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Visual Documentation for Barnett Newman’s Curatorial Projects, 1944-1946 PART II: Commentary and Assessment

Abstract

The article discusses visual documentation for American artist Barnett Newman\u27s curatorial projects, 1944-1946. Topics include two exhibitions curated by Barnett Newman, Pre-Columbian Stone Sculpture and Northwest Coast Indian Painting; drawing using brush and ink on paper by Newman and double-faced wolf mask; and how Newman\u27s embodied identification with the art of pre-Hispanic and Indigenous American Indian art, as represented in his drawing and in his portrait photograph

Similar works

This paper was published in Trinity University.

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