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Can You Quote Donald Duck?: Intellectual Property in Cyberculture

By Peter Johnson

Abstract

Rosemary J. Coombe, The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Durham: Duke University Press, 1998. Pp. xi, 462. $19.95. Rosemary J. Coombe\u27s The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Lawbegins with the author, Associate Professor of Law at the University of Toronto, walking down Queen Street in Toronto, navigating a maze of intellectual property. She buys coffee at Starbucks®; sees billboards for Black Label® beer; T-shirts with My Favorite MartianTM and Mattel\u27s Hot Wheels®, bottles of Clearly Canadian® water and packages of Land-O-Lakes® margarine adorned with its trademark Indian princess; and passes a McDonald\u27s®, which features a Disney Magic Kingdom® tie-in to a (copyrighted) movie called The Indian in the Closet. She also meets the counterculture of intellectual property, including a shoulder bag proclaiming its wearer Armed and Hammered, posters for the Nancy Sinatras (a lesbian band), a jacket patch of Colonel Sanders overlaid with a skull-and-crossbones, and unlicensed T-shirts featuring copyrighted Picasso paintings. On this walk, which reflects any short walk down any city street by any reasonably attentive observer, Coombe observes, I have considered at least thirty-four legally protected cultural texts, run into about a dozen potential intellectual property infringements, and encountered a score of other intellectual properties I didn\u27t reflect upon

Topics: Arts and Humanities, History, Law
Publisher: Yale Law School Legal Scholarship Repository
Year: 2013
OAI identifier: oai:digitalcommons.law.yale.edu:yjlh-1246
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