19 research outputs found

    Fenomena Tari Kontemporer dalam Karya Tari

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    Tulisan ini bertujuan mengungkap fenomena karya tari kontemporer dari mahasiswa Sendratasik UNP dan STSI Padang Panjang dalam tugas akhir. Penelitian ini difokuskan pada fenomena kecenderungan mahasiswa dalam menciptakan karya tari dalam bentuk kontemporer. Penelitian ini menggunakan metode deskriptif kualitatif dengan instrumen utama adalah peneliti sendiri. Pengumpulan data dilakukan melalui metode observasi, wawancara, dan studi kepustakaan. Data dianalisa secara konvensional. Hasil penelitian menunjukkan ada kecenderungan mahasiswa menciptakan karya mereka dalam tugas akhir (TA) dengan model kontemporer, seperti pada pola tarian, tipe tarian, bentuk pertunjukan, dan orientasi tarian. Pertumbuhan gejala ini disebabkan frekuensi yang tinggi dari mahasiswa untuk terlibat dalam berbagai forum tarian kontemporer dan apresiasi terhadap figure dan karya dosen. Kesimpulan penelitian adalah gejala dan kecenderungan karya kontemporer muncul dalam karya mahasiswa karena 1) pengaruh dosen, 2) pengaruh forum tarian, 3) pengaruh karya tari artis-artis Sumatera, dan 4) kebebasan yang diberikan kepada mahasiswa. Dari penelitian ini sangat disarankan agar ada pedoman yang benar dari dosen Sendratasik FBSS UNP dan STSI Padang Panjang agar memperhatikan dasar-dasar pembelajaran tari sehingga ada keseimbangan pembelajaran tari dalam dunia akademis

    Tari Tradisional dalam Ranah Tari Populer: Kontribusi, Relevansi, dan Keberlanjutan Budaya

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    Recent development of dance performance is not only esthetical and artistic; it has improved farther along with social cultural changes and economic development, which is supported by the scientific and technological changes that have encouraged the improvement of the art and knowledge about dances. In choreographic learning in academic environment, the arrangement pattern in choreography is not limited to the conventional that the consequence of movement, but also a media for criticism and expression of the artists. Currently dance does not belong to certain tradition of a community but to individuals. The individual belonging of the dance is widely known as popular dance, both monumental and contemporary dance. In Indonesia, both monumental and contemporary popular dances tend not to be detached from their traditional idiom or spirit in their cultural choreographic background, even all of their arrangement source stems from traditional kinesthetic dance. This phenomenon becomes a new trend in dance creation and dance choreographic learning in Indonesia, many of which are developed by art academicians, art studios and workshops

    The Existence of Local Wisdom Value Through Minangkabau Dance Creation Representation in Present TIME

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    This paper is aiming at revealing the existence of local wisdom values in Minangkabau through the representation of Minangkabau dance creation at present time in West Sumatera. The existence of the dance itself gives impact to the continuation of the existence of local value in West Sumatera. The research method was qualitative which was used to analyze local wisdom values in the present time Minangkabu dance creation representation through the touch of reconstruction and acculturation as the local wisdom continuation. Besides, this study employs multidisciplinary study as the approach of the study by implementing the sociology anthropology of dance and the sociology and anthropology of culture. Object of the research was Minangkabau dance creation in present time, while the data was collected through interview and direct observation, as well as documentation. The data was analyzed by following the technique delivered by Miles and Huberman. Research results showed that Minangkabau dance creation was a reconstruction result of the older traditional dance, and through acculturation which contains local wisdom values. The existence of Mianngkabau dance creation can affect the continuation of local wisdom values in Minangkabau society in West Sumatera. The existence of dance creation has maintained the Minangkabau local wisdom values in present time

    Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

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    Â Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini.

    Women Domination in the Galombang Dance: Between the Customary Idealism and the Market Use

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    This study aims to answer the women dominance in the Galombang dance creation in Minangkabau, West Sumatra from gender perspective. In addition, this study also reveals the position of women as an urgent thing in the Minangkabau dance creations, Galombang. This research used interdisciplinary approach, namely Cultural Sociology and Dance Anthropology. The data were obtained through various interviews, direct monitoring in the situation of the Galombang dance activity, and literature study to support the primary data. The analysis was done through ethnography method. The result of the research found that women dominance was bigger than men in the Galombang dance creations. In customary idealism, women are not Galombang dancers as the Galombang dance is intended for men. In reality, there is a bigger role between men and women in the Galombang dance; therefore, men's role is not very decisive on the performance quality and selling value, as well as for the use of dance Galombang creations by society nowadays in West Sumatra

    Idealisme Seniman Berdampak pada Marginalisasi Kesenian Indang Tradisi

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    This article aims to reveal and analyze the problem of the artistry of traditional art in Padang Pariaman district. Today the existence of Indang art less popular in the cultural life of the community Padang Pariaman. In turn, Indang art is rarely used and functioned by Padang Pariaman society today. The research was done by explanation method, and the research data is qualitative. Data collected throughout the interview process, observation of socio-cultural symptoms of society, and the existence of Indang. The analysis was done by ethnography approach, by determining component analysis and determining the cultural theme. The result of the research obtained is that the structure and shape of Indang have not changed until now. Indang art form and structure is less suitable to the taste of today’s society so that Indang art is less popular to the public for entertainment activities. The activities of artists on stage often disturb the artistic and aesthetic performances, i.e. the artists often create any activities that spoil the atmosphere of the show.Keywords: Indang tradisi; form and structure; ethnographic approach; explanation metho

