Nineteen Figures and Counting: Contextualization and Conservation Treatment of a Jacob Spoel Painting

Abstract

This study focuses on the research, technical analysis, and treatment of an 1852 Jacob Spoel painting (Untitled, acc.62.28, 80cm H x 105cm W x 1.75cm D) owned by the Memorial Art Gallery and described as a ‘family gathering.’ When received by the department, the painting was not in a fit state for display; it was not structurally sound and had a disfiguring varnish reducing the readability of the composition. Technical research, multimodal imaging, radiography, and instrumental analysis, including x-ray fluorescence spectroscopy, Raman spectroscopy, cross-sectional analysis, and Fourier transform infrared spectroscopy, were carried out to understand the materials and techniques used by the artist. Results played a part in shaping the treatment strategy, and the painting was successfully stabilized and returned to a suitable condition for exhibition

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This paper was published in Digital Commons at Buffalo State.

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