Location of Repository

Noise: Using Location Recordings for Computer Compositions

By David Holbrook
Topics: M1, T1
OAI identifier: oai:eprints.hud.ac.uk:9636

Suggested articles

Preview

Citations

  1. (1996). A Year with Swollen Appendices (London,
  2. (1979). Ambient 1: Music for Airports. Polydor Virgin (London,
  3. (1980). Ambient 2: The Plateaux of Mirror.
  4. (1980). Ambient 3: Day of Radiance.
  5. (1982). Ambient 4: On Land. EG Records
  6. (2008). Bird Sounds from the Americas www.xeno-canto.org/
  7. (1995). Brain Eno: His Music and the Vertical Colour of Sound doi
  8. (1995). Brian Eno: His Music and the Vertical Colour of Sound doi
  9. (1994). Dark Side of the Moon. doi
  10. (2017). Digital Soundscapes. Wergo
  11. (2000). Dream Sequence: The Best of Tangerine Dream. doi
  12. (2002). Genres and doi
  13. (2008). Real-World Music as Composed Listening’. doi
  14. (1968). Silence: Lectures and Writings by John Cage (London: Calder and Boyars,
  15. Song of Songs: Computer and Electronic Music by Barry Truax. Cambridge Street Records CD doi
  16. (2008). Soundscape Composition doi
  17. (2010). Soundscape Composition, Linking Inner and outer Worlds’, doi
  18. (1998). Speaking From Inside the Soundscape’,
  19. (2000). The Early Gurus of Electronic Music.
  20. (2000). The Local and Global Language of Environmental Sound’,
  21. (1986). The Pioneer of Musique Concrete,
  22. (1994). The Soundscape: Our Sonic Environment and the Tuning of the World doi
  23. (1997). The Vancover Soundscape (Cambridge Street Records,
  24. (1968). Unfinished Music No.1: Two Virgins. Apple Records
  25. (1969). Unfinished Music No.2: Life with the Lions. Zapple Records

To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.