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Music for a missing film

By Luciano Zubillaga

Abstract

Music for a missing film (MFMF) concerns memory. Its research questions explore experimental modes of reconstruction and restoration; its conceptual issues mirror empirical questions. Conceptually: how, through an experiment in audio-visual composition, using filmic ruins (El Huerco 1962) and preserved score, could its cultural/political moment re-acquire elements of its lost texture

Topics: Film-and-television
Publisher: Marmalade Publishers of Visual Theory
Year: 2009
OAI identifier: oai:repository.uwl.ac.uk:1094
Provided by: UWL Repository
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