Skip to main content
Article thumbnail
Location of Repository

Let Dante Be Silent: Finnegans Wake and the Medieval Theory of Polysemy

By Lucia Boldrini

Abstract

The medieval theory of the four levels of meaning has often been quoted by critics as a relevant model for the study of the multi-layered language of Finnegans Wake. Dante’s versions of the theory in the Convivio and the “Letter to Can Grande della Scala” are particularly important in this context, insofar as Dante was the first modern European poet to claim for his own love poetry the same interpretative method traditionally used for the divine word. In this essay I discuss whether Dante’s theory can be “applied” to the Wake, or whether it is in fact already inscribed within Joyce’s text, made part of its self-referential interpretative system, and with what effects for the theory as well as for the text. I argue that Dante’s medieval exegetical model is transformed in the Wake through precise references that constantly evoke and confound Dante’s terms, thus showing its inadequacy for the modern polysemic work but also, at the same time, acknowledging its fundamental role in the elaboration of such modern radical polysemy

Topics: Q200, Q320, Q322, R320
Publisher: Rodopi
Year: 2002
OAI identifier: oai:eprints.gold.ac.uk:4261

Suggested articles


To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.