The Courier, Volume 28, Issue 22, April 28, 1995

Stories: SRC Doors Open To The Public Journalism Students Attend Mock Disaster Muslim Students Hold Forum On Racism Kent State Remembered After 25 Years Wynton Marsalis Thrills Sold-Out Mainstage Crowd Music Of The Night Lights Up Mainstage People: Wynton Marsalis Natalie Pearso

The Courier, Volume 29, Issue 8, December 1, 1995

Stories: Student Run Art Gallery Looking For Permanent Home Student Government Plans To Do Less IC Hallway Enhancements In First Stages Of Development Silly Songwriter Dave Rudolf Back By Popular Demand ‘Beast’ Blasts Pyrotechnics Across Arts Center Mainstage Von Heidecke’s ‘The Nutcracker’ Comes To The Mainstage Soccer Ends Season Third At Nationals People: Dave Rudolf Michelle Downey Jenny Schwar

Mary\u27s Wedding

As the market for actor training programs becomes more competitive, university theatre departments are attempting to generate the most production opportunities possible to attract the highest quality students. Crucial to this agenda‟s success is remaining cost effective while finding new conduits of artistic growth and production experience to enrich the students‟ development. Coastal Carolina University‟s Department of Theatre forged an answer to this departmental balancing act. With almost all budget and faculty resources pledged to the full mainstage season, smaller, student produced work had begun to supplement the production offerings. These projects can provide a much-needed venue for actively engaging more students and expand the Theatre Department‟s visibility through the development of a new audience. This audience appreciates the more intimate, intense plays that are sometimes avoided due to the mainstage demands of larger cast size and wider marketability. Coastal Carolina University‟s Department of Theatre, with 5 mainstage productions and 2 possible second-stage slots per season, bridged the gap between student initiative and mainstage training with an Honors Thesis production of Mary’s Wedding in March, 2009

Cultivating the Next Generation of Art Lovers: How Boston Lyric Opera Sought to Create Greater Opportunities for Families to Attend Opera

Examines the evolution, outcomes, and factors shaping BLO's efforts to expand its audience through high-quality productions of abridged operas for families, supplemented by free previews and workshops at community venues. Outlines lessons learned

Building Audiences: Stories From America's Theaters - What Theaters Are Learning About the Role of Programming in Attracting Audiences

Explores strategies being used -- from market research to free play readings -- to plan programming and select on-stage productions to attract audiences

Muir String Quartet, February 16, 2011

This is the concert program of the Muir String Quartet performance on Wednesday, February 16, 2011 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet No. 1 in C Major, op. 74 by Franz Joseph Haydn, Quartet No. 2, "Intimate Letters" by Leoš Janáček, and Quartet in E-flat Major, op. 51 by Antonín Dvořák. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund