106 research outputs found

    Robust regression for periodicity detection in non-uniformly sampled time-course gene expression data

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    <p>Abstract</p> <p>Background</p> <p>In practice many biological time series measurements, including gene microarrays, are conducted at time points that seem to be interesting in the biologist's opinion and not necessarily at fixed time intervals. In many circumstances we are interested in finding targets that are expressed periodically. To tackle the problems of uneven sampling and unknown type of noise in periodicity detection, we propose to use robust regression.</p> <p>Methods</p> <p>The aim of this paper is to develop a general framework for robust periodicity detection and review and rank different approaches by means of simulations. We also show the results for some real measurement data.</p> <p>Results</p> <p>The simulation results clearly show that when the sampling of time series gets more and more uneven, the methods that assume even sampling become unusable. We find that M-estimation provides a good compromise between robustness and computational efficiency.</p> <p>Conclusion</p> <p>Since uneven sampling occurs often in biological measurements, the robust methods developed in this paper are expected to have many uses. The regression based formulation of the periodicity detection problem easily adapts to non-uniform sampling. Using robust regression helps to reject inconsistently behaving data points.</p> <p>Availability</p> <p>The implementations are currently available for Matlab and will be made available for the users of R as well. More information can be found in the web-supplement <abbrgrp><abbr bid="B1">1</abbr></abbrgrp>.</p

    Instantaneous Harmonic Analysis and its Applications in Automatic Music Transcription

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    This thesis presents a novel short-time frequency analysis algorithm, namely Instantaneous Harmonic Analysis (IHA), using a decomposition scheme based on sinusoidals. An estimate for instantaneous amplitude and phase elements of the constituent components of real-valued signals with respect to a set of reference frequencies is provided. In the context of musical audio analysis, the instantaneous amplitude is interpreted as presence of the pitch in time. The thesis examines the potential of improving the automated music analysis process by utilizing the proposed algorithm. For that reason, it targets the following two areas: Multiple Fundamental Frequency Estimation (MFFE), and note on-set/off-set detection. The IHA algorithm uses constant-Q filtering by employing Windowed Sinc Filters (WSFs) and a novel phasor construct. An implementation of WSFs in the continuous model is used. A new relation between the Constant-Q Transform (CQT) and WSFs is presented. It is demonstrated that CQT can alternatively be implemented by applying a series of logarithmically scaled WSFs while its window function is adjusted, accordingly. The relation between the window functions is provided as well. A comparison of the proposed IHA algorithm with WSFs and CQT demonstrates that the IHA phasor construct delivers better estimates for instantaneous amplitude and phase lags of the signal components. The thesis also extends the IHA algorithm by employing a generalized kernel function, which in nature, yields a non-orthonormal basis. The kernel function represents the timbral information and is used in the MFFE process. An effective algorithm is proposed to overcome the non-orthonormality issue of the decomposition scheme. To examine the performance improvement of the note on-set/off-set detection process, the proposed algorithm is used in the context of Automatic Music Transcription (AMT). A prototype of an audioto-MIDI system is developed and applied on synthetic and real music signals. The results of the experiments on real and synthetic music signals are reported. Additionally, a multi-dimensional generalization of the IHA algorithm is presented. The IHA phasor construct is extended into the hyper-complex space, in order to deliver the instantaneous amplitude and multiple phase elements for each dimension

    Real-World Repetition Estimation by Div, Grad and Curl

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    We consider the problem of estimating repetition in video, such as performing push-ups, cutting a melon or playing violin. Existing work shows good results under the assumption of static and stationary periodicity. As realistic video is rarely perfectly static and stationary, the often preferred Fourier-based measurements is inapt. Instead, we adopt the wavelet transform to better handle non-static and non-stationary video dynamics. From the flow field and its differentials, we derive three fundamental motion types and three motion continuities of intrinsic periodicity in 3D. On top of this, the 2D perception of 3D periodicity considers two extreme viewpoints. What follows are 18 fundamental cases of recurrent perception in 2D. In practice, to deal with the variety of repetitive appearance, our theory implies measuring time-varying flow and its differentials (gradient, divergence and curl) over segmented foreground motion. For experiments, we introduce the new QUVA Repetition dataset, reflecting reality by including non-static and non-stationary videos. On the task of counting repetitions in video, we obtain favorable results compared to a deep learning alternative

