2,072 research outputs found

    Death and the adorable orphan: Marcelino pan y vino (1954; 1991; 2000)

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    The Spanish journalist and writer José María Sánchez-Silva, unaware that he was adapting a folk tale about religious devotion rewarded, produced a complex narrative about the mother-son dyad: Marcelino pan y vino (1952). This was the basis of a popular Spanish film adaptation directed by Ladislao Vajda, released in 1954. It was then remade in 1991 as an Italian/Spanish/French co-production, directed by Luigi Comencini, and, recently, it has been translated into animation for television, the result of Spanish/Japanese/French collaboration in 2000. This article analyses how each version reveals shifting perceptions of childhood by focusing on the ideological function of the orphan child and the spectacle of the 'adorable boy'

    Revisiting Akenfield: forty years of an iconic text

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    Ronald Blythe’s Akenfield, now forty years old, is generally acknowledged as one of the most influential books in the field of oral history. First published in 1969, Akenfield is a classic which still has the power to move the reader with its unsentimental, straightforward descriptions of a rural life that was hard, unremitting and something to be endured. This evocative portrait of life in an East Anglian village illustrated the potential for a new kind of history which told the stories of ordinary folk in their own words. To the twenty-first century reader it is a powerful description of a world we have lost. In this article I want to revisit Akenfield as a classic of British oral history, to examine how its reception and use has mirrored trends in oral history practice in the UK, and to reposition it as a text which can have a lot to say to oral historians today. For 40 years Akenfield has acted as a lightning rod, attracting criticism and praise in equal measure but always reflecting the obsessions of the oral history community. Akenfield should not just be seen as an exemplar of a certain kind of oral history practice that was path-breaking and yet not quite professional enough as some have intimated. Rather, I suggest that it can still teach us a lot about how to write history using oral narratives and dare I say it, offers a masterclass in the writing of a history which speaks to its readership

    Incidents In The Life Of Slave Girls 2.0: Rememory And Patriarchal Bargaining In Toni Morrison’S A Mercy And Dolen Perkins-Valdez’S Wench

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    Through examining traditional slave narratives, such as Harriet Jacob’s Incidents in the Life of a Slave Girl, as well as neo-slave narratives with female protagonists, such as Wench and A Mercy, it becomes evident that participating in patriarchal bargaining in the antebellum South existed as a form of resistance and leverage not in a feminist sense, but one that is inherently womanist. Nearly twenty-five years ago, feminist Deniz Kandiyoti coined the term “patriarchal bargain†to describe the way in which women navigate within patriarchal societies: “Women strategize within a set of concrete constraints, which I identify as patriarchal bargains. Different forms of patriarchy present women with distinct ‘rules of the game’ and call for different strategies to maximize security and optimize life options with varying potential for active or passive resistance in the face of oppression†(Kandiyoti 274). Since its inception, research efforts on patriarchal bargaining have centered on women in patriarchal societies outside of the Western world. However, at its very core patriarchal bargaining can be seen throughout most of American history, especially the antebellum period

    Incidents In The Life Of Slave Girls 2.0: Rememory And Patriarchal Bargaining In Toni Morrison’S A Mercy And Dolen Perkins-Valdez’S Wench

    Get PDF
    Through examining traditional slave narratives, such as Harriet Jacob’s Incidents in the Life of a Slave Girl, as well as neo-slave narratives with female protagonists, such as Wench and A Mercy, it becomes evident that participating in patriarchal bargaining in the antebellum South existed as a form of resistance and leverage not in a feminist sense, but one that is inherently womanist. Nearly twenty-five years ago, feminist Deniz Kandiyoti coined the term “patriarchal bargain†to describe the way in which women navigate within patriarchal societies: “Women strategize within a set of concrete constraints, which I identify as patriarchal bargains. Different forms of patriarchy present women with distinct ‘rules of the game’ and call for different strategies to maximize security and optimize life options with varying potential for active or passive resistance in the face of oppression†(Kandiyoti 274). Since its inception, research efforts on patriarchal bargaining have centered on women in patriarchal societies outside of the Western world. However, at its very core patriarchal bargaining can be seen throughout most of American history, especially the antebellum period

    Streaming Minority Languages: The Case of Basque Language Cinema on Netflix

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    This article explores the way Basque language cinema is adapting to streaming platforms, focusing on the case of the three Basque language films that have made it to Netflix: Loreak (2014), Handia (2017) and Errementari (2018). Firstly, it explains Netflix particularities and its emphasis on diversity, among other reasons that could explain the platform’s interest in these particular films. Secondly, it describes the way these aforementioned films have landed on Netflix and the impact this exhibition has had. I base my research on in-depth interviews with directors Jon Garaño and Paul Urkijo as well as producer Xabi Berzosa to know the insights of the process. More broadly, the article discusses the impact that becoming available on Netflix and other SVOD platforms might have for Basque cinema, especially when it comes to production and transnational distribution. On the other hand, I will also point at the challenges that this new landscape poses for the Basque audiovisual industry, and non-hegemonic languages in general. The streaming revolution, of which Netflix is currently the epitome, is changing the production, distribution, exhibition and consumption model globally, and policy makers and Basque institutions should take this transformation seriously. Loreak, Handia and Errementari should not just become happy exceptions.El presente artículo se centra en cómo el nuevo cine en euskera se está adaptando a las plataformas de streaming, tomando el caso de las tres películas presentes en Netflix hoy en día: Loreak (2014), Handia (2017) y Errementari (2018). Primero se analiza Netflix y su estrategia de branding en torno a la diversidad, y cómo esta puede también entenderse como diversidad cultural y lingüística. Después se analiza el proceso por el que estos tres films en euskera han llegado a la plataforma de streaming. Mediante entrevistas a los actores implicados (los directores Jon Garaño y Paul Urkijo, y el productor Xabi Berzosa) y el seguimiento de las películas, se concluye que, aun siendo notables las oportunidades ofrecidas por Netflix a este cine (en cuanto a financiación y distribución), los desafíos son inmensos en un panorama cambiante y volátil. La revolución del streaming debería tomarse en serio por las corporaciones públicas responsables de producir contenidos y otras alternativas al gigante Netflix (hoy epítome de la OTT) deberían ser tenidas en cuenta para que este caso de tres films no se convierta en mera anécdota

