The debate with Pirandellismo in the theatre of Eduardo De Filippo

No abstract available

Delayed discharges and unplanned admissions from the Day Care Unit at Mater Dei Hospital, Malta

Day care units are playing an increasingly important role in healthcare provision, however they require the development of specialised resources to fulfil their role. The rate of unplanned admissions following day-case procedures is considered as one of several indicators of the quality of day-case services available.1 The aim of this study is to identify how often there are delayed discharged or unplanned admissions following day-cases at the Day Care Unit at Mater Dei Hospital (MDH), Malta. A list of patients whose discharge did not go as planned was forwarded daily to the authors by the Bed Management Unit at MDH. The medical files of these patients were then reviewed and data collected. This included demographics, type of procedure carried out and reasons for delayed discharge or unplanned admission. The study was carried out over 45 days.peer-reviewe

Boston University Singers and Chamber Orchestra, October 18, 2014

This is the concert program of the Boston University Singers and Chamber Orchestra performance on Saturday, October 18, 2014 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. The work performed was Missa in Angustiis, Hob. XXII: 11, 'Lord Nelson Mass' by Franz Joseph Haydn . Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Singers and Graduate Vocal Ensemble, November 14, 2014

This is the concert program of the Boston University Singers and Graduate Vocal Ensemble performance on Friday, November 14, 2014 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were "A Mass for the Feast of All Saints" by William Byrd, Pange lingua, gloriosi by Plainsong, Pange ingua, gloriosi by William Byrd, Pange lingua, "More hispano" by Tomás Luis de Victoria, Il bianco e dolce cigno by Jacques Arcadelt, Ecco mormorar l'onde by Claudio Monteverdi, A la lune by Mary Montgomery Koppel, Songs of Innocence by Earl George, O schöne Nacht, Op 92, No. 1, Der Abend, Op. 64 No. 2, and Abendlied, Op. 92 No. 3 by Johannes Brahms, and In stiller Nacht, WoO 34 No. 8 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Rifugiati o libertà? Le responsabilità dell’Europa nella crisi dei rifugiati siriani in Turchia.

Le responsabilità dell'Europa nella crisi dei rifugiati siriani in Turchi

THEATRE AS THE REPRESENTATIVE SCENE OF THE POWER OF COURT: THE FIFTEENTH- AND SIXTEENTH-CENTURY ITALIAN EXEMPLA

Tra XV e XVI secolo il teatro diviene luogo deputato alla rappresentazione della corte . Il luogo teatrale manifesta emblematicamente la metafora del potere e del prestigio del casato . Sin dalla seconda metà del XV secolo la corte di Ferrara mette in atto, attraverso la figura di Pellegrino Prisciani, un’ operazione culturale orientata al recupero dei testi e del teatro classico.Il saggio analizza il coerente percorso della festa e della sua rappresentazione a Ferrara nel XV secolo e nel XVI secolo , evidenziando rapporti tematici e compositivi con gli affreschi di palazzo Schifanoia

Lord Nelson Mass, April 29, 1989

This is the concert program of the Boston University Chorus and Period Orchestra performance on Saturday, April 29, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were the following by Franz Joseph Haydn: Sinfonia No. 44 (Trauersymphonie) and Missa in Angustiis (Nelsonmesse). Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Concert Choir and Women's Chorale, October 18, 2008

This is the concert program of the Boston University Concert Choir and Women's Chorale performance on aturday, October 18, 2008 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Ave Verum Corpus and Coronation Mass by Wolfgang Amadé Mozart, Messe Basse by Gabriel Fauré, What is Pink? by Ned Rorem, and Will There Really Be a "Morning"? by Craig Hella Johnson. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Inside the labyrinth : the thematics of space in the fiction of Paola Capriolo

In Capriolo's fiction we see, above all, the centrality of place in the minds and lives of her protagonists, often linked with the idea of the labyrinth: labyrinth as endless tortuous passageways, enclosed place, puzzle, quest. The stories, built around the obsessions of their protagonists, transcend normal temporal and spatial boundaries, and reflect the labyrinth in various forms: as a physical maze; as mirror reflections, sometimes infinitely receding; as a remote, closed-off place; and as a metaphor suggesting confusion of the mind or of ideas. As well as a considerable degree of overlap within these areas, there is a pervading, underlying sense of ambiguity, and the idea of permanence and of eternal 'being'

Multilingual dictionaries of film vocabulary : a bibliography

Die folgende Bibliographie erschien zunächst in der Film Theory: Bibliographic Information and Newsletter, nos. 10-11, 1986, pp. 63-80 (= G177-G194). Inhalt: Bibliography Index of Languages Index of Lexicographical Domain