    Computationally Efficient Estimation of Multi-Dimensional Spectral Lines

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    In this work, we propose a computationally efficient algorithm for estimating multi-dimensional spectral lines. The method treats the data tensor's dimensions separately, yielding the corresponding frequency estimates for each dimension. Then, in a second step, the estimates are ordered over dimensions, thus forming the resulting multidimensional parameter estimates. For high dimensional data, the proposed method offers statistically efficient estimates for moderate to high signal to noise ratios, at a computational cost substantially lower than typical non-parametric Fourier-transform based periodogram solutions, as well as to state-of-the-art parametric estimators

    ์‹ค๋‚ด ๋‹ค์ค‘ ์Œ์› ํ™˜๊ฒฝ์— ์ ์šฉ ๊ฐ€๋Šฅํ•œ ์Œํ–ฅ ์‹ ํ˜ธ ์ฒ˜๋ฆฌ ๊ธฐ๋ฒ•๊ณผ ๊ทธ ์‘์šฉ

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    ํ•™์œ„๋…ผ๋ฌธ(๋ฐ•์‚ฌ) -- ์„œ์šธ๋Œ€ํ•™๊ต๋Œ€ํ•™์› : ๊ณต๊ณผ๋Œ€ํ•™ ์ „๊ธฐยท์ •๋ณด๊ณตํ•™๋ถ€, 2022. 8. ๊น€์„ฑ์ฒ .์ตœ๊ทผ ์Œํ–ฅ ์‹ ํ˜ธ ์ฒ˜๋ฆฌ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๊ฐ€ ์ฆ๊ฐ€ํ•˜๊ณ  ์žˆ๋‹ค. ์Œํ–ฅ ์‹ ํ˜ธ ์ฒ˜๋ฆฌ๋ฅผ ํ†ตํ•ด ์œ ์˜๋ฏธํ•œ ์ •๋ณด๋ฅผ ์–ป์–ด๋‚ด ์œ ์šฉํ•˜๊ฒŒ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋”ฐ๋ผ์„œ ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์‹ค๋‚ด ํ™˜๊ฒฝ์—์„œ ์ทจ๋“ํ•œ ์†Œ๋ฆฌ์— ์ ์šฉ ๊ฐ€๋Šฅํ•œ ์Œํ–ฅ ์‹ ํ˜ธ ์ฒ˜๋ฆฌ ๊ธฐ๋ฒ•์— ๊ด€ํ•œ ๋‚ด์šฉ์„ ๋‹ค๋ฃฌ๋‹ค. ์ฒ˜์Œ์œผ๋กœ๋Š” ์ž”ํ–ฅ์ด ๋†’๊ณ  ์žก์Œ์ด ๋งŽ์€ ์‹ค๋‚ด ํ™˜๊ฒฝ์—์„œ ๋…น์Œํ•œ ์Œ์› ์‹ ํ˜ธ๋กœ๋ถ€ํ„ฐ ์Œ์› ์œ„์น˜๋ฅผ ์ถ”์ •ํ•˜๋Š” ๊ธฐ๋ฒ•์„ ์†Œ๊ฐœํ•œ๋‹ค. ๊ธฐ์กด ์Œ์› ์œ„์น˜ ์ถ”์ • ๊ธฐ๋ฒ•์ธ ์—๋„ˆ์ง€ ๊ธฐ๋ฐ˜ ์œ„์น˜ ์ถ”์ •, ์‹œ๊ฐ„ ์ง€์—ฐ ๊ธฐ๋ฐ˜ ์œ„์น˜ ์ถ”์ • ๋ฐ SRP-PHAT ๊ธฐ๋ฐ˜ ์œ„์น˜์ถ”์ • ๊ธฐ๋ฒ•์˜ ๊ฒฝ์šฐ ์ž”ํ–ฅ์ด ๋†’์•„ ์†Œ๋ฆฌ๊ฐ€ ์šธ๋ฆฌ๋Š” ์‹ค๋‚ด ํ™˜๊ฒฝ์— ์ ์šฉํ•˜๋ฉด ๊ทธ ์ •ํ™•๋„๊ฐ€ ๋–จ์–ด์ง„๋‹ค. ๋ฐ˜๋ฉด ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์—ฌ๋Ÿฌ๊ฐœ์˜ ๋งˆ์ดํฌ๋กœ ๊ตฌ์„ฑ๋œ ๋งˆ์ดํฌ ์–ด๋ ˆ์ด๋กœ ๋ถ€ํ„ฐ ์ตœ์ ์˜ ์„ฑ๋Šฅ์„ ๋‚ผ ์ˆ˜ ์žˆ๋Š” ๋งˆ์ดํฌ์˜ ์กฐํ•ฉ์„ ์ฐพ์•„๋‚ผ ์ˆ˜ ์žˆ๋Š” ๋น„์šฉ ํ•จ์ˆ˜๋ฅผ ์ƒˆ๋กœ์ด ์ •์˜ํ•œ๋‹ค. ์ด ๋น„์šฉํ•จ์ˆ˜ ๊ฐ’์ด ์ตœ์ €๊ฐ€ ๋˜๋Š” ๋งˆ์ดํฌ ์กฐํ•ฉ์„ ์ฐพ์•„๋‚ด ํ•ด๋‹น ๋งˆ์ดํฌ๋กœ ์Œ์› ์œ„์น˜ ์ถ”์ •์„ ์ง„ํ–‰ํ•œ ๊ฒฐ๊ณผ ๊ธฐ์กด ๊ธฐ๋ฒ• ๋Œ€๋น„ ๊ฑฐ๋ฆฌ ์˜ค์ฐจ๊ฐ€ ์ค„์–ด๋“  ๊ฒƒ์„ ํ™•์ธํ•˜์˜€๋‹ค. ๋‹ค์Œ์œผ๋กœ๋Š” ์†์‹ค์ด ๋ฐœ์ƒํ•œ ๋…น์Œ ์Œ์›์—์„œ ์†์‹ค๋œ ๊ฐ’์„ ๋ณต์›ํ•˜๋Š” ๊ธฐ๋ฒ•์„ ์†Œ๊ฐœํ•œ๋‹ค. ๋ณธ ๊ธฐ๋ฒ•์—์„œ ๋ชฉํ‘œ๋กœ ์‚ผ๋Š” ์Œ์›์€ ์—ฌ๋Ÿฌ ๊ฐœ์˜ ์‚ฌ์ธํŒŒํ˜• ์‹ ํ˜ธ๊ฐ€ ํ•ฉ์ณ์ ธ์„œ ๋“ค์–ด์˜ค๋Š” ์Œ์›์ด๋‹ค. ๋ฌดํ–ฅ์‹ค์—๋Š” ์—ฌ๋Ÿฌ๊ฐœ์˜ ์Œ์›์ด ์กด์žฌํ•˜์ง€๋งŒ ๋งˆ์ดํฌ๋Š” ๋‹จ ํ•œ๊ฐœ๋งŒ ์žˆ๋Š” ์ƒํ™ฉ์„ ๊ฐ€์ •ํ•œ๋‹ค. ์‚ฌ์ธ ํŒŒํ˜•์€ ์˜ค์ผ๋Ÿฌ ๊ณต์‹์— ๊ธฐ๋ฐ˜ํ•ด ์ง€์ˆ˜ ํ•จ์ˆ˜ ๊ผด๋กœ ๋ณ€ํ˜•ํ•  ์ˆ˜ ์žˆ๊ณ , ๋งŒ์•ฝ ์ง€์ˆ˜ํ•จ์ˆ˜ ๊ตฌ์„ฑ ํ•ญ ์ค‘ ์ผ๋ถ€๊ฐ€ ๋“ฑ๋น„์ˆ˜์—ด์„ ๋”ฐ๋ฅด๋Š” ๊ฒฝ์šฐ ๋ณธ ๋…ผ๋ฌธ์—์„œ ์†Œ๊ฐœํ•˜๋Š” ๊ธฐ๋ฒ•์„ ์ด์šฉํ•ด ํ•ด๋‹น ๋“ฑ๋น„์ˆ˜์—ด์˜ ๊ตฌ์„ฑ๊ฐ’์„ ๊ตฌํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ๋ฌธ์ œ๋ฅผ ํ’€๊ธฐ ์œ„ํ•ด ๋žœ๋ค ํฌํฌ๋ผ๋Š” ๊ฐœ๋…์„ ์ƒˆ๋กœ์ด ๋„์ž…ํ–ˆ๋‹ค. ๋ณธ ๊ธฐ๋ฒ•์„ ์ด์šฉํ•ด ์‹ ํ˜ธ๋ฅผ ๋ณต์›ํ•œ ๊ฒฐ๊ณผ, ์‹ ํ˜ธ ๋ณต์› ์ •ํ™•๋„๋Š” ๊ธฐ์กด์˜ ์••์ถ• ์„ผ์‹ฑ ๊ธฐ๋ฐ˜ ๋ณต์›๊ธฐ๋ฒ• ๋ฐ DNN ๊ธฐ๋ฐ˜ ๋ณต์› ๊ธฐ๋ฒ•๋ณด๋‹ค ๊ทธ ์ •ํ™•๋„๊ฐ€ ๋†’์•˜๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์ด์ „์— ์†Œ๊ฐœํ•œ SSRF ๊ธฐ๋ฒ•์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•ฉ์ณ์ง„ ์‹ ํ˜ธ๋ฅผ ๋ถ„๋ฆฌํ•˜๋Š” ๊ธฐ๋ฒ•์„ ์†Œ๊ฐœํ•œ๋‹ค. ๋ณธ ๊ธฐ๋ฒ•์—์„œ๋Š” ์ด์ „๊ณผ ๊ฐ™์ด ์‚ฌ์ธ ํŒŒํ˜•์˜ ์‹ ํ˜ธ๊ฐ€ ํ•ฉ์ณ์ ธ์„œ ๋“ค์–ด์˜ค๋Š” ์ƒํ™ฉ์„ ๊ฐ€์ •ํ•œ๋‹ค. ๊ฑฐ๊ธฐ์— ๋”ํ•ด ์ด์ „ ๊ธฐ๋ฒ•์—์„œ๋Š” ๋ชจ๋“  ์‚ฌ์ธ ํŒŒํ˜•์ด ๋™์‹œ์— ์žฌ์ƒ๋˜๋Š” ์ƒํ™ฉ์„ ๊ฐ€์ •ํ•œ ๋ฐ˜๋ฉด, ๋ณธ ๊ธฐ๋ฒ•์—์„œ๋Š” ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์Œ์›์ด ๋งˆ์ดํฌ๋กœ ๋ถ€ํ„ฐ ๊ฐ๊ฐ ๋‹ค๋ฅธ ๊ฑฐ๋ฆฌ๋งŒํผ ๋–จ์–ด์ ธ ์žˆ์–ด์„œ ๋ชจ๋‘ ๋‹ค๋ฅธ ์‹œ๊ฐ„ ์ง€์—ฐ์„ ๊ฐ€์ง€๊ณ  ๋งˆ์ดํฌ๋กœ ๋„๋‹ฌํ•˜๋Š” ์ƒํ™ฉ์„ ๊ฐ€์ •ํ•œ๋‹ค. ์ด๋ ‡๊ฒŒ ์„œ๋กœ ๋‹ค๋ฅธ ์‹œ๊ฐ„์ง€์—ฐ์„ ๊ฐ–๊ณ  ํ•˜๋‚˜์˜ ๋งˆ์ดํฌ๋กœ ๋„๋‹ฌํ•˜๋Š” ์‚ฌ์ธํŒŒํ˜•์˜ ์‹ ํ˜ธ๊ฐ€ ํ•ฉ์ณ์ง„ ์ƒํ™ฉ์—์„œ ๊ฐ๊ฐ์˜ ์‹ ํ˜ธ๋ฅผ ๋ถ„๋ฆฌํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ ์†Œ๊ฐœํ•˜๋Š” ๊ธฐ๋ฒ•์€ ํฌ๊ฒŒ ์Œ์› ๊ฐฏ์ˆ˜ ์ถ”์ •, ์‹œ๊ฐ„ ์ง€์—ฐ ์ถ”์ • ๋ฐ ์‹ ํ˜ธ ๋ถ„๋ฆฌ์˜ ์„ธ ๊ฐœ ๋‹จ๊ณ„๋กœ ๊ตฌ์„ฑ๋œ๋‹ค. ๊ธฐ์กด์˜ ์Œํ–ฅ ์‹ ํ˜ธ ๋ถ„๋ฆฌ ๊ธฐ๋ฒ•๋“ค์ด ์Œ์›์˜ ๊ฐฏ์ˆ˜์— ๋Œ€ํ•œ ์ •๋ณด๋ฅผ ๋ฏธ๋ฆฌ ์•Œ์•„์•ผ ํ•œ๋‹ค๊ฑฐ๋‚˜, ์‹œ๊ฐ„์ง€์—ฐ์ด ์—†๋Š” ์‹ ํ˜ธ์— ๋Œ€ํ•ด์„œ๋งŒ ์ ์šฉ์ด ๊ฐ€๋Šฅํ–ˆ๋‹ค๋ฉด, ๋ณธ ๊ธฐ๋ฒ•์€ ์‚ฌ์ „์— ์Œ์› ๊ฐฏ์ˆ˜์— ๋Œ€ํ•œ ์ •๋ณด๊ฐ€ ์—†์–ด๋„ ์ ์šฉ ๊ฐ€๋Šฅํ•˜๋‹ค๋Š” ์žฅ์ ์ด ์žˆ๋‹ค. ํ•ด๋‹น ๊ธฐ๋ฒ•์€ SSRF ๊ธฐ๋ฒ•์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜๋Š”๋ฐ, SSRF ๋ฌธ์ œ๋ฅผ ํ‘ธ๋Š” ๊ณผ์ •์—์„œ ๊ตฌํ•ด์ง€๋Š” ๋ฐฉ์ •์‹์˜ ๊ณ„์ˆ˜ ๊ฐ’์ด ๋ณ€ํ•˜๋Š” ์ง€์ ์„ ์‹œ๊ฐ„ ์ง€์—ฐ์œผ๋กœ ์ถ”์ •ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์‹œ๊ฐ„ ์ง€์—ฐ ๊ฐ’์˜ ๋ณ€ํ™”๊ฐ€ ๋ช‡ ๋ฒˆ ๋ฐœ์ƒํ•˜๋Š”๊ฐ€์— ๋”ฐ๋ผ ์Œ์›์˜ ๊ฐฏ์ˆ˜๋ฅผ ์ถ”์ •ํ•œ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ ๋ชจ๋“  ์‹ ํ˜ธ๊ฐ€ ํ•ฉ์ณ์ง„ ์ตœ์ข… ๊ตฌ๊ฐ„์—์„œ SSRF ๋ฌธ์ œ๋ฅผ ํ’€์–ด ๊ฐœ๋ณ„ ์‹ ํ˜ธ๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ๊ฐ’์„ ๊ตฌํ•ด๋‚ด ์‹ ํ˜ธ ๋ถ„๋ฆฌ๋ฅผ ์™„๋ฃŒํ•œ๋‹ค. ๋ณธ ๊ธฐ๋ฒ•์€ ์—ฌ๋Ÿฌ ๊ฐ€์ •์ด ํ•„์š”ํ•œ ๊ธฐ์กด์˜ ICA ๊ธฐ๋ฐ˜ ์Œํ–ฅ ์‹ ํ˜ธ ๋ถ„๋ฆฌ ๋ฐ YG ์Œํ–ฅ ์‹ ํ˜ธ ๋ถ„๋ฆฌ์— ๋น„ํ•ด ๋” ์ •ํ™•ํ•œ ์‹ ํ˜ธ๋ถ„๋ฆฌ ๊ฒฐ๊ณผ๋ฅผ ๋‚ด๋Š” ๊ฒƒ์„ ํ™•์ธํ•˜์˜€๋‹ค.Recently, research on acoustic signal processing is increasing. This is because meaningful information can be obtained and utilized usefully from acoustic signal processing. Therefore, this paper deals with the acoustic signal processing techniques for sound recorded in the indoor environment. First, we introduce a method for estimating the location of a sound source under indoor environment where there are high reverberation and lots of noise. In the case of existing methods such as interaural level difference (ILD) based localization, time difference of arrival (TDoA) based localization, and steered response power phase transformation (SRP-PHAT) based localization, the accuracy is lowered when applied under recordings from indoor environment with high reverberation. However in this paper, we define a new cost function that can find an optimal combination of microphone pair which results in highest performance. The microphone pair with the lowest value of cost function was chosen