Additional Ancestral Caddo Ceramic and Lithic Artifacts from the Three Mounds Creek Site, Gregg County, Texas

The Three Mounds Creek site is an ancestral Caddo multiple mound center along a southern-flowing tributary to the Sabine River in the Longview, Texas area. Buddy Jones recorded the site in 1956, and noted that it had three mounds. His notes fail to describe the mounds in any fashion, nor their relationship to each other or the landform they were built on, and no map is available that shows the location of the three mounds with respect to where he collected artifacts from the site. In April 1956, Jones excavated a 9.5 x 12 ft. (2.9 x 3.6 m) unit at the site, in an old cotton field. It is unknown if this unit was placed in one of the three mounds, or what the vertical, horizontal, or depositional context of the artifacts was from the site. Perttula described a collection of 264 artifacts from that work that are in the Gregg County Historical Museum (GCHM), and these were primarily ceramic sherds (n=242, 92%). Two additional collections from the site were subsequently identified in the GCHM, and these were analyzed in January 2013. The results of those analyses are presented in this article

Bloomer : a magazine promoting sustainable fashion

"Seasons” in the fashion world have little to do with temperature. Fashion’s increasingly rapid turnover is meant to boost producers’ profits and respond to consumers’ desire for novelty. On the down side, “fast fashion” comes with grave environmental and social costs. Bloomer is a magazine and an online platform that aims to slow down the conversation around fashion, and offer a platform for reflection and appreciation. In a throwaway culture, what does it mean when someone rebels by keeping and cherishing a garment for years? What makes people value some garments more than others? Is it the labor value in its creation, or sentimental value gained through lived experience, or the status value in its brand identity? The aura of a garment is a complex intersection of market forces, cultural ideals, and metaphysical subtleties. Rather than scolding or guilting people into adopting more sustainable wardrobes, Bloomer takes a positive approach to sustainability by featuring glamorous Austinites wearing their own clothes, sharing their stories of sustainable consumption, and promoting local thrift shops and sources of high-quality “slow fashion.” The first issue of Bloomer features a series of photos documenting how a variety of people practice sustainable fashion. Using the visual and written language of advertising and fashion, is it possible to cultivate an appreciation for the garments we already own, and for sustainable wardrobe practices? The goal of Bloomer as a magazine about sustainable fashion is to show pictures and tell stories of people who have unique and meaningful relationships with their clothes, and encourage the rest of us to ask ourselves “What is my relationship with my clothes?”Desig

Group 13 Decamethylmetallocenium Cations

Salts containing the decamethylmetallocenium cations, [( C5Me5) M-2](+) ( or Cp*M-2(+)) of the group 13 "metals" B, Al and Ga have been prepared using a variety of synthetic routes. Precursor molecules of the type Cp*2MX ( X = Cl, Br, Me) exhibit structural features that vary significantly depending on the size and electronegativity of the central atom. While salt metathesis, halide abstraction and methanide abstraction methods represent viable routes for the preparation of salts of Cp*B-2(+) and Cp*Al-2(+), acidolysis of a Cp* group from Cp*Ga-3 is the most reliable method for the synthesis of the analogous gallium cation. Gallocenium cations are less stable than either of the lighter congeneric cations since they prove to be susceptible to decomposition reactions involving the "back-transfer" of ligands from the counter anion. Density functional theory (DFT) calculations revealed that, whereas Cp*Ga-2(+) is predicted to adopt a molecular structure more similar to that of Cp*B-2(+), the electronic structure of the gallium cation bears a greater resemblance to that of Cp*Al-2(+).Chemistr

Spartan Daily October 6, 2009

Volume 133, Issue 20https://scholarworks.sjsu.edu/spartandaily/1288/thumbnail.jp

Peons and Progressives: Race and Boosterism in the Lower Rio Grande Valley, 1904-1941

