126,580 research outputs found

    Special Libraries, January 1948

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    Volume 39, Issue 1https://scholarworks.sjsu.edu/sla_sl_1948/1000/thumbnail.jp

    East European History

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    published or submitted for publicatio

    Collecting in the National Interest

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    published or submitted for publicatio

    Exhibiting Berthe Morisot after the Advent of Feminist Art History

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    Feminist art historians reassessed French Impressionist Berthe Morisot (1841-1895) throughout the late twentieth and early twenty-first century, a period in which her work coincidentally received steady exposure in major museum exhibitions. This thesis examines how the feminist art historical project intersects with exhibitions that give prominence to Morisot’s work. Critical reviews by Morisot scholars argue that more frequent display of the artist’s work has not correlated to nuanced interpretation. Moreover, prominent feminist scholars and museum theorists maintain that curators virtually exclude their contributions. Attending to these recurrent concerns, this thesis charts shifts in emphases and inquiry in writing centered on Morisot to survey the extent to which curators convey new constructions of her artistic, social, and historical identities. This analysis will observe how distinct exhibition forms—the retrospective, the Impressionism blockbuster, and the gendered “women Impressionists” show—may frame Morisot’s work differently according to their organizing principles

    Special Libraries, March 1959

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    Volume 50, Issue 3https://scholarworks.sjsu.edu/sla_sl_1959/1002/thumbnail.jp

    Special Libraries, March 1959

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    Volume 50, Issue 3https://scholarworks.sjsu.edu/sla_sl_1959/1002/thumbnail.jp

    Tra calchi, bozzetti e opere finite. Leonardo Bistolfi in villa Contarini-Camerini

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    The author takes up and explores some themes that emerged during the recent catalog of plaster sculptures of Villa Contarini - Camerini in Piazzola sul Brenta (Padova), conducted by the writer on behalf of the Veneto Region. Among these stand out for quality and historical and artistic interest, some sculptures by Leonardo Bistolfi expressed in bronze or gypsum, in the form of busts, figures and models for the true commemorative monuments, as well as a plaque depicting the Love and Friendship, plaster cast of a bronze which is also a time in the villa, whose paternity had been forgotten. This critical study, while focused on the Piedmontese sculptor, also highlights the figure of Paolo Camerini, that those works commissioned or acquired directly from the artist

    Working digitally with historical maps

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    Manuscript Collections

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