    The John Muir Newsletter, Winter 2010/2011

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    Page 1 transcription missing PAGE 2 John Muir Back and Newsletter Going Digital After a year, we are back! Last year we announced that we would become an occasional newsletter, projecting two issues per year. We only released one issue this past year. In an age of high cost of reproduction and mailing we have decided to follow the trail of other newsletters by going digital. Those with e mail can continue to receive at no charge the newsletter as part of a web serve list. Simply e mail us at [email protected] and we will include you in our future announcements and you will receive a PdF version of the Newsletter. Those who do not have web access, please send us a short note requesting a hard copy of the Newsletter. We suggest a donation of 10peryearforthosewhowouldliketheolderformatasahardcopy.Wearenolongerremindingsubscribersofapendingexpiration.WeappreciateanyandallsupportoftheCenter.YourdonationhelpswithmanyCenteragendas.WecontinuetowelcomesubmissionsofarticlesfocusingonJohnMuirandhislegacy,aswellaspoetryandphotosoftheSierraandotherplacesdeartoJohnMuir2˘7sheart.Articlesshouldbenolongerthan2,000words;butwealsoseekshortpiecesandannouncements.Pleasesubmitto:W.R.SwagertyDirector,JohnMuirCenter,WPC99UniversityofthePacific,StocktonCA95211orbyemailtowswagertv@pacific.eduJaiyaEllis,SustainabilityCoordinatorfortheUniversity2˘7sthreecampuses,withhercentralofficeinMuirCenter261110 per year for those who would like the older format as a hard copy. We are no longer reminding subscribers of a pending expiration. We appreciate any and all support of the Center. Your donation helps with many Center agendas. We continue to welcome submissions of articles focus ing on John Muir and his legacy, as well as poetry and photos of the Sierra and other places dear to John Muir\u27s heart. Articles should be no longer than 2,000 words; but we also seek short pieces and announcements. Please submit to: W. R. Swagerty Director, John Muir Center, WPC99 University of the Pacific, Stockton CA 95211 or by e mail to [email protected] Jaiya Ellis, Sustainability Coordinator for the University\u27s three campuses, with her central office in Muir Center 26-11 nln 1 869: OYamhte, to tne AMmmll al JlLount Jy^olLmxxAt, eX&Q&n tnauAana LeeX, nian, tne, hiatve&t paint in wle. 6, iawun&n nvn LeeX, natie. net taucnea. From Mount Hoffman John Muir My First Summer in the Sierra By Terry G if ford Your \u27ramble\u27 up from the Valley To spend a night on this bare mountain, A steep ascent of five thousand feet, Left me breathless before I turned the page. And even starting from Snow Flat I was pleased to pause on a real chair (My first in weeks of boulder- seats) Left outside by the tree-stump table Amongst the cabins of May Lake Camp. Breathless from the final scramble And the view, looking down on Half Dome, Cloud\u27s Rest, far glaciers and Tenaya Lake, I sit quite still and meet the marmots Smiling eerily like cats as they creep Out from their crevices, expecting to be fed. Disgusted by these half-tame summit pets I turn and scree-slide down the dusty trail To bathe my legs in the clear May Lake. From: Terry Gifford, Reconnecting with John Muir (Athens: The University of Georgia Press, 2006), p. 131. John Muir Event at Pacif April 13 On April 13, 2011, a special John Mur event will be held in the Janet Leigh Theater at University of the Pacific. From 7:00 to 7:30 p.m. photographer Scot Miller will give a presentation on his work in the illustration of the 100th anniversary edition of My First Summer in the Sierra. From 7:30 until 9:15 p.m., film maker Catherine Tatge of Global Village Media will give a brief introduction to her film John Muir in the New World . This is a biographical documentary of the extraordinary life of John Muir and his influence on American history. The 90 minute film, which is sched uled to be broadcast on the PBS American Masters series on April 18, will be shown after Ms. Tatge\u27s introduction. From 9:15 until 10:00 p.m. there will be a reception and book signing by Scot Miller. Page 3 Mike Wurtz In the archives 2010 Online Inventory of Muir Papers is Updated By Michael Wurtz Holt-Atherton Special Collections University of the Pacific Library Recently, the staff of the Holt-Atherton Special Collections had announced the addition of thousands of John Muir correspondence to the web - library.pacific.edu/ha/muir and click on digitized material. This was added to images of Muir\u27s drawings, photographs, and journals. These digital assets have been a tremendous help to researchers around the world. However, there is still much of the collection that is not available online. Digitally scanning and loading the entirety of John Muir Papers and other collections would be a daunting task, so only the most useful and significant items are made available via the web at this time. In addition to all the new online material, we have updated the John Muir Papers finding aid. A finding aid, sometimes referred to as a finding guide, could be considered an inventory, table of contents, index, and annotated bibliography all in one. Collections that are the size and scope of the Muir Papers cannot be easily itemized. Atypical six inch box can hold over a thousand individual documents. To list and describe each of those items would take a great deal of time. Archivists have chosen to organize collections along the lines of what the creator (in this case, John Muir) intended. Once we have created the categories (such as letters, drawings, published