This essay considers the importance and marginalisation of Arab costume designer Phaedra Dahdaleh through an exploration of her work in the Iranian horror film زیر سایه/Zeer-e sāye/Under the Shadow (2016). Phaedra Dahdaleh is a Jordanian costume designer. Having established her own house of costumes in the country, she takes the role of costume designer in most major films shot in the area. Some well-known films she has worked on are Rosewater (2014), Rogue One (2016), and War Machine (2017). Through an analysis of costume design in the film, we underscore her significant role as a costume designer in the construction of the film’s narrative
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