Media Processing in Video Conferences for Cooperating Over the Top and Operator Based Networks

Telecom operators have dominated the communication industry for a long time by providing services with guaranteed quality of service. Such services are provided by the operator at the cost of maintaining a high grade network. With the introduction of broadband and internet, many over the top (OTT) services have emerged. These services use the underlying operator networks as a mere bit pipe while all service intelligence resides in the application running on the client device. Introduction of OTT services has seen a good response from general users who are no longer bound to services provided by the network operator. This in turn has caused operators and telecom companies to loose the ownership of their customers. This thesis takes media processing in video conferencing as a case study to compare the two competing domains of operator networks and OTT networks. Both domains offer video conferencing to end users, but they follow different architectures. The study shows that OTT services can perform much better if they utilize support of the underlying network. This will also bring the user base back to the network operator. The proposal is to turn the competition into cooperation between both parties. Assessments are done from both technical as well as business perspectives to assert that such cooperative agreements are possible and should be experimented in real life

Inter-Destination Multimedia Synchronization; Schemes, Use Cases and Standardization

Traditionally, the media consumption model has been a passive and isolated activity. However, the advent of media streaming technologies, interactive social applications, and synchronous communications, as well as the convergence between these three developments, point to an evolution towards dynamic shared media experiences. In this new model, geographically distributed groups of consumers, independently of their location and the nature of their end-devices, can be immersed in a common virtual networked environment in which they can share multimedia services, interact and collaborate in real-time within the context of simultaneous media content consumption. In most of these multimedia services and applications, apart from the well-known intra and inter-stream synchronization techniques that are important inside the consumers playout devices, also the synchronization of the playout processes between several distributed receivers, known as multipoint, group or Inter-destination multimedia synchronization (IDMS), becomes essential. Due to the increasing popularity of social networking, this type of multimedia synchronization has gained in popularity in recent years. Although Social TV is perhaps the most prominent use case in which IDMS is useful, in this paper we present up to 19 use cases for IDMS, each one having its own synchronization requirements. Different approaches used in the (recent) past by researchers to achieve IDMS are described and compared. As further proof of the significance of IDMS nowadays, relevant organizations (such as ETSI TISPAN and IETF AVTCORE Group) efforts on IDMS standardization (in which authors have been and are participating actively), defining architectures and protocols, are summarized.This work has been financed, partially, by Universitat Politecnica de Valencia (UPV), under its R&D Support Program in PAID-05-11-002-331 Project and in PAID-01-10, and by TNO, under its Future Internet Use Research & Innovation Program. The authors also want to thank Kevin Gross for providing some of the use cases included in Sect. 1.2.Montagud, M.; Boronat Segui, F.; Stokking, H.; Van Brandenburg, R. (2012). Inter-Destination Multimedia Synchronization; Schemes, Use Cases and Standardization. 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MediaSync: Handbook on Multimedia Synchronization

This book provides an approachable overview of the most recent advances in the fascinating field of media synchronization (mediasync), gathering contributions from the most representative and influential experts. Understanding the challenges of this field in the current multi-sensory, multi-device, and multi-protocol world is not an easy task. The book revisits the foundations of mediasync, including theoretical frameworks and models, highlights ongoing research efforts, like hybrid broadband broadcast (HBB) delivery and users' perception modeling (i.e., Quality of Experience or QoE), and paves the way for the future (e.g., towards the deployment of multi-sensory and ultra-realistic experiences). Although many advances around mediasync have been devised and deployed, this area of research is getting renewed attention to overcome remaining challenges in the next-generation (heterogeneous and ubiquitous) media ecosystem. Given the significant advances in this research area, its current relevance and the multiple disciplines it involves, the availability of a reference book on mediasync becomes necessary. This book fills the gap in this context. In particular, it addresses key aspects and reviews the most relevant contributions within the mediasync research space, from different perspectives. Mediasync: Handbook on Multimedia Synchronization is the perfect companion for scholars and practitioners that want to acquire strong knowledge about this research area, and also approach the challenges behind ensuring the best mediated experiences, by providing the adequate synchronization between the media elements that constitute these experiences

Scaleable audio for collaborative environments

This thesis is concerned with supporting natural audio communication in collaborative environments across the Internet. Recent experience with Collaborative Virtual Environments, for example, to support large on-line communities and highly interactive social events, suggest that in the future there will be applications in which many users speak at the same time. Such applications will generate large and dynamically changing volumes of audio traffic that can cause congestion and hence packet loss in the network and so seriously impair audio quality. This thesis reveals that no current approach to audio distribution can combine support for large number of simultaneous speakers with TCP-fair responsiveness to congestion. A model for audio distribution called Distributed Partial Mixing (DPM) is proposed that dynamically adapts both to varying numbers of active audio streams in collaborative environments and to congestion in the network. Each DPM component adaptively mixes subsets of its input audio streams into one or more mixed streams, which it then forwards to the other components along with any unmixed streams. DPM minimises the amount of mixing performed so that end users receive as many separate audio streams as possible within prevailing network resource constraints. This is important in order to allow maximum flexibility of audio presentation (especially spatialisation) to the end user. A distributed partial mixing prototype is realised as part of the audio service in MASSIVE-3. A series of experiments over a single network link demonstrate that DPM gracefully manages the tradeoff between preserving stable audio quality and being responsive to congestion and achieving fairness towards competing TCP traffic. The problem of large scale deployment of DPM over heterogeneous networks is also addressed. The thesis proposes that a shared tree of DPM servers and clients, where the nodes of the tree can perform distributed partial mixing, is an effective basis for wide area deployment. Two models for realising this in two contrasting situations are then explored in more detail: a static, centralised, subscription-based DPM service suitable for fully managed networks, and a fully distributed self-organising DPM service suitable for unmanaged networks (such as the current Internet)

Scaleable audio for collaborative environments

This thesis is concerned with supporting natural audio communication in collaborative environments across the Internet. Recent experience with Collaborative Virtual Environments, for example, to support large on-line communities and highly interactive social events, suggest that in the future there will be applications in which many users speak at the same time. Such applications will generate large and dynamically changing volumes of audio traffic that can cause congestion and hence packet loss in the network and so seriously impair audio quality. This thesis reveals that no current approach to audio distribution can combine support for large number of simultaneous speakers with TCP-fair responsiveness to congestion. A model for audio distribution called Distributed Partial Mixing (DPM) is proposed that dynamically adapts both to varying numbers of active audio streams in collaborative environments and to congestion in the network. Each DPM component adaptively mixes subsets of its input audio streams into one or more mixed streams, which it then forwards to the other components along with any unmixed streams. DPM minimises the amount of mixing performed so that end users receive as many separate audio streams as possible within prevailing network resource constraints. This is important in order to allow maximum flexibility of audio presentation (especially spatialisation) to the end user. A distributed partial mixing prototype is realised as part of the audio service in MASSIVE-3. A series of experiments over a single network link demonstrate that DPM gracefully manages the tradeoff between preserving stable audio quality and being responsive to congestion and achieving fairness towards competing TCP traffic. The problem of large scale deployment of DPM over heterogeneous networks is also addressed. The thesis proposes that a shared tree of DPM servers and clients, where the nodes of the tree can perform distributed partial mixing, is an effective basis for wide area deployment. Two models for realising this in two contrasting situations are then explored in more detail: a static, centralised, subscription-based DPM service suitable for fully managed networks, and a fully distributed self-organising DPM service suitable for unmanaged networks (such as the current Internet)