materials, etc.) we describe them in slightly more specific terms, such as by date or location or subject. Then the researcher must request the items by folder or box. The online material represents the richest portion of the John Muir Papers. However, it is a minority of all the Muir material. The microform project that was completed in the 1980s includes much more of the collection, but still not every item. The entire collection resides at Holt- Atherton Special Collections in the University of the Pacific Library. How can the researcher find out about what is in the materials that are not accessible via the web or microform? The online finding aid is the answer. It lists the contents to every folder in the collection. For example, researchers will find that the Papers contain most of the collected bibliography of Muir as listed in Kimes\u27 John Muir: A Reading Bibliography. They will also find photographs that have been donated to the collection since the microform project was completed. In addition, the collection includes Muir biographer William F. Bade\u27s transcriptions of many of Muir\u27s Journals, as well as Bade\u27s collected reminiscences, and personal letters. One can also find Linnie Marsh Wolfe\u27s correspondence and papers as she wrote her biography of Muir, and her transcriptions of some of Muir journals. Papers from the Strenzel and Muir family including legal and business papers for the Muir ranch in Martinez are also available. There is also poetry to and about Muir; John Muir\u27s clipping files that he kept on many different topics and memorabilia that includes Muir\u27s odds and ends such as passenger lists, maps and botanical information from trips he took around the world. Researchers can also find a few real jewels within the John Muir Papers that have never made it to microform or online including photographs of construction of the Half Dome Cables Trail in 1919 and clippings on early California agriculture that were probably collected by Muir and his father-in-law, John Strentzel. To get to the finding aid for the John Muir Papers, visit library.pacific.edu/ha/muir/find and click on Finding Aid of the John Muir Papers. From the above website, researchers are invited to click on Related Collections. Here, researchers can see over a dozen finding aids to other Muir related collections that the University of the Pacific Library holds. Page 4 Charles E. Swann\u27s Military Map of Kentucky and Tennessee www.davidrumsey.com &heJve, \A nathlna, nuyce, eXaauenl in. JLatwie, than a nvoumXain fivtteam, ana Void, id, tne, Ia/iaI s eXleA, daw.. . . (continued from page 1) Muir\u27s choices of routes, and through comparison to modern maps. Some of the maps examined were George Woolworth Colton\u27s 1869 Map of Kentucky and Tennessee, 9 A.J. Johnson\u27s 1866 Map of Kentucky and Tennessee, 10 as well as all the relevant, internet- available maps from the collections of the Library of Congress11, the David Rumsey collection of historical maps12, and the historical map archive of the University of Alabama.13 These comparisons show that the best available map from the era of Muir\u27s walk is Charles E. Swann\u27s 1863 Military Map of Kentucky and Tennessee. 14 Also valuable because it gives the names and characteristics of roads, is N. Michler\u27s 1862 Map of Middle and East Tennessee.15 The 1863 map Mountain Region of North Carolina and Tennessee by W. L. Nicholson and A. Lindenkohl16 has almost twice the scale and was useful for confirming the previous two maps. Finally, the General Topographical Map by Julius Bien & Co. was issued by the United States War Department in 1895, but it was part of an Atlas to Accompany the Official Records of the Union and Confederate Armies, 1861- 1865 and seems to show features as they existed in 1865, not 1895. Sheet XV is the relevant map.17 None of these maps show features with the accuracy and scale with which we are familiar today. None of them show elevation contours; however the General Topographical Map of Julius Bien mentioned above depicts mountain- David Rumsey Map Collection r.........,n, I ous terrain through the use of hachures. The earliest maps that would today be considered topographic maps are the 30 minute quadrangles18 issued by the US Geological Survey in the 1890s. These were surveyed two or three decades after Muir\u27s walk, so they need to be used judiciously and in connection with the Civil War- era maps. Reconstructing the route In order to reconstruct Muir\u27s probable route, A Thousand Mile Walk to the Gulf and Muir\u27s journal for the trip were searched for geographical clues, then a reasonable route was traced out on Civil War-era maps. That information was then transferred to topographical maps from the 1890s, and then transferred to modern maps. The result of this process has been recorded on Google maps.19 To see this map, go to http:// maps.google.com/ Click on search options. On the drop-down menu, select User-created maps. Type in John Muir Cumberland. Click on search maps. Then click on John Muir\u27s Crossing of the Cumberland to see Muir\u27s route and places visited along the way. This process is for the most part easier than it sounds, and while it cannot be and does not pretend to be exact, most individuals performing the process would come up with a very similar route; however a researcher possessing detailed local historical and geographical knowledge could probably improve the end result. According to Muir\u27s journal and A Thousand Mile Walk to the Gulf, Muir passed through Burkesville, Kentucky on September 8. He (i.nriivil inttncjf.