    REPOSITIONING THE CREATION OF NEW MINANGKABAU DANCE: ENTERTAINMENT MEDIA AND PRESERVATION OF LOCAL WISDOM

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    This article aims to analyze the position of Minangkabau dance creations as entertainment and as a preservation of Minangkabau local wisdom. In addition, this article introduces creative dance as a new culture for the people of West Sumatra which has an impact on preserving Minangkabau local wisdom. This study used a qualitative method where data was collected through interviews, observation and literature review of Minangkabau contemporary dance creations. The validity of the data was tested through triangulation and analyzed based on the phenomena contained in the Minangkabau creation dance and then verified. The results of the study found that the existence of Minangkabau creative dance today is a form of representation of Minangkabau local wisdom so that creative dance can be accepted by the Minangkabau people in West Sumatra. Minangkabau dance creations are in process of creation and cannot be separated from the acculturation and reconstruction of Minangkabau dance traditions that once existed. In turn, this creative dance can maintain the existence of Minangkabau traditional dance as a cultural heritage of the Minangkabau people. Dance created by Minangkabau during this period has a position as public entertainment and as a medium for preserving the local wisdom values of the Minangkabau people

    Perkembangan Budaya Tari Minangkabau Dalam Pengaruh Sosial Politik Di Sumatera Barat

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    Kajian tesis ini menjelaskan mengenai perkembangan budaya tari Minangkabau, sebagai warisan budaya masyarakat Minangkabau , yang dipengaruhi oleh persoalan sosial politik di Sumatera Barat. Sistem matrilinial sebagai sistem kekerabatan, pada awalnya mampu mengawal dan mengendalikan budaya tari Minangkabau dalam kehidupan masyarakat nagari di Sumatera Barat. Pengaruh sosial politik di Sumatera Barat, yang bermula dari beralihnya pemerintahan nagari menjadi desa, berimpak kepada budaya tari Minangkabau, sehingga perkembangannya menjadi lembab dan terjejas. Oleh demikian, perkembangan mengenai pewarisan, fungsi, kegunaan dan kuantiti turut berubah

    FENOMENA TARI KONTEMPORER DALAM KARYA TARI

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    The aim of this articel is to reveal the contemporary phenomenom of the dance work of the student of Sendratasik UNP and STSI Padang Panjang through last assignment. This research is focused on the phenomenom and student’s tendency on creating the dance work on a contemporary form. The research method used is descriptive qualitative and for the main instrument is the researcher himself. The collection of data dance through observation, interview and collecting the related literature. The analysis of the data done through conventional analysis. The result of the research shows that there is a tendency from the student on creating each of their work for the last assignment by using contemporary model, such as an the pattern of work, the type of dance, the form of performance and the orientation of creation. The growth of this sympton is caused from high frequency of the student to be involved in many forums of contemporary dance, and thruogh the appreciation of lecturer’s figur and work. This research can be concluded that the sympton and tendency of contemporary is appeared in the student’s dance work because of: 1) the influence of the lecturer, 2) the influence of dance forum, 3) the influence of dance work of the artists of West Sumatera and 4) the freedom given to the students. It is essential to be suggested from this articel so that there is correct guide from the lecturer available of Sendratasik FBSS UNP and STSI Padang Panjang to pay attention for the monumental dance learning, so that the balance is created on the dance learning in academic field. ABSTRAK Tulisan ini bertujuan mengungkap fenomena karya tari kontemporer dari mahasiswa Sendratasik UNP dan STSI Padang Panjang dalam tugas akhir. Penelitian ini difokuskan pada fenomena kecenderungan mahasiswa dalam menciptakan karya tari dalam bentuk kontemporer. Penelitian ini menggunakan metode deskriptif kualitatif dengan instrumen utama adalah peneliti sendiri. Pengumpulan data dilakukan melalui metode observasi, wawancara, dan studi kepustakaan. Data dianalisa secara konvensional. Hasil penelitian menunjukkan ada kecenderungan mahasiswa menciptakan karya mereka dalam tugas akhir (TA) dengan model kontemporer, seperti pada pola tarian, tipe tarian, bentuk pertunjukan, dan orientasi tarian. Pertumbuhan gejala ini disebabkan frekuensi yang tinggi dari mahasiswa untuk terlibat dalam berbagai forum tarian kontemporer dan apresiasi terhadap figure dan karya dosen. Kesimpulan penelitian adalah gejala dan kecenderungan karya kontemporer muncul dalam karya mahasiswa karena 1) pengaruh dosen, 2) pengaruh forum tarian, 3) pengaruh karya tari artis-artis Sumatera, dan 4) kebebasan yang diberikan kepada mahasiswa. Dari penelitian ini sangat disarankan agar ada pedoman yang benar dari dosen Sendratasik FBSS UNP dan STSI Padang Panjang agar memperhatikan dasar-dasar pembelajaran tari sehingga ada keseimbangan pembelajaran tari dalam dunia akademis
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