Donald P. Brutzman: a biography

Design and implement large-scale networked underwater virtual worlds using Web-accessible 3D graphics and network streams. Integrate sensors, models and datasets for real-time interactive use by scientists, underwater robots, ships and students of all ages

DIVE on the internet

This dissertation reports research and development of a platform for Collaborative Virtual Environments (CVEs). It has particularly focused on two major challenges: supporting the rapid development of scalable applications and easing their deployment on the Internet. This work employs a research method based on prototyping and refinement and promotes the use of this method for application development. A number of the solutions herein are in line with other CVE systems. One of the strengths of this work consists in a global approach to the issues raised by CVEs and the recognition that such complex problems are best tackled using a multi-disciplinary approach that understands both user and system requirements. CVE application deployment is aided by an overlay network that is able to complement any IP multicast infrastructure in place. Apart from complementing a weakly deployed worldwide multicast, this infrastructure provides for a certain degree of introspection, remote controlling and visualisation. As such, it forms an important aid in assessing the scalability of running applications. This scalability is further facilitated by specialised object distribution algorithms and an open framework for the implementation of novel partitioning techniques. CVE application development is eased by a scripting language, which enables rapid development and favours experimentation. This scripting language interfaces many aspects of the system and enables the prototyping of distribution-related components as well as user interfaces. It is the key construct of a distributed environment to which components, written in different languages, connect and onto which they operate in a network abstracted manner. The solutions proposed are exemplified and strengthened by three collaborative applications. The Dive room system is a virtual environment modelled after the room metaphor and supporting asynchronous and synchronous cooperative work. WebPath is a companion application to a Web browser that seeks to make the current history of page visits more visible and usable. Finally, the London travel demonstrator supports travellers by providing an environment where they can explore the city, utilise group collaboration facilities, rehearse particular journeys and access tourist information data

Multiple-view product representation and development using augmented reality technology

Ph.DDOCTOR OF PHILOSOPH

Factors Affecting Spatial Awareness in Non- Stereo Visual Representations of Virtual, Real and Digital Image Environments

The increasing number of applications employing virtual environment (VE) technologies as a tool, particularly those that use VE as surrogates, makes it important to examine the ability of VE to provide realistic simulations to users. Accurate space and distance perceptions have been suggested as essential preconditions for the reliable use of VE technologies in various applications. However, space and distance perception in the VE has been reported by some investigators as being perceived differently from the real world. Thus, the overall aim of this thesis is to improve our understanding of factors affecting spatial awareness in the VE. The general approach is based on a strategy of conducting empirical investigations comparing tasks performed in the VE to similar tasks performed in the real world. This research has examined the effect of display related factors on users' spatial task performance in the context of static, dynamic and interactive presentations. Three sets of experiments in these respective contexts were conducted to explore the influence of image type, display size, viewing distance, physiological cues, interface device and travel modes on distance estimate and spatial memory tasks. For distance perception, results revealed that the effect of image type depends on the context of presentations, the type of asymmetrical distances and image resolution. The effect of display size in static and dynamic presentations is consistent with the results of previous investigations. However, results from evaluations conducted by the author have indicated that other factors such as viewing distance and physiological cues were also accountable. In interactive presentations, results indicated that display size had different effects on different users whereby familiarity with display size may influence user's performance. Similarly, it was shown that a commonly used interface device is more useful and beneficial for user's spatial memory performance in the VE than the less familiar ones. In terms of travel mode, the natural method of movement available in the real world may not necessary be better than the unnatural movement which is possible in the VE. The results of investigations reported in this thesis contribute towards knowledge and understanding on factors affecting spatial awareness in the real and VE. In particular, they highlight the influence of these factors in space and distance perception in different contexts of VE presentations which will serve as important scientifically based guidelines for designers and users ofVE applications

