33 research outputs found

    Antun Mihanović i Svetogorska legenda

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    Sava Hilandarac, monk and librarian of the Hilendar monastery, in his book ā€œThe History and Description of Hilendarā€, accuses the Croatian poet, Antun Mihanović that in the course of 1840, on occasion of his visit to Mount Athos, requested from the Hilendar monks to allow him access to the old manuscripts, and he never returned them. Although this accusation was wholly refuted by Vladimir MoÅ”in, still the fact remains that Mihanović, if not on Mount Athos, but in Macedonia, did take possession of some monastery manuscripts in a manner that cannot be depicted as being honourable. His contemporaries bear witness to this, in particular the Macedonian educator and writer, Jordan Hadži Konstantinov-Đinot, who in several places in his discussions and accounts on his travels, emphasizes Mihanović as an usurper of the Macedonian cultural heritage. The accusations against Mihanović call for a reply to the question, did he sometimes ā€œdishonorablyā€, collecting the literary and historical records, help or hinder the Macedonian, Serbian and Bulgarian literary heritage? The author of this article holds that, if we take into consideration the unbearable situation and for manuscripts the dangerous climate that prevailed at that time in the southern parts of the Balkans, Mihanović\u27s efforts as a collector, regardless of his methods, was in essence for a purpose that was noble, useful, fruitful and sublim

    Literary Creation on The Island of Korčula In The 19th Century

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    Književni proces na Korčuli tijekom 19. stoljeća u duhu je alijenirane i otuđene Dalmacije koja se cijelo stoljeće borila i izborila za svoj hrvatski jezik i književnost na hrvatskome jeziku. Dug talijanskoj kulturi i književnosti u Korčuli uočavamo u prigodnoj i udvorničkoj poeziji kasnoga osamnaestog i početka devetnaestoga stoljeća, koja je mahom u duhu talijanske prigodničarske poezije, u kojoj dominira sonet. Od značajnijih imena koji u to vrijeme objavljuju, nažalost, osim Nikole Å panića, otuđenoga i rebelnog literata, važnijih imena nema. Pozne godine 19. stoljeća, odnosno kretanje spram predromantizma, romantizma i predrealizma, vidljive su u skromnim književnim i estetskim vrednotama književnih proznih uradaka Stjepana Kastrapelija i Petra Franasovića. Želimo li odgovoriti na pitanje je li Korčula odgovorila izazovima vremena, pogotovo na pitanje književne recepcije, možemo odgovoriti potvrdno, međutim, s vrlo skromnim književnim prinosom, koji je viÅ”e književnopovijesnog, a znatno manje estetskoga značaja.The literary process on Korčula during the 19th century reflects the spirit of the alienated and estranged Dalmatia that struggled for its Croatian language and literature in the Croatian languageduring that whole century, in which it finally succeeded. We see the debt to Italian culture and literature in Korčula in the occasional and laudatory poetry of the late eighteenth and early nineteenth century, which is mainly in the spirit of the Italian occasional poetry, in which the form of thesonnetdominates. Among the important names who published their works at that time, there are no, unfortunately, more important literary names. The only exception is Nikola Å panić, an alienated and rebelling literate. In the later years of the 19th century, the most important names are those of Stjepan Kastrapeli and Petar Franasović. Although the value of their prose texts is rather modest, we can detect in them the movements towards pre-romanticism, romanticism and pre-realism. If we want to answer the question whether Korĉula responded to the challenges of time, especially in terms of literary reception, we can answer affirmatively, but with very modest literary yields, which is more of a literary-historical and much less aesthetic importance

    A Fragment from the Korčula Literary Heritage at the Example of Darinka Krstulović

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    Darinka Krstulović pjesnikinja i prozaistica nameće se sve viÅ”e kao jedno od vodećih ā€žkorčulanskih peraā€œ, koja svojom osebujnom poetskom kazljivoŔću punom ironije, satire, ali i istinske emotivne kazljivosti iskače iz otočnog poetskog mikrokozmosa. Ovaj skroman prilog satisfakcija je mom shvaćanju da na malim otocima i izoliranim otočnim sredinama sazrijevaju majstori od pera.Darinka Krstulović is a poet and prose writer who imposes herself as one of the leading ā€œKorčula pensā€. With her poetic procedure, full of irony, satire and true emotive expression, she departs from the island poetic micro cosmos. This modest contribution can be understood as an example that masters of pen can mature even on small islands and isolated island milieux

