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BARRAVENTO(S): UMA ANÁLISE COMPARATIVA DE ROTEIROS

By RAQUEL PEREIRA ALBERTO NUNES

Abstract

Busca-se analisar, comparativamente, dois olhares sobre o filme Barravento (1962): o primeiro de Luiz Paulino dos Santos, captado através de seu roteiro, e o segundo de Glauber Rocha, apreendido a partir de seu roteiro e filme. Ambas as perspectivas dialogam com concepções e tensões presentes no ambiente cultural brasileiro, particularmente na Bahia, em fins da década de 1950 e início dos anos 1960. Pretende-se, através dessa análise, uma reflexão sobre os diversificados olhares acerca da cultura popular, das religiões afro-brasileiras, do papel do intelectual na sociedade e dos conceitos de povo e de alienação durante a época.It s one intention to analyse the comparison between two different authors views of the film entiltled Barravento (1962), whose names respectively are Luiz Paulino dos Santos and Glauber Rocha. The first one view was captured only through his original screenplay, whereas, in the case of the second, one chose his views on both screenplay and film. Their both perspectives were based on the Brazilian socio-cultural concepts of those times, mainly in Bahia around late 1950 s and early 1960 s. During the analysis, it s one intent to reflect upon the diverse views of pop culture, the concept of people, Afro-Brazilian religions, alienation and also the rolls which intellectuals played in those society were adressed

Topics: CINEMA BRASILEIRO, BRAZILIAN CINEMA, IDENTIDADE NACIONAL, NATIONAL IDENTITY, CULTURA POPULAR, POPULAR CULTURE, ALIENACAO, ALIENATION, HISTÓRIA SOCIAL DA CULTURA
Publisher: PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Year: 2011
OAI identifier: oai:agregador.ibict.br.BDTD_PUC_RIO:oai:MAXWELL.puc-rio.br:17896
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