-Tphk.-il m,sp. Sh^r-1 XV. lull us Hkn A Co.r I itfe.., \.Y. (EH\u27J] ifw:*) The author found this map of the Cumberland drawn in 1895, but represents this area from the Civil War, to have provided the most detail of that area from the time that Muir passed through. (captured from the David Rumsey Map Collection website) page 5 Google rn a PS John Muir Cumborl and Search Maps 6M Cmrtiom UlMUX Save 1oM» Mans Jolin Muir\u27s Crossln-g of Hie Cumberland My cost estimation ti4 ihe route t aken b| John Muir when he crossad tho Cumberland Plateau on 10.11, and 12 September 1 ST. Thw was pan of Mun\u27i wilh horn Lour*rfle. Kairtiicky.to Cedar h\u3ejr. Fkwde. 0\u3es.cnfced ^ Ins boor: *A Thousand-Mae Walk To 1h* GuT Red poioLert re-piesert towns v.s*ed bj Mini. Qfue\u3e poeTtera iapres*nl ailee to w* too ** to 901 b tew* of what Muir saw in 1867 Map by Dan Si yei. 7Z eiawa - Publ ic C» *!»d on Aug 38.2QB - Updated Mat 31 By Dan Slyer PM* Ineirtip-Will* tHrtrt»nt fftjftaaili KY Mun pasted through on 8 Septeenoir 1967 tjaraeslawn. 1H Muir passed through on 10 Seplerribe r 1887. ftnonuoirion. TH Howe ghost Irjwn Hur passed through in Che fflafleee] ol 17 Senteenbei 1967 t Kingston TN Mlui tie (Bit ten the night, of 1? Senlembar 1867 / Mull\u27. Wllle tnybesl eetlnwiion of the roule liken by John Mue wSoo ha ciassed the Cnmberland Placeau on 10. 11. and 12 Seplernoor 1867. This best eelmiatBd mule mosltp follows moderrt-datr roaoH, tot or places (a tf\u27T\u27 \u27 Blurts, rocknSut*s, natoril avclves. fpapa Cmk Sale Malum fraa 5tal* Natuul Area Jkichee and watereat* In Ihe 1356 Wwibuig (uadranuje, this lit! was called simply The Wideirwss 5 John Muir Cgmbe dand The author posted this user-created map of John Muir\u27s 1867 route through the Cumberland on Google maps. The map includes clickable points with information and photographs of places that Muir had visited. Instructions for finding this map online are included in the article. crossed the state line into Tennessee towards evening 20 on September 9. The next day, after a few miles of level ground 21 Muir walked upgrade with occasional views in which Kentucky was grandly seen 22 for six or seven hours 23 to reach the top of the Cumberland Plateau. He passed through Jamestown and as previously mentioned, spent the night with a blacksmith and his wife. On September 11 he walked a long stretch of level sandstone plateau 24 and was compelled to sleep with the trees in the one great bedroom of the open night. 25 Finally, on September 12 Muir breakfasted in Montgomery and descended the east slope of the Cumberland Mountains. He forded the Clinch 26 and reached Kingston before dark. 27 The Civil War-era maps show several routes from Burkesville to Jamestown, but the most direct route, the route that would be more in Kentucky than in Tennessee,28 the only route that would give a view north to Kentucky while climbing the plateau, and the only route that is level until one long steady climb to the top of the plateau, is the route through Albany, Kentucky and Pall Mall, Tennessee. In the author\u27s opinion, the only plausible ^oute from Jamestown to Montgomery is the Pile Turnpike. Montgomery, now a ghost town but then the Morgan County Seat, was then located on the upper reaches of Emory River, just west of Wartburg. From Montgomery to Kingston, the only practicable route is east through Wartburg, then branching southeast at Crooked Fork and proceeding northeast of Bitter Creek. This road reaches Emory Iron Works on the watercourse variously known as Emory Creek, or Little Emory Creek, or Little Emory River (its modern name). This route then descends through a gap in Wal- den Ridge on the left bank of the Little Emory, and finally fords the Emory and Clinch Rivers in the lowlands east of the plateau. In the text of A Thousand-Mile Walk to the Gulf, the eloquent... mountain stream 29 crossed by Muir on September 12 is identified parenthetically as the Emory River. However the mountain stream is unnamed in his journal. The gorge of the Emory River, as it descends from the plateau, is so rugged that no road followed it in 1867 and no road follows it even today. The author asserts that the name was inserted incorrectly either by Muir or by editor William Frederic Bade long after the trip,30 and that the eloquent mountain stream is actually the Little Emory River. JLe Page 6 A y^/^ •&&** w \u27*ZSZ~L^M~ —S5 PAGE 7 Cystopteris (bladder fern) One of the plants mentioned by Muir From: luirig.altervista.org seat of Jamestown. Indeed, even today the telephone book shows that there are three households named Livingston in Jamestown. And all of them live near the author\u27s estimated route south of downtown Jamestown! At this point the author reached a dead end toward a solution of the blacksmith question, as many Fentress County records were lost during a 1905 courthouse fire. However, a determined seeker armed with local records and local knowledge might be able to uncover more. A visit today In his thousand-mile walk, Muir sought out the wildest, leafiest, and least trodden way I could find. 34 The geographical route Muir took is no longer particularly wild, leafy, or untrodden. Anyone wishing to recreate Muir\u27s journey will need to take side trips away from Muir\u27s geographical route to glimpse his spiritual route through the wild, the leafy, and the least trodden. John Muir\u27s Crossing of the Cumberland 35 suggests more than two dozen sites to visit, from waterfalls to overlooks to springs to virgin forests. It is interesting to note that the thousand- mile route taken