2,923 research outputs found

    Information actors beyond modernity and coloniality in times of climate change:A comparative design ethnography on the making of monitors for sustainable futures in Curaçao and Amsterdam, between 2019-2022

    Get PDF
    In his dissertation, Mr. Goilo developed a cutting-edge theoretical framework for an Anthropology of Information. This study compares information in the context of modernity in Amsterdam and coloniality in Curaçao through the making process of monitors and develops five ways to understand how information can act towards sustainable futures. The research also discusses how the two contexts, that is modernity and coloniality, have been in informational symbiosis for centuries which is producing negative informational side effects within the age of the Anthropocene. By exploring the modernity-coloniality symbiosis of information, the author explains how scholars, policymakers, and data-analysts can act through historical and structural roots of contemporary global inequities related to the production and distribution of information. Ultimately, the five theses propose conditions towards the collective production of knowledge towards a more sustainable planet

    Planetary Hinterlands:Extraction, Abandonment and Care

    Get PDF
    This open access book considers the concept of the hinterland as a crucial tool for understanding the global and planetary present as a time defined by the lasting legacies of colonialism, increasing labor precarity under late capitalist regimes, and looming climate disasters. Traditionally seen to serve a (colonial) port or market town, the hinterland here becomes a lens to attend to the times and spaces shaped and experienced across the received categories of the urban, rural, wilderness or nature. In straddling these categories, the concept of the hinterland foregrounds the human and more-than-human lively processes and forms of care that go on even in sites defined by capitalist extraction and political abandonment. Bringing together scholars from the humanities and social sciences, the book rethinks hinterland materialities, affectivities, and ecologies across places and cultural imaginations, Global North and South, urban and rural, and land and water

    Displacement and the Humanities: Manifestos from the Ancient to the Present

    Get PDF
    This is the final version. Available on open access from MDPI via the DOI in this recordThis is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) (available at: https://www.mdpi.com/journal/humanities/special_issues/Manifestos Ancient Present)This volume brings together the work of practitioners, communities, artists and other researchers from multiple disciplines. Seeking to provoke a discourse around displacement within and beyond the field of Humanities, it positions historical cases and debates, some reaching into the ancient past, within diverse geo-chronological contexts and current world urgencies. In adopting an innovative dialogic structure, between practitioners on the ground - from architects and urban planners to artists - and academics working across subject areas, the volume is a proposition to: remap priorities for current research agendas; open up disciplines, critically analysing their approaches; address the socio-political responsibilities that we have as scholars and practitioners; and provide an alternative site of discourse for contemporary concerns about displacement. Ultimately, this volume aims to provoke future work and collaborations - hence, manifestos - not only in the historical and literary fields, but wider research concerned with human mobility and the challenges confronting people who are out of place of rights, protection and belonging

    To have done with theory? Baudrillard, or the literal confrontation with reality

    Get PDF
    Baudrillard, Eluding the temptation to reinterpret Jean Baudrillard once more, this work started from the ambition to consider his thought in its irreducibility, that is, in a radically literal way. Literalness is a recurring though overlooked term in Baudrillard’s oeuvre, and it is drawn from the direct concatenation of words in poetry or puns and other language games. It does not indicate a realist positivism but a principle that considers the metamorphoses and mutual alteration of things in their singularity without reducing them to a general equivalent (i.e. the meaning of words in a poem, which destroys its appearances). Reapplying the idea to Baudrillard and finding other singular routes through his “passwords” is a way to short-circuit its reductio ad realitatem and reaffirm its challenge to the hegemony of global integration. Even in the literature dedicated to it, this exercise has been rarer than the ‘hermeneutical’ one, where Baudrillard’s oeuvre was taken as a discourse to be interpreted and explained (finding an equivalent for its singularity). In plain polemic with any ideal of conformity between theory and reality (from which our present conformisms arguably derive, too), Baudrillard conceived thought not as something to be verified but as a series of hypotheses to be repeatedly radicalised – he often described it as a “spiral”, a form which challenges the codification of things, including its own. Coherent with this, the thesis does not consider Baudrillard’s work either a reflection or a prediction of reality but, instead, an out-and-out act, a precious singular object which, interrogated, ‘thinks’ us and our current events ‘back’. In the second part, Baudrillard’s hypotheses are taken further and measured in their capacity to challenge the reality of current events and phenomena. The thesis confronts the ‘hypocritical’ position of critical thinking, which accepts the present principle of reality. It questions the interminability of our condition, where death seems thinkable only as a senseless interruption of the apparatus. It also confronts the solidarity between orthodox and alternative realities of the COVID pandemic and the Ukrainian invasion, searching for what is irreducible to the perfect osmosis of “virtual and factual”. Drawing equally from the convulsions of globalisation and the psychopathologies of academics, from DeLillo’s fiction and Baudrillard’s lesser-studied influences, this study evaluates the irreversibility of our system against the increasingly silent challenges of radical thought. It looks for what an increasingly pessimistic late Baudrillard called ‘rogue singularities’: forms which, often outside the conventional realms one would expect to find them, constitute potential sources of the fragility of global power. ‘To have done with theory’ does not mean abandoning radical thought and, together with it, the singularity of humanity. It means, as the thesis concludes, the courage to leave conventional ideas of theory and listen to less audible voices which, at the heart of this “enormous conspiracy”, whisper — as a mysterious lady in Mariupol did to Putin — “It’s all not true! It’s all for show!”

    Complicated objects: artifacts from the Yuanming Yuan in Victorian Britain

    Get PDF
    The 1860 spoliation of the Summer Palace at the close of the Second Opium War by British and French troops was a watershed event within the development of Britain as an imperialist nation, which guaranteed a market for opium produced in its colony India and demonstrated the power of its armed forces. The distribution of the spoils to officers and diplomatic corps by campaign leaders in Beijing was also a sign of the British Army’s rising power as an instrument of the imperialist state. These conditions would suggest that objects looted from the site would be integrated into an imperialist aesthetic that reflected and promoted the material benefits of military engagement overseas and foregrounded the circumstances of their removal to Britain for campaign members and the British public. This study mines sources dating to the two decades following the war – including British newspapers, auction house records, exhibition catalogs and works of art – to test this hypothesis. Findings show that initial movements of looted objects through the military and diplomatic corps did reinforce notions of imperialist power by enabling campaign members to profit from the spoliation through sales of looted objects and trophy displays. However, material from the Summer Palace arrived at a moment when British manufacturers and cultural leaders were engaged in a national effort to improve the quality of British goods to compete in the international marketplace and looted art was quickly interpolated in this national conversation. Ironically, the same “free trade” imperatives that motivated the invasion energized a new design movement that embraced Chinese ornament. As a consequence, political interpretations of the material outside of military collections were quickly joined by a strong response to Chinese ornament from cultural institutions and design leaders. Art from the Summer Palace held a prominent place at industrial art exhibitions of the postwar period and inspired new designs in a number of mediums. While the availability of Chinese imperial art was the consequence of a military invasion and therefore a product of imperialist expansion, evidence presented here shows that the design response to looted objects was not circumscribed by this political reality. Chinese ornament on imperial wares was ultimately celebrated for its formal qualities and acknowledged links to the Summer Palace were an indicator of good design, not a celebration of victory over a failed Chinese state. Therefore, the looting of the Summer Palace was ultimately an essential factor in the development of modern design, the essence of which is a break with Classical ornament

    Frontiers of Humanity and Beyond: Towards new critical understandings of borders. Working Papers

    Get PDF
    UIDB/04666/2020 UIDP/04666/2020publishersversionpublishe
    • 

    corecore