    MUNITY, OFTEN THEME OF THE ARTIST FROM KORČULA

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    Staru je lokalnu predaju o sukobu Čarana s mletačkim knezom-namjesnikom na Korčuli obradilo u stihu i prozi nekoliko književnih djelatnika s otoka Korčule. Anonimni su se narodni pjevači, Ivan Kapor, Kuzma TomaÅ”ić i Stjepan Kastrapeli okuÅ”ali u obradi tog vrlo zahvalna motiva no s nejednakim uspjehom. Iz ustaljene se osrednjosti izdvaja TomaÅ”ićeva balada u kojoj se pjesnik u potpunosti otrgnuo od obrasca narodne epske pjesme i stvorio dojmljiv baladični ugođaj inspiriran hrabrom smrću mlada buntovnika Petra Crnomira. Ostali su tekstovi interesantni kao književnopovijesni dokumenti dok im je umjetnička dimenzija skromna.Mutiny of the Crnomir brothers from a little place called Cara on the island of Korčula against the Venetian torture was often the theme of the artist from Korčula. The purpose of this work is to present the achievements of the artists in dealing with this theme in their works

    Literary Creation on The Island of Korčula In The 19th Century

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    Književni proces na Korčuli tijekom 19. stoljeća u duhu je alijenirane i otuđene Dalmacije koja se cijelo stoljeće borila i izborila za svoj hrvatski jezik i književnost na hrvatskome jeziku. Dug talijanskoj kulturi i književnosti u Korčuli uočavamo u prigodnoj i udvorničkoj poeziji kasnoga osamnaestog i početka devetnaestoga stoljeća, koja je mahom u duhu talijanske prigodničarske poezije, u kojoj dominira sonet. Od značajnijih imena koji u to vrijeme objavljuju, nažalost, osim Nikole Å panića, otuđenoga i rebelnog literata, važnijih imena nema. Pozne godine 19. stoljeća, odnosno kretanje spram predromantizma, romantizma i predrealizma, vidljive su u skromnim književnim i estetskim vrednotama književnih proznih uradaka Stjepana Kastrapelija i Petra Franasovića. Želimo li odgovoriti na pitanje je li Korčula odgovorila izazovima vremena, pogotovo na pitanje književne recepcije, možemo odgovoriti potvrdno, međutim, s vrlo skromnim književnim prinosom, koji je viÅ”e književnopovijesnog, a znatno manje estetskoga značaja.The literary process on Korčula during the 19th century reflects the spirit of the alienated and estranged Dalmatia that struggled for its Croatian language and literature in the Croatian languageduring that whole century, in which it finally succeeded. We see the debt to Italian culture and literature in Korčula in the occasional and laudatory poetry of the late eighteenth and early nineteenth century, which is mainly in the spirit of the Italian occasional poetry, in which the form of thesonnetdominates. Among the important names who published their works at that time, there are no, unfortunately, more important literary names. The only exception is Nikola Å panić, an alienated and rebelling literate. In the later years of the 19th century, the most important names are those of Stjepan Kastrapeli and Petar Franasović. Although the value of their prose texts is rather modest, we can detect in them the movements towards pre-romanticism, romanticism and pre-realism. If we want to answer the question whether Korĉula responded to the challenges of time, especially in terms of literary reception, we can answer affirmatively, but with very modest literary yields, which is more of a literary-historical and much less aesthetic importance

    A Fragment from the Korčula Literary Heritage at the Example of Darinka Krstulović

    Get PDF
    Darinka Krstulović pjesnikinja i prozaistica nameće se sve viÅ”e kao jedno od vodećih ā€žkorčulanskih peraā€œ, koja svojom osebujnom poetskom kazljivoŔću punom ironije, satire, ali i istinske emotivne kazljivosti iskače iz otočnog poetskog mikrokozmosa. Ovaj skroman prilog satisfakcija je mom shvaćanju da na malim otocima i izoliranim otočnim sredinama sazrijevaju majstori od pera.Darinka Krstulović is a poet and prose writer who imposes herself as one of the leading ā€œKorčula pensā€. With her poetic procedure, full of irony, satire and true emotive expression, she departs from the island poetic micro cosmos. This modest contribution can be understood as an example that masters of pen can mature even on small islands and isolated island milieux
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