685 research outputs found
Alien Registration- Maillet, Albert J. (Kittery, York County)
https://digitalmaine.com/alien_docs/3637/thumbnail.jp
Alien Registration- Maillet, Albert J. (Bath, Sagadahoc County)
https://digitalmaine.com/alien_docs/8901/thumbnail.jp
Resource Reviews
Reviews of
Dead Sea Scrolls and the Bible, by James Vanderkam. Grand Rapids: William B. Eerdmans, 2012. 188 pp. 16.00; ISBN 0-8028-6485-7. Reviewed by Robert Burgess, Head, Acquisitions, Midwestern Baptist Theological Seminary, Kansas City, Missouri.
Jesus Christ and the Life of the Mind, by Mark A. Noll. Grand Rapids: William B. Eerdmans, 2011. 180 pp. 30.50; ISBN 978-0-8028-2575-9 (Hardcover). Reviewed by J. Craig Kubic, Director of Library Services, Midwestern Baptist Theological Seminary, Kansas City, Missouri.
Sunday School That Really Works: A Strategy for Connecting Congregations and Communities, by Steve R. Parr. Grand Rapids: Kregal, 2010. 218 pp. 26.30; ISBN 978-0-8572-1198-9 (Softcover). Reviewed by J. Craig Kubic, Director of Library Services, Midwestern Baptist Theological Seminary, Kansas City, Missouri.
A Week in the Life of Corinth, by Ben Witherington III. Downers Grove: InterVarsity Press Academic, 2012. 158 pp. $16.00; ISBN 978-0-8308-3962-9. Reviewed by Kathleen Kempa, Reference and Electronic Services Librarian, Steelman Library, Southeastern University, Lakeland, Florida
Pairwise and incremental multi-stage alignment of metagenomes: A new proposal
Traditional comparisons between metagenomes are often performed using reference databases as intermediary templates from which to obtain distance metrics. However, in order to fully exploit the potential of the information contained within metagenomes, it becomes of interest to remove any intermediate agent that is prone to introduce errors or biased results. In this work, we perform an analysis over the state of the art methods and deduce that it is necessary to employ fine-grained methods in order to assess similarity between metagenomes. In addition, we propose our developed method for accurate and fast matching of reads.Universidad de Málaga. Campus de Excelencia Internacional AndalucÃa Tech
Acconci’s Pied-à -terre: Taking the archive for a walk
To kick the habit of conventional scholarship this article appeals to the affective draw of the archive via an imaginative pedestrian peregrination. It takes a walk through the uneasy spaces of Vito Acconci's 1972 work Anchors and listens to the dialogue of conflicting voices which still demand to be heard, forty years after their construction. It becomes unclear who is initiating the dialogue; the text is hard to read and perverse. The resulting disorientation of Anchors is matched by a later, larger, exhibition in Paris: Les Immatériaux, co-organised by French Philosopher Jean-François Lyotard. Here the labyrinthine confusion of spaces, sounds, smells and sights acts out an excess of information, echoing the affective intensity of Acconci's Anchors. However, the parallel between Acconci and Lyotard comes through a stumbling manner: eager to avoid the foot-fall that forms a well-trodden path the aim is to keep moving. We cannot dust off these archives whilst reclining in a recumbent posture; we must leap to our feet and become participants in their performance. Neither must we aim to decode the unarticulated voices which grunt and girn their way into our reading. Such bodily emissions were termed the ‘affect-phrase’ by Lyotard, not in order to decipher their meaning, but to acknowledge their effect in leaving conventions of communication provocatively unfulfilled. Let us proceed on foot
L\u27Orpheon Lewiston City Hall Photograph, 1947-1948
Alexis J. Cote is a celebrated music director who taught in the Lewiston school system for over 20 years and later as the director of the vocal music program in the Portland school system for over 15 years. He was the choral director and church organist at St. Louis Parish in New auburn and organist and choir director at the Catholic Cathedral of the Immaculate Conception in Portland. Since 1940, he has served a director of L’Orpheon. The group continues to perform programs in French, English, and Latin.
Row 1: Maurice Champoux, Conrad Doucette, Gilbert, (unidentified), Gerard Lajoie, Roland Mutty, Robert Wade, Leonard Maillet, Doria Gautier, Wilfred Laroche, (unidentified), Louis Restori, Alfred Jalbert, Marcel Dutil.
Row 2: Gerard Grenier, Tom Grenier, Zepherin Gosselin, Laurier Fortier, Maurice, Roland Carbonneau, Jean Charles Boucher, (unidentified), Raymond Matheux, Aime Simoneau, (unidentified), Vincent Bernier, Wilfrid Simard, Lucien Matheux, Raymond Langlais. Directed by Alexis J. Cote, Accompanist Claude Noel
Franco-American Heritage Collection; copy print by Jere Dewatershttps://digitalcommons.usm.maine.edu/franco-music-traditions/1011/thumbnail.jp
Les Représentations Littéraires de la Déportation dans la Région de la Rivière Saint-Jean
In the manner of Longfellow’s Evangeline, most of the narrative literature associated with the Deportation takes place in the Grand-Pré and Minas Basin regions. But what of the Deportation narratives of Sainte-Anne and the Saint-John River coast? Several authors have written works that take place in part or in whole in this area. These often little-known works of fiction express the authors’ personal views stemming from imagination, inventiveness and writing styles that narrate the horrendous events that have shaped the soul of Acadie. These works by authors Léon Ville, Antoine-J. Léger, Antonine Maillet, Jules Boudreau and Georgette LeBlanc need to be dusted off and reread for their novel vision of the Deportation within a region where every effort has been made to obliterate its memory.En littérature, la majorité des récits de la Déportation, à l’instar d’Evangeline de Longfellow, se déroule à Grand-Pré et dans la région du Bassin des Mines. Qu’en est-il des récits des déportations à Sainte-Anne et le long de la rivière Saint-Jean? Quelques auteurs ont rédigé une œuvre se déroulant en partie ou en totalité dans cette région. Ces œuvres de fiction, souvent peu connues, expriment une vision personnelle de l’auteur qui se sert de son imagination, de sa faculté d’invention et de sa capacité de style afin d’exprimer l’horreur d’événements qui ont forgé l’âme de l’Acadie. Ces œuvres de Léon Ville, Antoine-J. Léger, Antonine Maillet, Jules Boudreau et Georgette LeBlanc méritent d’être dépoussiérées et relues car elles apportent une vision inédite de la Déportation dans une région où l’on a tout fait pour en oblitérer le souvenir
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