Meet Mugar - Reserve Room

Poster introducing students to the Reserve Room in Mugar Library

Specular suffering: (staging) the body in pain

For the abstract see the PDF fil

"Weekly Honor Senior Thesis Write-Ins" posters

This poster aims to make BU students aware of programs available to help them write their Senior Honor Thesis papers with BU Mugar Library. Sponsored by College of Arts & Sciences Writing Program & Boston University Libraries

What has the internet ever done for employees? A review, map and research agenda

PurposeThe main purpose of this paper is to assess the extent to which employees have benefitted in the internet age and to identify research gaps that surround such activities.Design/methodology/approachThe approach is a combination of a systematic literature review and an empirical analysis of secondary data drawn from press reports of emergent employee internet activities.FindingsThe internet continues to provide fresh and exciting opportunities for the employee to explore in relation to furthering employment‐related interests. However, the internet very much represents a “double‐edged sword” in that the many advantages of the internet can be quickly cancelled out by employer attempts to monitor, control, and exploit for themselves such activities, for their own ends. It is also evident that a full assessment of some activities cannot be made without further research.Research limitations/implicationsThe paper is reliant on extant literature and resources that are known to have limited scholarly application.Practical implicationsA broad and eclectic discussion of employee internet activities is likely to be of interest to academics and human resource practitioners whose interests are based on a blend of employee relations practices and new internet‐based technological developments.Social implicationsThe study addresses how a distinct actor in employee relations has faired in an age denoted by shrinking opportunities for collective action, yet also denoted by rapid developments in empowering user‐generated and social networking forms of information communication technology.Originality/valueThis paper synthesises literature and data from a wide range of largely incongruous academic and non‐academic sub‐disciplines to provide a fresh and authoritative account of emergent employee behaviour.</jats:sec

Altichiero in the Fifteenth Century

Altichiero was the dominant north Italian painter of the later Trecento. In Padua, in the 1370s and early 1380s, he worked for patrons close to Petrarch and his circle and perhaps in direct contact with the poet himself. By the time of the second edition of Vasari’s Vite (1568) the memory of Altichiero’s work had suffered significant occlusion, and Vasari’s account of him is little more than an appendix to his life of Carpaccio. Only since the later nineteenth century, and particularly in the last fifty or so years, has Altichiero’s reputation been restored. It is the purpose of this paper to examine aspects of that reputation throughout the century or so after the painter’s death (by April 1393)

Minou Schraven, Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration (Farnham and Burlington, VT, Ashgate, 2014), xviii + 320 pp., 13 tables, 51 b/w illustrations. ISBN: 978-0-7546-6524-3. Price £70 (hardback)

No abstract available

The différance engine: videogames as deconstructive spacetime

The purpose here is to intervene within some dominant strands of videogame scholarship and propose a more problematic relation to our object. The two dominant tendencies taken-up here represent what has come to be self-styled as a media studies 2.0 model, over and against a supposedly previously dominant (and retroactivated as outmoded) 1.0. Proposed in opposition to these somewhat sweeping positions will be a deconstructive model which, while disagreeing with these theoretical ‘algorithms’, would not believe itself to be leading a charge toward any notionally more thoroughgoingly circumnavigating 3.0 account. Specifically, while the 2.0 account proposes a “new” active first-person Performative framework versus an “old” third-person indicative Constative, we would recommend a reworked iterative-Performative as propounded in the works of Derrida and Butler