Un omaggio a Giuseppe Bellini attraverso un libro a lui dedicato: Cuando quiero hallar las voces, encuentro con los afectos...

This article endeavours to sketch the portrait of Giuseppe Bellini, one of the major experts in Hispano-American studies, through the recent miscellaneous work dedicated to his memory edited by Patrizia Spinato Bruschi and Jaime Martínez. Not only does this collection of essays convey the lines, the content and the form of a monumental critical work, but it also shows the important role that Bellini played as a scholar and as a man by creating a considerable school out of the idea that literature is a network of dialogue and exchange. The range of themes tackled by the collection 'which includes over fifty-five essays' shows Bellini's extraordinary ability to weave a fruitful network of relationships, research and friendship, and to promote Italian Hispano-American studies by always acknowledging that literature is a lesson in civilisation and good living

Apocalipsis XX di Sara de Ibáñez

Rewriting the text of Saint John, Sara de Ibáñez uses a kind of style innovative and away from schools and trends in vogue: is thus able able to evoke the tragic experiences of the twentieth century, but the date of publication of the book (1970) reveals that it advances in themes and forms the concrete apocalypse lived by Uruguay and Latin America in the seventies.However, far from political themes and motifs, Sara de Ibáñez is able to express the absolute horror of contemporary tragedies and to propose a poetic reflection of great quality. This article suggests a rediscovery of this twentieth-century poetic voice, unjustly forgotten, through her 'apocalyptic' text

Il trionfo della terra nei racconti di Horacio Quiroga

Horacio Quiroga, padre del racconto ispano-americano, inizia la sua carriera influenzato dal modernismo di Rubén Darío e Leopoldo Lugones, oltre che dai modelli europei come Maupassant e Villiers de l’Isle Adam, e dal nordamericano Edagar Allan Poe. La scoperta della selva di Misiones, tuttavia, rappresenta una svolta decisiva per la sua vita e la sua produzione artistica. Quiroga si emancipa dai maestri e riscopre le radici autentiche dell’America Latina, riaprendo quel conflitto secolare fra civiltà e barbarie che aveva segnato inesorabilmente tutta la storia della letteratura ispanoamericana, dai tempi dei conquistadores al romanticismo degli scrittori dell’Asociación de mayo.Horacio Quiroga, padre del cuento hispanoamericano, empieza su carrera influenciado por el modernismo de Rubén Darío y Leopoldo Lugones, por los modelos europeos (como Maupassant y Villiers de l’Isle Adam) y norteamericanos (como Edgar Allan Poe). El descubrimiento de la selva de Misiones representa un momento crucial para su vida y para su producción artística. Quiroga se emancipa de sus maestros y redescubre las raíces auténticas de América Latina, reabriendo ese secular conflicto entre civilización y barbarie que había marcado inexorablemente toda la historia de la literatura hispanoamericana, de los tiempos de la Conquista hasta el romanticismo de los escritores de la Asociación de Mayo.Horacio Quiroga has been the father of Hispano-American short story. At first his work was influenced by modernist authors such as Rubén Darío and Leopoldo Lugones, and by European and North-American models such as Maupassant, Villiers de l’Isle Adam, and Edgar Allan Poe. The turning point of both his life and craft was the discovery of the forest of Misiones. Quiroga became independent of the masters and detected the true roots of Latin America. This way he renewed the clash between civilisation and barbarism, which has been a feature of Hispano-American literature from the time of the conquistadores up to the Romanticism of the Asociación de mayo

Sessant’anni di letteratura ispanoamericana in Feltrinelli: 1955-2015

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