348 research outputs found

    Sequential Complexity as a Descriptor for Musical Similarity

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    We propose string compressibility as a descriptor of temporal structure in audio, for the purpose of determining musical similarity. Our descriptors are based on computing track-wise compression rates of quantised audio features, using multiple temporal resolutions and quantisation granularities. To verify that our descriptors capture musically relevant information, we incorporate our descriptors into similarity rating prediction and song year prediction tasks. We base our evaluation on a dataset of 15500 track excerpts of Western popular music, for which we obtain 7800 web-sourced pairwise similarity ratings. To assess the agreement among similarity ratings, we perform an evaluation under controlled conditions, obtaining a rank correlation of 0.33 between intersected sets of ratings. Combined with bag-of-features descriptors, we obtain performance gains of 31.1% and 10.9% for similarity rating prediction and song year prediction. For both tasks, analysis of selected descriptors reveals that representing features at multiple time scales benefits prediction accuracy.Comment: 13 pages, 9 figures, 8 tables. Accepted versio

    content based music access an approach and its applications

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    At current time, the availability of largemusic repositories poses challenging research problems. Among all, content-based identification is gaining an increasing interest because it can provide new tools for easy access and retrieval. In this paper we describe an ongoing methodology for the content-based identification of unknown music recordings through a collection of music documents. Moreover, as future prospective scenario, identification is viewed in a more general similarity context, where also the perception of the users is considered

    Identifying 'Cover Songs' with Chroma Features and Dynamic Programming Beat Tracking

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    Large music collections, ranging from thousands to millions of tracks, are unsuited to manual searching, motivating the development of automatic search methods. When different musicians perform the same underlying song or piece, these are known as 'cover' versions. We describe a system that attempts to identify such a relationship between music audio recordings. To overcome variability in tempo, we use beat tracking to describe each piece with one feature vector per beat. To deal with variation in instrumentation, we use 12-dimensional 'chroma' feature vectors that collect spectral energy supporting each semitone of the octave. To compare two recordings, we simply cross-correlate the entire beat-by-chroma representation for two tracks and look for sharp peaks indicating good local alignment between the pieces. Evaluation on several databases indicate good performance, including best performance on an independent international evaluation, where the system achieved a mean reciprocal ranking of 0.49 for true cover versions among top-10 returns
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