NASA automatic subject analysis technique for extracting retrievable multi-terms (NASA TERM) system

Current methods for information processing and retrieval used at the NASA Scientific and Technical Information Facility are reviewed. A more cost effective computer aided indexing system is proposed which automatically generates print terms (phrases) from the natural text. Satisfactory print terms can be generated in a primarily automatic manner to produce a thesaurus (NASA TERMS) which extends all the mappings presently applied by indexers, specifies the worth of each posting term in the thesaurus, and indicates the areas of use of the thesaurus entry phrase. These print terms enable the computer to determine which of several terms in a hierarchy is desirable and to differentiate ambiguous terms. Steps in the NASA TERMS algorithm are discussed and the processing of surrogate entry phrases is demonstrated using four previously manually indexed STAR abstracts for comparison. The simulation shows phrase isolation, text phrase reduction, NASA terms selection, and RECON display

Prospectus for a Technical Information Documentation and Analysis Center (TIDAC)

https://egrove.olemiss.edu/aicpa_guides/2436/thumbnail.jp

An ontological approach to the study of European popular culture

Like any other field of contemporary scholarly research, the Humanities in general, and Cultural Studies in particular are today confronted with the challenges of complexity at an unprecedented scale. What has been described as the \u201castonishing growth\u201d of academic publications worldwide is paralleled by a similar proliferation of browsable online databases, like digital archives, collections and catalogues, which offer access to an immense and continuously increasing volume of virtually interesting research material, stored in the form of information bytes. As we discussed in Deliverable 2.1, \u201cSorting out the archive for the study of European popular culture\u201d, the problem of how to cope with such an unseizable of virtually relevant sources of evidence is all the more sensible in the case of a project like DETECt, which deals with one of the most prolific narrative genres of contemporary media production, that is, the European crime narrative genre. Not only an exhaustive catalogue of this production could easily count\u2014especially when considered in all of its transnational scope\u2014in thousands of thousands, and even\u2014in historical perspective\u2014millions of items, but the transdisciplinary scope of the studies it has inspired has produced a wealth of research in many domains of knowledge. These difficult challenges make DETECt an ideal laboratory for experimenting new methods to manage complexity in a transnational/transcultural research environment. This methodological experimentation aims to respond to the problem of how to generate effective syntheses of portions and/or aspects of a given knowledge domain in a context of information overload. To this purpose, the ontological approach chosen by DETECt focuses on the application of knowledge mapping techniques to encourage the formulation of partial knowledge syntheses within a \u201crealist\u201d, and even \u201cpragmatic\u201d theoretical framework