308,841 research outputs found

    Structural and optical properties of MOCVD AllnN epilayers

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    7] M.-Y. Ryu, C.Q. Chen, E. Kuokstis, J.W. Yang, G. Simin, M. Asif Khan, Appl. Phys. Lett. 80 (2002) 3730. [8] D. Xu, Y. Wang, H. Yang, L. Zheng, J. Li, L. Duan, R. Wu, Sci. China (a) 42 (1999) 517. [9] H. Hirayama, A. Kinoshita, A. Hirata, Y. Aoyagi, Phys. Stat. Sol. (a) 188 (2001) 83. [10] Y. Chen, T. Takeuchi, H. Amano, I. Akasaki, N. Yamada, Y. Kaneko, S.Y. Wang, Appl. Phys. Lett. 72 (1998) 710. [11] Ig-Hyeon Kim, Hyeong-Soo Park, Yong-Jo Park, Taeil Kim, Appl. Phys. Lett. 73 (1998) 1634. [12] K. Watanabe, J.R. Yang, S.Y. Huang, K. Inoke, J.T. Hsu, R.C. Tu, T. Yamazaki, N. Nakanishi, M. Shiojiri, Appl. Phys. Lett. 82 (2003) 718


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    Chen, H., Liu, Y., Chen, H. et al. Expression of Hepatocyte Transporters and Nuclear Receptors in Children With Early and Late-Stage Biliary Atresia. Pediatr Res 63, 667–673 (2008). https://doi.org/10.1203/PDR.0b013e318170a6b5This is the peer reviewed version of the following article: Chen, S.‐T., Chen, H.‐L., Su, Y.‐N., Liu, Y.‐J., Ni, Y.‐H., Hsu, H.‐Y., Chu, C.‐S., Wang, N.‐Y. and Chang, M.‐H. (2008), Prenatal diagnosis of progressive familial intrahepatic cholestasis type 2. Journal of Gastroenterology and Hepatology, 23: 1390-1393. doi:10.1111/j.1440-1746.2008.05432.x, which has been published in final form at https://doi.org/10.1111/j.1440-1746.2008.05432.x. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving.This is the peer reviewed version of the following article: Hsu, Y.‐C., Chen, H.‐L., Wu, M.‐Z., Liu, Y.‐J., Lee, P.‐H., Sheu, J.‐C. and Chen, C.‐H. (2009), Adult progressive intrahepatic cholestasis associated with genetic variations in ATP8B1 and ABCB11 . Hepatology Research, 39: 625-631. doi:10.1111/j.1872-034X.2009.00499.x, which has been published in final form at https://doi.org/10.1111/j.1872-034X.2009.00499.x. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving

    Foreign Direct Investment in the United States: Interest Rate and Exchange Rate

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    David Y. Chen, Ph.D., is an associate professor, Department of Economics and Transportation/ Logistics. North Carolina A&T State University, Greensboro, NC 27411


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    Nacido en Taiwán y actualmente residente en Taipei, Chen Chieh-jen (1960) es un videoartista cuya obra presenta una profunda y feroz – aunque a menudo silenciosa – meditación histórica y política. Sus obras se caracterizan por la inserción de imágenes de archivo que se relacionan y dialogan con imágenes contemporáneas. Mirando el pasado de China en relación con su presente, Chen subraya las consecuencias sociales, las expectativas frustradas, las interpretaciones erróneas y las apropiaciones de la mirada occidental. En particular, este estudio aborda un vídeo realizado en 2002, “Lingchi - Echoes of a historical photograph” y otro, “Factory”, realizado en 2003 que revelan el foco principal y la praxis visual y auditiva del artista. En la obra de Chen, de hecho, la visión y, sobre todo, sus límites, tanto en el sentido concreto como en el metafórico, juegan un papel importante en la construcción de un denso discurso artístico y conceptual relacionado con la creación de imágenes y la traducción visual.Born in Taiwan and currently living in Taipei, Chen Chieh-jen (1960) is a video-artist whose oeuvre presents a profound and fierce – although often silent – historical and political meditation. His works are characterized by the insertion of archival footage in close dialogue with actual and contemporary images. Looking at China’s past in relation to its present, Chen underlines social damages, frustrated expectations, misinterpretations and appropriations by the Western gaze. In particular, this study addresses a video made in 2002, “Lingchi - Echoes of a historical photograph”, and “Factory” realized in 2003; having as a mainfocus the artist’s visual and aural praxis. In Chen’s work in fact, vision, and most of all its limits, in both a concrete and metaphorical sense, play a major part in the construction of a dense artistic and conceptual discourse related to image-making and visual translation.