Boston University Repertory Chorus and Women's Chorale, Wednesday, April 28, 1999

This is the concert program of the Boston University Repertory Chorus and Women's Chorale performance on Wednesday, April 28, 1999 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were The King Shall Rejoice by George Frideric Handel, The Rose of Avontown, Op. 30 by Amy Cheney Beach, Song of Peace, Op. 82 by Vincent Persichetti, From Winter Cantata, Op. 97 by Vincent Persichetti, Psalm 150, SMV 38 by Heinrich Schutz, In Virtute Tua by Grzegorz G. Gorczycki, Wie schoen, hier zu vertraumen from Vier Notturnos, Op. 22 No. 4 by Heinrich von Herzogenberg, Scene of the Drunken Poet from the Fairy Queen, and Act I by Henry Purcell. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Choral Ensembles

This is the concert program of the Boston University Choral Ensembles performance on Friday, February 25, 2000 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed by the Boston University Men's Chorus were Santus (from "Mass for Four Voices") by Thomas Tallis, Gloria (from "Missa Mater patris") by Josquin Desprez, Der Jager Abschied (Op. 50, No. 2) by Felix Mendelssohn, If with all your hearts (from "Elijah") by Mendelssohn, Mein! (No. 11 from "Die schone Mullerin") by Franz Schubert, Abendstandchen (Op. 75, No. 2) by Mendelssohn, Der Tod by Paul Hindemith, The Lamb by Fenno Heath, and Laura Lee (arr. A. Parker and R. Shaw) by Stephen Foster. Works performed by the Boston University Women's Chorale were Lift Thine Eyes (from "Elijah") by Felix Mendelssohn, "Minnelied," "Der Brautigam," "Die Braut," and "Marznacht" from 12 Lieder und Romanzen, Op. 44 by Johannes Brahms, Laudia alla Vergine Maria by Giuseppe Verdi, Duet: Sous le dome epais by Leo Delibes, La Speranza by Gioacchino Rossini, Elijah Rock arranged by Jester Hairston and Poor Man Lazarus arranged by Hairston. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Choral Ensembles, March 25, 2014

This is the concert program of the Boston University Choral Ensembles performance on Tuesday, March 25, 2014 at 3:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Litanies à la Vierge noire by Francis Poulenc, Tota pulchra es by Maurice Duruflé, Messe Basse by Gabriel Fauré, Three Quartets for Male Voices, Op. 11 by Franz Schubert, All-Night Vigil Op. 37 by Sergei Rachmaninoff, and Rilke Songs by Julian Wachner. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Chamber Chorus, October 11, 2008

This is the concert program of the Boston University Chamber Chorus performance on Saturday, October 11, 2008 at 7:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Allegro, Chorale, and Fugue in D minor, Psalm 100, Jauchzet dem Herrn, Drei geistliche Lieder, Verleih' uns Frieden, Deutsche Liturgie, Der Blumenstrauss, Op. 47, no. 5, Suleika, Op. 34, no. 4, Auf Flügeln des Gesanges, Op. 34, no. 2, and Hexenlied, Op. 8, no. 8 by Felix Mendelssohn; and Komm, Jesu, komm, BWV 229 by Johann Sebastian Bach. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Combining Several Substitution Cipher Algorithms using Circular Queue Data Structure

مع التوسع الثوري في الإنترنت ، تتزايد المعلومات العالمية في تطبيق تكنولوجيا الاتصالات، ويعزز النمو السريع لحجم البيانات الكبير الحاجة إلى تحقيق تقنيات آمنة وقوية وواثقة باستخدام خوارزميات فعالة مختلفة. تقدم هذه الورقة نظامًا تشفيريًا يجمع بين عدة خوارزميات لشفرة الاستبدال جنبًا إلى جنب مع هيكل بيانات طابور دائري . تقنيات الاستبدال المستخدمة هي: شفرة هوموفونك وشفرة بولي الفابيتك, قد دمجت في طابور دائري واحد مع أربعة مفاتيح مختلفة لكل منهما، والتي تنتج ثمانية مخرجات مختلفة لكل حرف وارد واحد. العمل الحالي ممكن تطبيقه بكفاءة لأمنية المعلومات الشخصية وأمنية اتصالات الشبكة كذلك.With the revolutionized expansion of the Internet, worldwide information increases the application of communication technology, and the rapid growth of significant data volume boosts the requirement to accomplish secure, robust, and confident techniques using various effective algorithms. Lots of algorithms and techniques are available for data security.  This paper presents a cryptosystem that combines several Substitution Cipher Algorithms along with the Circular queue data structure. The two different substitution techniques are; Homophonic Substitution Cipher and Polyalphabetic Substitution Cipher in which they merged in a single circular queue with four different keys for each of them, which produces eight different outputs for every single incoming letter. The present work can be applied efficiently for personal information security and network communication security as well, and the time required for ciphering and deciphering a message is less than 0.1 sec

The drone styles of Lithuanian folk fiddle music

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The a cappella motets of Reinhard Schwarz-Schilling: a resource guide

This document serves as a resource guide to the sacred a cappella motets of Reinhard Schwarz-Schilling, including background information and a structural analysis of each work. Also included in this document is a guide to the compositional techniques of Reinhard Schwarz-Schilling and background information on the life and works of the composer. Though largely unknown by most choral musicians, Reinhard Schwarz-Schilling’s sacred a cappella motets represent some of the finest and well crafted of all contemporary German composers. The German composer Reinhard Schwarz-Schilling (1904-1985) began to explore his musical interests in composition and performance at the age of fourteen. The pursuit of his formal musical endeavors, however, began at the Hochschule für Musik in Munich, Germany, where he studied composition with Walter Braunfels. He later held an apprenticeship with renowned composer and musician Heinrich Kaminski, whose work highly influenced and inspired the writing of Schwarz-Schilling throughout the remainder of his lifetime. His most influential posts include an organist and choirmaster position at the Innsbruck Canisianum in 1929, and a full professorship in composition at the Hochschule für Musik in Berlin in 1938, where he taught for the remainder of his career. Though his works center around three genres, the motet, the cantata, and the symphony, the choral works are at the forefront of his compositional output. Works of significance in this area are Dominabitur (1933), the composer’s first choral motet, Missa in Terra Pax (1955), the composer’s only full setting of the Mass Ordinary, and Die Botschaft (1982), which became the composer’s magnum opus for choir, soloists and orchestra

Hemispheric asymmetries for accessing the phonological representation of single printed words.

The differential abilities of the cerebral hemispheres to access the phonological representation of printed words was investigated using a visual half-field paradigm in which participants performed a lexical decision task for target words primed by semantic associates (e.g., TOAD-FROG), homophones of words semantically associated to target words (e.g., TOWED-FROG), and unrelated control words (e.g., FINK-FROG, PLASM-FROG). At a short stimulus onset asynchrony (165 ms), significant priming was obtained for both semantic and homophonic associates regardless of visual field of presentation, although the effects were much less robust for the left visual field/right hemisphere. Thus, both hemispheres seem to initially have access to the semantic and phonological representations of printed words, but with the degree of activation being less in the right hemisphere. These results replicate those of previous studies indicating that both hemispheres initially have access to the phonological representations of printed words and are discussed in terms of the model of the hemispheres proposed by Chiarello (2003).Dept. of Psychology. Paper copy at Leddy Library: Theses & Major Papers - Basement, West Bldg. / Call Number: Thesis2005 .D66. Source: Masters Abstracts International, Volume: 44-03, page: 1512. Thesis (M.A.)--University of Windsor (Canada), 2005