as an optimal pair, and the source location was estimated with the optimal microphone pair. It was confirmed that the distance error was reduced compared to existing methods. Next, a technique for recovering the lost sample value from the recorded signal called sketching and stacking with random fork (SSRF) is introduced. In this technique, the target sound source is a superposition of several sinusoidal signals. It is assumed that there are multiple sound sources in the anechoic chamber, but there is only one microphone. It is trivial that a sinusiodal wave can be transformed into an exponential function based on Euler's formula. If some of the terms of the exponential function follow a geometric sequence, those values can be obtained using SSRF. To solve this problem, the concept of a random fork is newly introduced. Comparing the recovery error based on SSRF with existing methods such as compressive sensing based technique and deep neural network (DNN) based technique, the accuracy of SSRF based signal recovery was higher. Finally, this paper introduces a blind source separation (BSS) technique for based on the previously introduced SSRF technique. In this technique, as before, it is assumed that the sinusoidal waves are superposed. In addition, while the previous technique assumed a situation where all sinusoidal waves were emitted simultaneously, this technique assumed a situation where different sound sources were separated by different distances from the microphone and arrived at the microphone with different time delays. Under these assumptions, a new BSS method for separating single signals from the mixture based on SSRF is introduced. The SSRF BSS is mainly composed of three steps: estimation of the number of sound sources, estimation of time delay, and signal separation. While the existing BSS methods require information on the source number to be known a priori, SSRF BSS does not require source number. Whereas existing BSS methods can only be applied to signals without time delay, SSRF