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How images are the making of the Women's Art Library/Make

By Althea Greenan

Abstract

When a group of women artists decided to organise their slides to inspire others to document themselves and raise the visibility of women’s art, they could not have known that several decades later those slides would still be together, forming the core of an internationally significant research resource. How did this idea of gathering together images transform a women’s art group – in the 1980s these were almost as common as book groups are today – into the Women’s Art Library/Make collection? Historically rooted in gender politics and the subsequent emergence of a radicalised women’s art practice and feminist art criticism, WAL/Make is an exciting ‘work in progress’. Now based in Goldsmiths, University of London it is being developed as a key special collection by the Library

Year: 2007
OAI identifier: oai:eprints.gold.ac.uk:147

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Citations

  1. (2005). Olin’s article in this issue of the Art libraries journal. 9. ‘Democratising the image: creating a global learning community’, CHArt Round-table Discussion held on 10
  2. (1999). The Women’s Art Library still has two books in print which are distributed through IB Tauris (http://www.ibtauris.com). They are Fran Lloyd, Contemporary Arab women’s art – dialogues of the present (London: The Women’s Art Library,

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