126 research outputs found

    Disassembling Archeology, Reassembling the Modern World

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    This article provides a substantive discussion of the relevance of the history of archeology to the history of science. At the same time, the article introduces the papers contained in this special issue as exemplars of this relevance. To make its case, the article moves through various themes in the history of archeology that overlap with key issues in the history of science. The article discusses the role and tension of regimes of science in antiquarian and archeological practices, and also considers issues of scale and place, particularly in relation to the field. Additionally, the piece attends to issues of professionalization and the constitution of an archeological public, at the same time as discussing issues of empire, colonialism, and the circulation of knowledge. Meanwhile, enriching discussions within and beyond the history of science, the article discusses the history of archeology and its relationship with museums, collecting, and material culture and materiality. Finally, the piece discusses the relationship of the history of archeology with wider discussions about scientific ethics. In conclusion, the article questions whether we should speak of ‘the history of archeology’ at all

    Shades of empire: police photography in German South-West Africa

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    This article looks at a photographic album produced by the German police in colonial Namibia just before World War I. Late 19th- and early 20th-century police photography has often been interpreted as a form of visual production that epitomized power and regimes of surveillance imposed by the state apparatuses on the poor, the criminal and the Other. On the other hand police and prison institutions became favored sites where photography could be put at the service of the emergent sciences of the human body—physiognomy, anthropometry and anthropology. While the conjuncture of institutionalized colonial state power and the production of scientific knowledge remain important for this Namibian case study, the article explores a slightly different set of questions. Echoing recent scholarship on visuality and materiality the photographic album is treated as an archival object and visual narrative that was at the same time constituted by and constitutive of material and discursive practices within early 20th-century police and prison institutions in the German colony. By shifting attention away from image content and visual codification alone toward the question of visual practice the article traces the ways in which the photo album, with its ambivalent, unstable and uncontained narrative, became historically active and meaningful. Therein the photographs were less informed by an abstract theory of anthropological and racial classification but rather entrenched with historically contingent processes of colonial state constitution, socioeconomic and racial stratification, and the institutional integration of photography as a medium and a technology into colonial policing. The photo album provides a textured sense of how fragmented and contested these processes remained throughout the German colonial period, but also how photography could offer a means of transcending the limits and frailties brought by the realities on the ground.International Bibliography of Social Science

    Repatriation, doxa, and contested heritages: the return of the Altai princess in an international perspective

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    Using Pierre Bourdieu's concepts of habitus and doxa, the authors analyze the contested heritage debates surrounding the sensational Scythian burial discovery of the Altai Princess, also called the Ice Maiden, on the Ukok plateau. Her 2012 repatriation to a special Gazprom-funded museum in the Altai Republic of Russia is politically contextualized and compared to cases of the Kennewick Man in the United States and the Lake Mungo Burials of Australia. The authors stress the importance of "heritage in the making" and conclude that diverse approaches to the Altai Princess must be understood through the historically constituted dispositions of various agents and their interaction with the structures governing society

    The Ottoman Balkans 1750-1830

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    The Memory of the National and the National as Memory

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    This essay seeks to illuminate a different, more encompassing kind of transition than that from dictatorship to post-dictatorship (and its attendant forms of memory of military brutal force and human rights abuses) often privileged by studies of political violence and social memory. The focus is twofold: first, to describe a transition from the world of the social to that of the post-social, i.e. a transition from a welfare state-centered form of the nation to its neoliberal competitive state counterpart; and secondly, to analyze its attendant memory dynamics. The double articulation of collective memory under neoliberalism, the deep and recurring violence it has involved at both the social and the individual level, and its self-articulation as a social memory apparatus are apparent in two Chilean films exploring the logic (Pablo Larraín’s Tony Manero) and the history (Patricio Guzmán’s Nostalgia de la luz) of the implementation of this neoliberal memory apparatus in Chile. Este trabajo intenta iluminar una transición más amplia que aquella entre dictadura y post-dictadura ( y sus correspondientes formas de memoria sobre la violencia militar o los abusos a los derechos humanos) que suele ser el objeto de estudio de los trabajos sobre violencia política y memoria social. Mi interés es doble: primero, describir una transición del mundo social al post-social (es decir, una transición desde una forma de estado-nación centrada en el estado de bienestar a su contraparte neoliberal y competitiva; y en segundo lugar, analizar sus correspondientes formas de memoria. La doble articulación de la memoria colectiva bajo el neoliberalismo, la profunda y recurrente violencia presente, tanto a nivel social como a nivel individual, y su autoarticulación como un aparato de la memoria social son evidentes en las dos películas chilenas Tony Manero de Pablo Larraín y Nostalgia de la luz de Patricio Guzmán que exploran la lógica y la historia de la implementación de este aparato de la memoria neoliberal en Chile

    Change of the century - free software and the positive possibility

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    The much touted &lsquo;freedoms&rsquo; of FLOSS are coming under increasing scrutiny as they are applied to contexts beyond their original formation. Is &lsquo;freedom as in speech&rsquo; enough or are there other freedoms upon which the construction of the commons depends? Martin Hardie has worked extensively on an archeology of how the GNU/Linux operating system was developed, exposing the myths that are at its foundation. Here, he asks how the licensing of FLOSS operates within the constitution of Empire and locates in the new forms of &lsquo;producing in common&rsquo; the means to reverse the proliferation of alternative law and instead affirm a true alternative to law.<br /

    Law and compassion: between ethics and economy, philosophical speculation and archeology

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    This paper examines the relationship between law and compassion from the perspective of two diverse scholars. For philosopher Emmanuel Levinas, rejecting the idea homo homini lupus, there can simply be no organized society but for a primordial, unauthorized, human vocation for compassion (egoism and violence, for him, are nothing but attempts to repress this). Levinas, however, must be understood, as speaking of compassion not in the usual sense, that is as involving a human capacity for, and cultures of, empathy; he defines it, rather, in phenomenological terms, as an irreducible excess of affectivity for the ultimately meaningless suffering of another, beyond all theodicy and causality, whom one is ethically commanded to offer succour to as if s/he is a ‘higher’ and absolutely unique Other, prior to any comparison and judgement. General legal principles and rigorous rules, Natural Justice and positive law are equally ‘born’ of such an-archic, individuated, compassion for which one can only retroactively account. Justice is ‘born’ as one attempts to justify to third parties why one’s care benefits some but not others; the paper argues that this perspective is preferable to prioritizing empathic compassion over law for it binds compassion with responsibility. Turning to Giorgio Agamben, the role of compassion takes on a darker character; his historicized investigations of the ‘western-Christian’ paradigm shows how the Greek and Roman legal principles of epieikeia, and aequitas merged with the Christian postulates of God-dictated philanthropy and ‘divine economy’ (Gr: oikonomia), leading –instead of ethical anarchy followed by with infinite responsibility (Levinas) – to anomie, legal exceptionalism and social control via patronage and other bio-political practices to spectacles of compassion. This suggests that what Levinas calls ‘ethical anarchy’ has been captured by economic rationality and endless processes of anomic management that are equally free of ethical constraints as they are from legal and political decision. With reference to contemporary examples from the ‘law and emotion’ debates, medical laws and humanitarianism, the paper asks the reader to ponder upon the importance, if any, of Levinas’ thesis in a world where the expediency of managerial rationality, the secular heir of divine oikonomia, prevails over moral, legal and political principle

    Institute of Historical Research Newsletter, Spring Term 2006

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    The IHR produces a termly newsletter, which gives details of seminars and conferences and other historical news. This is the newsletter for the spring term 2006
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