by Muir is not the route taken by the present-day John Muir Trail, which runs for 42 miles in the Cumberland Plateau through Big South Fork National River and Recreation Area and adjoining Pickett State Forest. Nor is it the route taken by the John Muir National Recreation Trail, which runs for 21 miles along the north bank of Hiwassee River within Cherokee National Forest in eastern Tennessee. These two trails were named to acknowledge Muir as an early naturalist walker in the area, not to recreate his precise route. Acknowledgement The author is grateful for the help of Willie R. Beaty, President of the Fentress County Historical Society in Jamestown, Tennessee, who suggested some profitable avenues of investigation. Also to Wil Reding of Kalamazoo, Michigan who with his wife Sarah Reding retraced the thousand-mile walk route on 5 May to 25 June 2006, suggested improvements to a late draft of this article. ENDNOTES 1. Digitized images of Muir\u27s notebooks are available through http://librarv.pacific.edu/ha/ digital/muiriournals/muiriournals.asp See journal number 1, images 9 through 13. 2. John Muir, A Thousand-Mile Walk to the Gulf, ed. William Frederic Bade (Boston: Houghton Mifflin Company, 1916). Reprinted in John Muir, The Wilderness Journeys, ed. with introduction by Graham White (Edinburgh: Canon- gate Classics, 1996) 3. Ibid., (1916), p. 17; (1996), ed. White, p. 9. 4. Ibid., (1916), p. 22; (1996), ed. White, p. 11. 5. Ibid., (1916), p. 29; (1996), ed. White, p. 14. 6. Bonnie Johanna Gisel, ed., Kindred and Related Spirits: The Letters of John Muir and Jeanne C. Carr, (Salt Lake City: University of Utah Press, 2001), pp. 57-59. 7. Muir, op. cit., (1916), p. 15; (1996), ed. White p. 8. 8. Ibid., (1916), p. 30; (1996), ed. White, p. 15. Muir\u27s Houghton-Mifflin editor, William Frederick Bade identified the river in brackets as [Emory River]. 9. George Woolworth Colton\u27s 1869 Map of Kentucky and Tennessee (scale 1:1,584,000) is available through http://alabamamaps.ua.edu/historicalmaps/ us states/kentuckv/index.html It shows a road running from Montgomery, Tennessee to Kingston, Tennessee, along the west bank of the Emory River. The road shown on this map supposedly crossed Obed\u27s River just before that river joins with Emery\u27s River. Modern names for these rivers are Obed River and Emory River. Modern maps show that this supposed road would have to descend a 400-foot cliff to reach the Obed and then immediately ascend a 400-foot cliff on the other side. Colton\u27s map also shows Clear Creek emptying into the Obed upstream of Daddy\u27s Creek, whereas modern maps show that the reverse is correct. No other map of that era shows this road. 10. A.J. Johnson\u27s 1866 Map of Kentucky and Tennessee (scale 1:1,521,000) is available at the same web site listed in note #9. It shows a road direct from Kingston, Tennessee to Madisonville, Tennessee. 11. http://memorv.loc.gov/ammem/gmdhtml/ gmdhome.html 12. http://www.davidrumsey.com/ 13. http://alabamamaps.ua.edu/ historicalmaps/index.html 14. Charles E. Swann, Military Map of Kentucky and Tennessee, 1863, scale 1:350.000 Available throughhttp:// www.davidrumsey.com/maps2433.html http://hdl.loc.gov/loc.gmd/g3951s.cs0216800 no tonxx^A, •pa/i/tiou.- ta/ttu, -\\kia, tWtXu-, qa, unviaOG^n. Had Muirwalked this same route 143 years after he did, he would have plenty of food options. This Hardee\u27s fast food restaurant on the Knoxville Highway in Wartburg, TN is probably only a few steps off the thousand mile walk to the Gulf. (Used with permission from the Fisherman\u27s Quartet website http:// thefishermansquartet.com November 18,2010 Page 8 Schrankia, (sensitive briar) One of the plants mentioned by Muir kansasnativeplantsociety.org 15. N. Michler, Map of Middle and East Tennessee, 1862, scale 1:235,000. Available through http://hdl.loc.gov/loc.gmd/ g3962t.cws00162 16. W.L Nicholson and A. Lindenkohl, Mountain Region of North Carolina and Tennessee, 1863, scale 1:633,600. Available through http://hdl.loc.gov/loc.gmd/g3900.cw0053000 17. Julius Bien & Co., General Topographical Map, sheet XV, United States War Department, 1895. Scale 1:633,600. Available through http://www.davidrumsev.com/detail?id=l-l- 26982-1100281 18. These U.S. Geological Survey 30 minute quadrangles (scale 1:125,000) are relevant: Wartburg, Tennessee, Edition of Mar. 1896. Topography by A.E. Murlin. Surveyed in 1893. Briceville, Tennessee, Edition of July 1896. Topography by J.F. Knight and E.C. Barnard. Surveyed in 1888-91. Loudon, Tennessee, Edition of Oct. 1895. Topography by F.M. Pearson 1884-5. Topography by C.E. Cooke 1891. Kingston, Tennessee, Edition of Mar. 1891. Topography by F.M. Pearson. Surveyed in 1884-5. Available through http://alabamamaps.ua.edu/historicalmaps/ us_states/tennessee/topos/30mintopos.html 19. John Muir\u27s Crossing of the Cumberland. Available through http://maps.google.com/ Search User-created maps for John Muir Cumberland. 20. Muir, op. cit, (1916), p. 15; (1996), ed. White, p. 7. 21. Ibid., (1916), 22. Ibid., (1916) 23. Ibid., (1916). 24. Ibid. 25. Ibid., p. 15. 26. Ibid., 27. Ibid.. (1916), (1916), p. 16; (1996), ed. White, p. 7. p. 16; (1996), ed. White, p. 8. p. 16; (1996), ed. White, p. 8. p. 26; (1996), ed. White, p.13. pp. 29-30; (1996), ed. White, (1916), p. 31; (1996), ed. White, p.16. (1916), p. 32; (1996), ed. White, p.16. 28. About 25 miles in Kentucky and 10 miles in Tennessee, to the base of the plateau at Pall Mall. 29. Muir, op. cit, (1916), p. 30; (1996), ed. White, p. 15. 30. Although most of A Thousand-Mile Walk to The Gulf is a journal, wr

