18 research outputs found

    Max Aguilera-Hellweg, Photography from surgery to robotics

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    Anthropomorphic robotics have become increasingly familiar in our daily lives. Photographer and surgeon Max Aguilera-Hellweg moved from projects focusing on human bodies undergoing surgery to photographs of androids and their inner architecture. Why did the photographer choose to give up the human body to turn to its simulacrum? What does the robot have that the human body doesn’t have? What is the point of photographing objects that resemble human beings? These are the questions that will guide our analysis of the work of Max Aguilera-Hellweg.La robotique anthropomorphe prend de plus en plus de place dans notre quotidien. Le photographe et chirurgien Max Aguilera-Hellweg a photographiĂ© ces objets dont la forme ressemble Ă©trangement Ă  celle du corps humain. Pourquoi le photographe a-t-il choisi de renoncer au corps humain pour se tourner vers son simulacre ? Que possĂšde le robot que le corps humain ne possĂšderait pas ? Quel intĂ©rĂȘt y-a-t-il Ă  photographier des objets qui ressemblent Ă  des ĂȘtres humains ? Voici les interrogations qui guideront notre analyse du travail de Max Aguilera-Hellweg

    Une introduction à la pluralité des corps en transition

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    La notion de « corps en transition » suggĂšre l’instabilitĂ© et la mutation des frontiĂšres des rhĂ©toriques de genre, de sexe, de classe, de race et d’espĂšce entre autres, en tant que catĂ©gories construites de maniĂšre historique et culturelle par des discours, des pratiques et des reprĂ©sentations, qu’elles soient symboliques ou visuelles. Dans leurs formes plastiques, poĂ©tiques et politiques, les images travaillent les corps pour rendre compte des oppressions et des rapports sociaux de dominati..

    Group therapy with peer support provider participation in an acute psychiatric ward: 1-year analysis

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    Background: Group psychotherapy improves therapeutic process, fosters identification with others, and increases illness awareness; (2) Methods: In 40 weekly group sessions held in an acute psychiatric ward during one year, we retrospectively evaluated the inpatients’ participation and the demographic and clinical variables of the individuals hospitalized in the ward, the group type according to Bion’s assumptions, the main narrative themes expressed, and the mentalization processes by using the Mentalization-Based Therapy-Group Adherence and Quality Scale (MBT-GAQS); (3) Results: The “working” group was the prevailing one, and the most represented narrative theme was “treatment programs”; statistically significant correlations were found between the group types according to Bion’s assumptions and the main narrative themes (Fisher’s exact, p = 0.007); at our multivariate linear regression, the MBT-G-AQS overall occurrence score (dependent variable) was positively correlated with the number of group participants (coef. = 14.87; p = 0.011) and negatively with the number of participants speaking in groups (coef. = −16.87, p = 0.025); (4) Conclusion: our study suggests that the group shows consistent defense mechanisms, relationships, mentalization, and narrative themes, which can also maintain a therapeutic function in an acute ward

    Résilience de la non-humanité

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    Arte Povera. Monument, contre-monument et histoire

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    Yann Pocreau, Fantasmes colorés

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