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Public consciousness, political conscience and memory in Latin American nueva canción

By Richard Elliott
Topics: BF, M1
Publisher: Oxford University Press
Year: 2011
OAI identifier: oai:sro.sussex.ac.uk:41562

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Citations

  1. (2001). An Introductory Dictionary of Lacanian Psychoanalysis.
  2. (1999). Canciones reencontradas en París (CD, Warner Music Chile 857380321-2).
  3. (1991). Consciousness Explained. (Harmondsworth: Penguin)
  4. (2001). Cultural Trauma: Slavery and the Formation of African American Identity. (Cambridge:
  5. (1971). Ideology and Ideological State Apparatuses (Notes towards an Investigation),
  6. (2005). Like A Rolling Stone: Bob Dylan at the Crossroads.
  7. (2009). Loss, Memory and Nostalgia in Popular Song: Thematic Aspects and Theoretical Approaches. Unpublished PhD thesis (Newcastle upon Tyne: Newcastle University) Pre-publication draft of chapter subsequently published
  8. (2008). Popular music and/as event: subjectivity, love and fidelity in the aftermath of rock ’n’ roll.
  9. (1968). Selected Works in One Volume. (London: Lawrence and Wishart) Pre-publication draft of chapter subsequently published
  10. (1993). The Seminar of Jacques Lacan. Book III: The Psychoses 1955-1956,
  11. (1989). The Sublime Object of Ideology.
  12. (2008). Twenty-five Theses against
  13. (1983). Victor: An Unfinished Song.
  14. (1986). Violeta Parra and “La Nueva Canción Chilena”. Studies in Latin American Popular Culture,

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