Advances in top-down and bottom-up approaches to video-based camera tracking

Video-based camera tracking consists in trailing the three dimensional pose followed by a mobile camera using video as sole input. In order to estimate the pose of a camera with respect to a real scene, one or more three dimensional references are needed. Examples of such references are landmarks with known geometric shape, or objects for which a model is generated beforehand. By comparing what is seen by a camera with what is geometrically known from reality, it is possible to recover the pose of the camera that is sensing these references. In this thesis, we investigate the problem of camera tracking at two levels. Firstly, we work at the low level of feature point recognition. Feature points are used as references for tracking and we propose a method to robustly recognise them. More specifically, we introduce a rotation-discriminative region descriptor and an efficient rotation-discriminative method to match feature point descriptors. The descriptor is based on orientation gradient histograms and template intensity information. Secondly, we have worked at the higher level of camera tracking and propose a fusion of top-down (TDA) and bottom-up approaches (BUA). We combine marker-based tracking using a BUA and feature points recognised from a TDA into a particle filter. Feature points are recognised with the method described before. We take advantage of the identification of the rotation of points for tracking purposes. The goal of the fusion is to take advantage of their compensated strengths. In particular, we are interested in covering the main capabilities that a camera tracker should provide. These capabilities are automatic initialisation, automatic recovery after loss of track, and tracking beyond references known a priori. Experiments have been performed at the two levels of investigation. Firstly, tests have been conducted to evaluate the performance of the recognition method proposed. The assessment consists in a set of patches extracted from eight textured images. The images are rotated and matching is done for each patch. The results show that the method is capable of matching accurately despite the rotations. A comparison with similar techniques in the state of the art depicts the equal or even higher precision of our method with much lower computational cost. Secondly, experimental assessment of the tracking system is also conducted. The evaluation consists in four sequences with specific problematic situations namely, occlusions of the marker, illumination changes, and erratic and/or fast motion. Results show that the fusion tracker solves characteristic failure modes of the two combined approaches. A comparison with similar trackers shows competitive accuracy. In addition, the three capabilities stated earlier are fulfilled in our tracker, whereas the state of the art reveals that no other published tracker covers these three capabilities simultaneously. The camera tracking system has a potential application in the robotics domain. It has been successfully used as a man-machine interface and applied in Augmented Reality environments. In particular, the system has been used by students of the University of art and design Lausanne (ECAL) with the purpose of conceiving new interaction concepts. Moreover, in collaboration with ECAL and fabric | ch (studio for architecture & research), we have jointly developed the Augmented interactive Reality Toolkit (AiRToolkit). The system has also proved to be reliable in public events and is the basis of a game-oriented demonstrator installed in the Swiss National Museum of Audiovisual and Multimedia (Audiorama) in Montreux

Interacção 2010: actas da 4ª Conferência Nacional em Interacção Humano-Computador