    THE DRIVERS OF PRODUCTIVITY

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    This paper will try to demonstrate that productivity is the basis of all productive systems, which are viewed as transformers of utility and value, since the search for maximum productive efficiency is necessary to reduce production costs and thus produce value. After presenting a coherent frame of reference, we shall examine the drivers of productivity and then move on to discuss the consequences of the continual growth in productivity and the non-economic aspects linked to the gradual improvement in productivit

    Technological Adaptation on the Frontier: An Examination of Blacksmithing at Fort Michilimackinac, 1715-1781

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    This research examines the blacksmith and his work within the 18th century fur trade community at Fort Michilimackinac (1715-1781). Located at the northern tip of the Lower Peninsula of Michigan, this fortified trading post was important to the French (1715-1760) and British (1761-1781) fur trade economies in North America. Archaeological data and historic documents describing the use, trade, and demand for iron products at Fort Michilimackinac are used to understand the blacksmith and his work within the 18th century fur trade frontier and the wider socioeconomic landscape of which he was part. Blacksmiths were essential in supporting the material needs of frontier communities and the technological adaptations necessitated by frontier conditions are examined through the archaeological remains of the blacksmith workshops at Fort Michilimackinac, as well as metal artifacts found across the site. A model for identifying blacksmithing activities within workshops was applied to archaeological data from Fort Michilimackinac and three blacksmith workshops were identified. These are described in terms of the archaeological features represented and their spatial attributes. Several artifact groups were selected for analysis based on trade records and other historic documents that described their local production and/or repair at the fort. Trends in repair methods and potential technological adaptations of blacksmithing techniques exhibited by these repairs are identified. Portable x-ray fluorescence analysis was used to further examine traits of frontier metals and identify types of artifacts that were likely produced by the blacksmiths at Fort Michilimackinac. By examining the blacksmith and his work, this research contributes to a holistic understanding of the fur trade frontier and the importance of individuals and craftsmen, like the blacksmith, within the communities that aided the continued success of the fur trade and European expansion in North America

    Felicita - An Animated Feature Film Script with Art Concept Book and Pitch Deck

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    Felicita is a complete 90-page screenplay written for an animated feature film that is based equally on the lives of my Nanu Judith Balogh, and my great-great-great-great grandmother, Countess Felicita Anna Murari. Because I envision Felicita as an anima
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