BSS method has the advantage in that it can be applied to the mixture of signals with different time delays. It was confirmed that SSRF BSS produces more accurate separation results compared to the existing independent component analysis (ICA) BSS and Yu Gang (YG) BSS.1 INTRODUCTION 2 IMPROVING ACOUSTIC LOCALIZATION PERFORMANCE BY FINDING OPTIMAL PAIR OF MICROPHONES BASED ON COST FUNCTION 5 2.1 Motivation 5 2.2 Conventional Acoustic Localization Methods 8 2.2.1 Interaural Level Difference 8 2.2.2 Time Difference of Arrival 12 2.2.3 Steered Response Power Phase Transformation 14 2.3 System Model 17 2.3.1 Experimental Scenarios 17 2.3.2 Definition of Cost Function 18 2.4 Results and Discussion 20 2.5 Summary 22 3 ACOUSTIC SIGNAL RECOVERY BASED ON SKETCHING AND STACKING WITH RANDOM FORK 24 3.1 Motivation 24 3.2 SSRF Signal Model 26 3.2.1 Source Signal Model 26 3.2.2 Sampled Signal Model 26 3.2.3 Corrupted Signal Model 27 3.3 SSRF Problem Statement 28 3.4 SSRF Methodology 28 3.4.1 Geometric Sequential Representation 29 3.4.2 Definition of Random Fork 30 3.4.3 Informative Matrix 31 3.4.4 Data Augmentation 32 3.4.5 Solution of SSRF Problem 33 3.4.6 Reconstruction of Corrupted Samples 37 3.5 Performance Analysis 37 3.5.1 Simulation Set-up 37 3.5.2 Reconstruction Error According to Bernoulli Parameter and Number of Signals 38 3.5.3 Detailed Comparison between SSRF and DNN 40 3.5.4 SSRF Result for Signal with Additive White Gaussian Noise 42 3.6 Summary 43 4 SINGLE CHANNEL ACOUSTIC SOURCE NUMBER ESTIMATION AND BLIND SOURCE SEPARATION BASED ON SKETCHING AND STACKING WITH RANDOM FORK 44 4.1 Motivation 44 4.2 SSRF based BSS System Model 48 4.2.1 Simulation Scenarios 48 4.3 SSRF based BSS Methodology 52 4.3.1 Source Number and ToA Estimation based on SSRF 52 4.3.2 Signal Separation 55 4.4 Results and Discussion 57 4.4.1 Source Number and ToA Estimation Results 57 4.4.2 Separation of the Signal 59 4.5 Summary 61 5 CONCLUSION 64 Abstract (In Korean) 75๋ฐ•

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