Prefácio: Encontramo-nos perante mais uma edição do congresso nacional sobre Interacção, o “Interacção 2010”, um evento científico cuja regularidade tem permitido consolidar a sua natureza profundamente transdisciplinar. A referência do congresso continua a ser a área científica internacional de “Human-Computer Interaction”, uma área que tem ganhado relevância e valor no progresso sócio-económico desta última década, onde o ser humano e a coisa social assumem a prioridade que lhes é devida. O “Interacção” tem assumido sempre a condição da debater um vasto leque de temas, mas sempre em contextos de mediação tecnológica e onde o objectivo final é servir a condição humana. Esta edição continua a confirmar esta atitude que se reflecte nas grandes áreas temáticas que anunciou para submissão de trabalhos: Concepção, Desenvolvimento e Estudo da Interacção, Tecnologias e Aplicações de Suporte à Interacção, Aspectos Humanos, Sociais e Organizacionais, e Contextos de Interacção diversos. A resposta da comunidade científica nacional ao apelo de participação foi de extrema eficiência e riqueza. Foram submetidos um total de 64 artigos longos, artigos curtos e posters e/ou demos. O resultado da avaliação (“double-blind”) pelos revisores, e as conversões de formato sugeridas a alguns autores, conduziram a que o leitor venha a encontrar nestas actas 21 artigos longos, 20 artigos curtos e 15 posters. Por insuficiência de propostas de demos esta possibilidade de exposição não foi considerada. Esta quantidade crescente de trabalho em relação a edições anteriores do “Interacção”, e os três oradores convidados (2 internacionais e 1 nacional), originaram um programa de trabalho que incontornavelmente se estendeu a três dias de trabalho contrariando os tradicionais dois dias de congresso. O programa decorreu de 13 a 15 de Outubro de 2010 na Universidade de Aveiro e as 8 sessões que o caracterizaram foram organizadas respeitando os temas: i) Interfaces Multi-toque; ii) Interacção com Dispositivos Móveis; iii) Concepção e Desenvolvimento da Interacção; iv) Realidade Virtual e Aumentada; v) Visualização de Informação; vi) Videojogos e Interacção; vii) Acessibilidade e viii) Interacção em Contextos Diversos. Por fim, e porque um evento desta natureza não se consegue organizar sem a mobilização, o trabalho de grande qualidade e a dedicação de várias pessoas, importa agradecer a todos os elementos da Comissão Organizadora, e aos estudantes voluntários que ajudaram em toda a logística, bem como a todos os elementos da Comissão de Programa e aos revisores externos que também aceitaram analisar trabalhos submetidos. Aos nossos convidados, Francisco Providência, Jennifer Preece e Shahram Izadi, pela disponibilidade de estarem e partilharem connosco o seu conhecimento e experiência na área, o nosso sincero obrigado. Pelo papel fundamental de um secretariado profissional e eficiente fica ainda o nosso agradecimento à Anabela Viegas. Terminamos com o especial agradecimento a todos os autores e conferencistas que acreditaram na competência e rigor de toda esta equipa para acolher o seu trabalho e expô-lo publicamente. Despedimo-nos acreditando que o "Interacção" continuará por terras lusas, quiçá numa toada cada vez mais internacionalizada, e deixando votos para que a edição de 2012 seja pautada por igual sucesso e entusiasmo; a área da Interacção assim o exige e merece. Bem hajam. Aveiro, Outubro de 2010. Óscar Mealha, Daniel Tércio, Beatriz Sousa Santos, Joaquim Madeira.publishe

Mixed reality architecture

This thesis develops and investigates Mixed Reality Architectures (MRA), dynamic shared architectural topologies, which span physical and virtual spaces. A theoretical framework is developed to describe the field of possible architectures. As the result of a first pilot study, this is then extended with the concept of the Mixed Reality Architectural Cell (MRACell). MRACells consist of one physical and one virtual space, linked by a two-way video and audio connection. The video of a real physical space is rendered on an MRACell, which can move within the virtual environment. A projector and screen in the real space renders an image of the virtual environment from the point of view of that MRACell. Inhabitants can move their MRACell in relation to all others within the shared virtual environment, allowing ad hoc as well as planned remote social interaction. In this sense MRACells can be described as novel architectural interfaces extending real physical space, via a shared virtual environment to link to other real spaces. An in-depth study lasting one year and involving six office-based MRACells, used video recordings, the analysis of event logs, diaries and an interview survey. This produced a series of ethnographic vignettes describing social interaction within MRA in detail. The study found that the MRA was effective at supporting remote social interaction between users. Usage patterns appeared to be motivated by awareness and communication or conversely privacy requirements. This usage maintained and strengthened social ties. Social interaction was both visible to others and part of the everyday activities at the respective office spaces. It resulted from the virtual adjacencies introduced by MRA that allowed the ‘spatial’ integration of remote locations. However, the virtual spatial framework making this possible, introduced new topological limitations on the number of concurrent connections that were available. Overall, it was found that the dynamic architectural topology directly affected social interaction, while social interaction itself re-shaped the topology. These findings are of direct relevance to current developments, which aim to use communications media to overcome the spatial dispersion of work groups in modern organizations. Finally, the differences in use that were observed between groups of inhabitants suggest that spatial cognition in Mixed Reality is affected both by the interface technology and by the social practices surrounding it. In response, it is suggested that in order to investigate the new generation of mixed physical and virtual technologies, cognitive science should take into account their affordances as ‘virtual extensions’ to both our bodies and to our environment

