Abstraction (in meaning of simplification) and realism are opposites, which involve certain specifics in the comprehensibility. Both directions have their options in terms of dramatic clarity. In this work I want to research the possibilities of character animation in relation to the degree of descriptiveness of characters, from simple hyper-realistic. Furthermore, in the context of the visual forms, what enables different kinds and where are conversely its pitfalls. In conclusion, I will specify my own approach to this problem and which direction I prefer
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