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The mediation of suffering and the vision of a cosmopolitan public

By Lilie Chouliaraki

Abstract

In this article, the author argues that if researchers wish to move toward a "global village" with cosmopolitan values, then they need to examine critically the discourses and practices by which global information flows invite the individual spectator to be a public actor in the contexts of her or his everyday life. In the light of empirical analysis, the author presents a hierarchical typology of news stories on distant suffering that consists of adventure, emergency, and ecstatic news, and she examines the two broad ethical norms that inform these types of news: communitarianism and cosmopolitanism. The possibility for cosmopolitanism, the author concludes, lies importantly (but not exclusively) in the ways in which television tells the stories of suffering, inviting audiences to care for and act on conditions of human existence that go beyond their own communities of belonging

Topics: PN1990 Broadcasting
Publisher: SAGE
Year: 2008
DOI identifier: 10.1177/1527476408315496
OAI identifier: oai:eprints.lse.ac.uk:21293
Provided by: LSE Research Online
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    Citations

    1. reduction vi fatigue; the vii viii media democracy, of judgements everyday Alexander ix central constitution ‘The European x 28) xi analysis
    2. xiii whereas The one accident, before xiv xv news verdict that this no public Danish 30 xvi emergency about
    3. xxv Lynch xxvi ‘being it xxvii construing 54‐80) xxviii cosmopolitan Boltanski 31 connection formation xxix impossibility the humanization’ and representation xxx responsibility, constitutes spectacle confronted by historical modern charity

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