The Texas borderlands have come to be increasingly important in the historical literature and in public opinion for the way that the region shapes national thought on race, borders, and ethnicity. With this increasing importance, it is pressing to examine the history of these issues in the region so that they may be accurately and insightfully deployed. This article contributes to the existing scholarship with a close discursive analysis of race in the booster materials, 1904-1941. The booster materials forge a notion of race relations that borrows from tropes common across the West but is also informed by Jim Crow and the unique demands of the region. The booster materials forward a notion of race that is largely unique in Western boosterism, positing only two major characters, Mexicans and white Northerners. The figure of ‘the Mexican’ is drawn more as a part of nature than human society in that it shares the fundamental characteristics of the land, animals, and rivers of the region. Nature in the region is depicted as an adventitious, disorderly, and wasteful body that calls out for northern discipline. The ‘Northerners’ are figured as the ones who, through applying discipline to the natural resources of the area (land, water, and Mexicans) can bring reason, fertility, and profitable connection to the national economy. The consequences of this racial division are further explored in the article as they play out in schooling, religion, justice, beauty, leisure, and sport

The birds and the bees : gender performance in Grandville's Scènes de la vie privée et publique des animaux

Published between 1840 and 1842, J. J. Grandville’s Scènes de la vie privée et publique des animaux is a hybrid work of satirical allegory that stages the scandals, polemics, and power struggles of the July Monarchy through a collection of illustrations by Grandville and stories written to accompany them. The printed image significantly disrupted artistic hierarchies of the period and sparked heated debates about both the expertise of illustrators and the possibilities of the image, described by Philippe Kaenel as an “instrument of seduction”. Scholarly engagement with Scènes des animaux has all but ignored gender, yet the increased visibility of women in the publishing industry during the July Monarchy permanently altered the terms of modern artistic legitimacy. In this paper, I demonstrate that gender has been conceptualized, represented, and reified in terms of animality and evolutionary discourses in Grandville’s text. Drawing on Alexandra Wettlaufer’s analysis of the dialectic between word and image at play in Scenes des animaux, as well as Bakhtinian polyphony and Eve Sedgwick’s concept of erotic triangles, I consider the work in terms of a triple dialectic between word, image, and gender. Through the figures of bird and bee and their associated verbal tropes, Grandville, Hetzel, and Balzac all link women to consumerism, materialism, stupidity, and sensuality. This set of associations distance women from the field of “legitimate” literary production and disempowers them as sociopolitical agents. At the same time, the overdetermined containment strategies employed by the contributors reveal that they rely on women as their primary reading public and clientele. Economic anxiety has been displaced onto the body of the animal-woman, and the contributors dress up their objections with the accoutrements of conservative morality. In titling this project “The Birds and the Bees” —a euphemism used to explain sex and courtship to small children— I call attention to the persistence of animal metaphors related to gender and sexuality in contemporary culture.Comparative Literatur

Foreword: Making Sense of Information for Environmental Protection

Despite the ubiquity of information, no one has proposed calling the present era the Knowledge Age. Knowledge depends not only on access to reliable information, but also on sound judgment regarding which information to access and how to situate that information in relation to the values and purposes that comprise the individual\u27s or the social group\u27s larger projects. This is certainly the case for wise and effective environmental governance. A regulator needs accurate information to understand the nature of a problem and the consequences of potential responses. Likewise, the regulated community needs information to decide how best to comply with adopted rules, and the public needs information in order to accept the credibility and legitimacy of the regulatory regime. But governance also requires judgment regarding how to manage information itself - how to structure burdens of proof in light of goals such as public safety or promotion of economic growth, how to balance the public\u27s interest in disclosure against competing aims such as national security or the protection of trade secrets, whether to withhold information in the belief that it may actually be harmful to the recipient, and so on. This paper, written as a foreword for the Texas Law Review\u27s symposium issue, Harnessing the Power of Information for the Next Generation of Environmental Law, provides a model to understand the role of information in environmental law - how it is generated, utilized, and disseminated within regulatory processes. Drawing on the diverse and significant insights of the symposium articles, the paper attempts both to make sense of the role of information in environmental protection and to highlight significant questions and concerns

The Daily Texan

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