords and tested on classic and jazz recordings from the RWC database. Improved transcription results are reported compared to state-of-the-art approaches
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Improving music genre classification using automatically induced harmony rules
We present a new genre classification framework using both low-level signal-based features and high-level harmony features. A state-of-the-art statistical genre classifier based on timbral features is extended using a first-order random forest containing for each genre rules derived from harmony or chord sequences. This random forest has been automatically induced, using the first-order logic induction algorithm TILDE, from a dataset, in which for each chord the degree and chord category are identified, and covering classical, jazz and pop genre classes. The audio descriptor-based genre classifier contains 206 features, covering spectral, temporal, energy, and pitch characteristics of the audio signal. The fusion of the harmony-based classifier with the extracted feature vectors is tested on three-genre subsets of the GTZAN and ISMIR04 datasets, which contain 300 and 448 recordings, respectively. Machine learning classifiers were tested using 5 × 5-fold cross-validation and feature selection. Results indicate that the proposed harmony-based rules combined with the timbral descriptor-based genre classification system lead to improved genre classification rates
Recommended from our members
Improving music genre classification using automatically induced harmony rules
We present a new genre classification framework using both low-level signal-based features and high-level harmony features. A state-of-the-art statistical genre classifier based on timbral features is extended using a first-order random forest containing for each genre rules derived from harmony or chord sequences. This random forest has been automatically induced, using the first-order logic induction algorithm TILDE, from a dataset, in which for each chord the degree and chord category are identified, and covering classical, jazz and pop genre classes. The audio descriptor-based genre classifier contains 206 features, covering spectral, temporal, energy, and pitch characteristics of the audio signal. The fusion of the harmony-based classifier with the extracted feature vectors is tested on three-genre subsets of the GTZAN and ISMIR04 datasets, which contain 300 and 448 recordings, respectively. Machine learning classifiers were tested using 5 × 5-fold cross-validation and feature selection. Results indicate that the proposed harmony-based rules combined with the timbral descriptor-based genre classification system lead to improved genre classification rates
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