Look me in the eyes: A survey of eye and gaze animation for virtual agents and artificial systems

International audienceA person's emotions and state of mind are apparent in their face and eyes. As a Latin proverb states: "The face is the portrait of the mind; the eyes, its informers.". This presents a huge challenge for computer graphics researchers in the generation of artificial entities that aim to replicate the movement and appearance of the human eye, which is so important in human-human interactions. This State of the Art Report provides an overview of the efforts made on tackling this challenging task. As with many topics in Computer Graphics, a cross-disciplinary approach is required to fully understand the workings of the eye in the transmission of information to the user. We discuss the movement of the eyeballs, eyelids, and the head from a physiological perspective and how these movements can be modelled, rendered and animated in computer graphics applications. Further, we present recent research from psychology and sociology that seeks to understand higher level behaviours, such as attention and eye-gaze, during the expression of emotion or during conversation, and how they are synthesised in Computer Graphics and Robotics

Data-Driven Synthesis and Evaluation of Syntactic Facial Expressions in American Sign Language Animation

Technology to automatically synthesize linguistically accurate and natural-looking animations of American Sign Language (ASL) would make it easier to add ASL content to websites and media, thereby increasing information accessibility for many people who are deaf and have low English literacy skills. State-of-art sign language animation tools focus mostly on accuracy of manual signs rather than on the facial expressions. We are investigating the synthesis of syntactic ASL facial expressions, which are grammatically required and essential to the meaning of sentences. In this thesis, we propose to: (1) explore the methodological aspects of evaluating sign language animations with facial expressions, and (2) examine data-driven modeling of facial expressions from multiple recordings of ASL signers. In Part I of this thesis, we propose to conduct rigorous methodological research on how experiment design affects study outcomes when evaluating sign language animations with facial expressions. Our research questions involve: (i) stimuli design, (ii) effect of videos as upper baseline and for presenting comprehension questions, and (iii) eye-tracking as an alternative to recording question-responses from participants. In Part II of this thesis, we propose to use generative models to automatically uncover the underlying trace of ASL syntactic facial expressions from multiple recordings of ASL signers, and apply these facial expressions to manual signs in novel animated sentences. We hypothesize that an annotated sign language corpus, including both the manual and non-manual signs, can be used to model and generate linguistically meaningful facial expressions, if it is combined with facial feature extraction techniques, statistical machine learning, and an animation platform with detailed facial parameterization. To further improve sign language animation technology, we will assess the quality of the animation generated by our approach with ASL signers through the rigorous evaluation methodologies described in Part I

Computer Vision and Architectural History at Eye Level:Mixed Methods for Linking Research in the Humanities and in Information Technology

Information on the history of architecture is embedded in our daily surroundings, in vernacular and heritage buildings and in physical objects, photographs and plans. Historians study these tangible and intangible artefacts and the communities that built and used them. Thus valuableinsights are gained into the past and the present as they also provide a foundation for designing the future. Given that our understanding of the past is limited by the inadequate availability of data, the article demonstrates that advanced computer tools can help gain more and well-linked data from the past. Computer vision can make a decisive contribution to the identification of image content in historical photographs. This application is particularly interesting for architectural history, where visual sources play an essential role in understanding the built environment of the past, yet lack of reliable metadata often hinders the use of materials. The automated recognition contributes to making a variety of image sources usable forresearch.<br/