Location of Repository

Rendezvous: a collaboration between art, research and communities

By Cécile Chevalier

Abstract

The Remediating the social book includes full proceedings of the conference in Edinburgh, 2012, including full texts of essays and full colour artist's pages with documentation of works commissioned for the Remediating the social exhibitio

Topics: A, H, N
Publisher: Electronic Literature as a Model for Creativity and Innovation in Practice
Year: 2012
OAI identifier: oai:sro.sussex.ac.uk:42780

Suggested articles

Preview

Citations

  1. (2009). (1818) Die Welt als Wille und Vorstellung ( The World as Will and Representation), doi
  2. (1999). (2004-2005) ‘the daughters of freya’. http://ctheory.net/text_file.asp?pick=389 http://emailmystery.com/dof/index.php
  3. (2005a) ‘Blurring and Breaking through the Boundaries of narrative, literacy and identity’ in Adolescent Fan Fiction. nrc conference,
  4. (2005a) ‘fictional Blogs and the narrative identities of adolescent girls’
  5. (2010a) ‘children’s Writing goes 3d: a case study of one school’s journey into multimodal authoring’ Learning, Media and technology. eJ issn 1743-9884. thomas, a. (2010b) ‘developing a transformative digital literacies pedagogy’ nordic
  6. 4 WiPo copyright treaty, adopted 1996. 20. art 1(1) directive 91/250 (as originally enacted), which has more recently been codified
  7. a (1962) Wrinkle in time. new york: crosswicks limited.
  8. (2009). a grammar of multimodality’
  9. (1956). A Study of Thinking. doi
  10. (1987). A thousand Plateaux. university of
  11. (1989). Afternoon, A Story. cdrom. eastgate systems.
  12. (1979). An integrative theory of intergroup conflict.
  13. art 10(1) agreement on trade related aspects of intellectual Property rights 1994, to which all members of the World trade organisation are signatories.
  14. (2010). Art, Photography, Copyright: A History of Photographic Copyright Law 1850-191. unpublished. Phd thesis. university of cambridge.
  15. (2010). at 92-3. 37. see p.3 above.
  16. Bezpečnostní softwarová asociace – Svaz softwarové ochrany v Ministerstvo kultury c-393/09 [2011] fsr 18.
  17. (2012). china now Leads the World in new ios and android device Activations’. http://blog.flurry.com/bid/83261/China-Now-Leads-the-World-innew-ios-and-android-device-activations [accessed 7
  18. (2010). computer Program directive’
  19. (2006). Contemporary social psychological theories. stanford university press.
  20. (2002). copyright law and the claims of art’ Intellectual Property Quarterly. doi
  21. (2009). copyright Protection of computer Programs’ doi
  22. (2008). Deleuze and the Framing of the Earth. new york: columbia. re:Mix ParaliPoMena: (draft of notes striPPed
  23. (1994). designing appropriate Protection for computer Programs’.
  24. (1981). Digital fiction done well can become what Bakhtin
  25. (2004). digital literacies of the cybergirl’ For: E-Learning. doi
  26. (1986). distinctiveness and the salience of social category memberships: is there an automatic perceptual bias toward novelty?’ doi
  27. (2007). emotional and Behavioral effects, including addictive potential, of video games’.
  28. (2010). enacting virtual connections between work and home’ doi
  29. (2004). Exploring Hypertext’s new Reader: Some theoretical Approaches.
  30. (2011). Family and work-related consequences of addiction to organizational pervasive technologies’ doi
  31. (2003). Fiction and Interaction: how clicking a mouse can make you part of a fictional world. unpublished doctoral thesis, university of Bergen,
  32. (2004). First Person: new Media as Story, Performance and Game. doi
  33. (2000). flickering connectivities in shelley Jackson’s Patchwork Girl: The Importance of Media-Specific Analysis’. http://www.iath.virginia.edu/ pmc/text-only/issue.100/10.2hayles.txt Jackson, s. doi
  34. (2007). From technological to Virtual Art. doi
  35. (2003). from the Poesy of Programming to research as an art form’ ars electronica.
  36. (2011). Hapax Phaenomena Image collection
  37. (2009). How Facebook addiction is damaging your child’s brain: a leading neuroscientist’s chilling warning’. http://www.dailymail.co.uk/femail/ article-1172690/how-Facebook-addiction-damaging-childs-brain-a-leadingneuroscientists-chilling-warning.html holmes, d.
  38. (1981). Human Groups and Social Categories. cambridge: cambridge university press. doi
  39. (2006). Hypertext 3.0: new Media and Critical theory in an Era of Globalization. Baltimore: the Johns hopkins
  40. (2012). Improve efficiency – switch off your smartphone’. http:// www.guardian.co.uk/technology/2012/may/20/smartphone-email-switch-offproductivity [accessed 7