XX Workshop de Investigadores en Ciencias de la Computación - WICC 2018 : Libro de actas

Actas del XX Workshop de Investigadores en Ciencias de la Computación (WICC 2018), realizado en Facultad de Ciencias Exactas y Naturales y Agrimensura de la Universidad Nacional del Nordeste, los dìas 26 y 27 de abril de 2018.Red de Universidades con Carreras en Informática (RedUNCI

XX Workshop de Investigadores en Ciencias de la Computación - WICC 2018 : Libro de actas

Actas del XX Workshop de Investigadores en Ciencias de la Computación (WICC 2018), realizado en Facultad de Ciencias Exactas y Naturales y Agrimensura de la Universidad Nacional del Nordeste, los dìas 26 y 27 de abril de 2018.Red de Universidades con Carreras en Informática (RedUNCI

As tecnologias de informação e comunicação na democratização do museu: estratégias digitais participativas e inclusivas

Orientação : Mário Canova MoutinhoNas últimas décadas a crescente adopção de Tecnologias de Informação e Comunicação pelos museus, incorporadas no espaço expositivo ou como forma de providenciar uma experiência museal remota através da Web, veio ampliar o acesso aos bens culturais a audiências mais vastas e diversificadas, assim como possibilitar através de novas formas de mediação uma interacção multidireccional entre as instituições e os seus utilizadores, que podem agora envolver-se mais activamente com o património através de práticas museológicas inovadoras mais participativas e inclusivas. Esta transformação na relação com a audiência é considerada uma oportunidade para os museus se reinventarem e assegurarem a sua relevância no séc. XXI como instituições democráticas, mais abertas e atentas à sociedade e a novas realidades, participando activamente no debate e reflexão sobre questões contemporâneas, promovendo o desenvolvimento, o entendimento mútuo e a cidadania. Na investigação é feita uma análise do actual e potencial impacto das Tecnologias de Informação e Comunicação nas práticas museológicas contemporâneas, focada em particular no uso da tecnologia como instrumento de democratização do museu, no sentido de promover a acessibilidade aos bens culturais e favorecer o envolvimento de públicos plurais com o património. Partindo de uma revisão da literatura e através de observação e inquérito, procurou-se averiguar dentro do cenário português e europeu, quais os recursos e estratégias de comunicação digitais mais adoptados, quais os que se prevê virem a ter maior expressão no futuro próximo, os principais objectivos do seu uso e os obstáculos à sua implementação. No estudo colaboraram 50 instituições culturais europeias e nacionais, assim como visitantes de 2 instituições portuguesas seleccionadas para estudo da interacção de públicos com as TIC.In recent decades, the increasing adoption of information and communication technologies by museums, incorporated into the exhibition space or as a way of providing a remote museum experience through the Web, has increased access to cultural assets for larger and more diverse audiences, as well as making new forms of mediation possible - multidirectional interaction between the institutions and their users, who can now become more actively involved with cultural heritage through innovative and more participatory museological practices. This transformation in relation to the audience is seen as an opportunity for museums to reinvent themselves and ensure that they continue to be relevant in the 21st century, as democratic institutions which are more open and responsive to society and changing circumstances, actively participating in debate and reflection on contemporary issues, promoting development, mutual understanding and citizenship ! This research analyses the current and potential impact of information and communication technologies in contemporary museological practices, focusing in particular on the use of technology as an instrument for democratising the museum to promote accessibility to cultural assets and to encourage the involvement of diverse audiences with cultural heritage. Based on a literature review and through observation and surveys, an attempt was made within the Portuguese and European setting to find out which are the most widely-adopted digital communication resources and strategies, which are expected to have greater use in future, the main objectives in using them and the obstacles to their implementation. Fifty European and Portuguese cultural institutions collaborated in the study, as well as visitors to two Portuguese institutions selected for analyse the audience interaction and use of the digital resources