  41. (2012). inanimate alice: a practical approach to teaching new literacies’
  42. (1979). individuals and groups in social psychology’ doi
  43. (2012). Institute Inc v World Programming Ltd c-406/10, 2 doi
  44. (2006). international Copyright and neighbouring Rights, 2nd ed. oxford: oxford
  45. (2008). International Copyright Law and Policy. oxford and new york: oxford
  46. (2009). Language/Art: Artistic Representation between Poetry, Concept and the Visual. germany: Wissenschaftlicher Verlag trier.
  47. (1995). Life on the screen: identity in the age of the Internet. new York: simon schuster.
  48. (2006). Literature for Children: Enhancing Digital Literacy Learning. doi
  49. (1978). Mind in society: The development of higher psychological processes. doi
  50. (2001). mouchette has a posse’. http://rhizome.org/artbase/artwork/2261/ and http://rhizome.org/search/?q=dreamless.org
  51. (2009). Multiliteracies’: new literacies, new learning’ doi
  52. (2006). new Literacies: Changing Knowledge and Classroom Learning. doi
  53. (2004). new literacies: research and social practice’. opening plenary address presented at the Annual Meeting of the national Reading Conference. san antonio,
  54. (1997). new london group doi
  55. (2006). new Media Art.
  56. (2010). new Perspectives on narrative and Multimodality. new york: doi
  57. (2012). nokia reveals ‘chapter two’ of new strategy’.
  58. (2011). only a fool or nicolas sarkozy would go to war with Facebook’. http://www.guardian.co.uk/technology/2011/may/29/children-socialnetworking-sarkozy [accessed 7
  59. (2004). origins of Virtualism: an interview with frank doi
  60. (2011). part 2. Avatars and Identities. Alone Together: Why We Expect More from Technology and Less from Each other. new York: doi
  61. (2012). Points of difference: humour, Pathos and irony in children’s Multimodal texts’ i: djonov,
  62. (1997). Practical Criticism for Hypertext. ohio state univeristy colloqium,
  63. (2002). prosumer. Word spy’.
  64. (2003). radical change: a theory for reading and Writing in the digital age’ Wisconsin Symposium on Reading Research. June. florida state university.
  65. (2006). Reading images: the grammar of visual design. 2nd ed.
  66. (2010). Second Person: Role-Playing and Story in Games and Playable Media. doi
  67. (1995). see for example the european commission’s green Paper on copyright and Related Rights in the Information Society,
  68. (2004). Sexed Universals in Contemporary Art. new york: allworth Press/school of Visual arts.
  69. (2008). sleeping with your smartphone: how to break the 24/7 habit and change the way you work’. Boston, ma: harvard Business review press.
  70. (2011). social identities, group norms, and threat: on the malleability of ingroup bias’ doi
  71. (1956). Symbols of transformation – an analysis of the prelude to a case of schizophrenia. princeton university press. martens, m.
  72. (2004). talking with Jess: looking at how metalanguage assisted explanation writing in the Middle years’
  73. (1991). the 1992 horace s. Manges lecture – People or Machines: the Berne convention and the changing concept of authorship’ 16 Columbia
  74. (1997). the art of interaction: interactivity, Performativity and computers’ doi
  75. (2004). the Colonization of Psychic Space : A Psychoanalytic Social theory of oppression. doi
  76. (1994). the Construction of Authorship: textual Appropriation in Law and Literature. usa: duke doi
  77. (2011). The History of Flash? oral interview with donna Leishman.
  78. (2004). the Legal Properties of Film. 67 Modern law review 177. doi
  79. (2011). the new Digital Storytelling. doi
  80. (2010). the Westwood experience: connecting story to locations Via Mixed reality’ doi
  81. (2009). third Person: Authoring and Exploring Vast narratives. cambridge: doi
  82. (2003). this is not a hypertext, But…: a set of lexias on textuality.
  83. (2011). unpublished blurb for the session Digital Aesthetics iaWis/aerti (international association of Word-image studies) conference.
  84. (2012). unpublished presentation. Electronic Literature organization (ELo) conference,
  85. (1996). Virtual intimacy and the Male gaze cubed: interacting with narratives on cd-roM’ doi
  86. (2011). Why Facebook is stressing us out’. http://www.newstatesman.com/blogs/the-staggers/2011/02/facebook-friends-social-users [accessed 7
  87. (2007). Youth online: Identity and Literacy in the Digital Age. new york: Peter lang.

To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.