Skip to main content
Article thumbnail
Location of Repository

La sphinx décadente: <i>topos</i> et poetique de la transgression

By Lise Revol-Marzouk

Abstract

During the last decades of the 19th century, the Sphinx, in its Egyptian representation, seems to be on the decline. This figure, which traditionally embodies the universal mystery, is particularly threatened in a world beset by materialistic disillusion. Texts and pictures portray a myth in agony, with such tediousness that it has become a cliché. Decadent imagination then seizes upon another myth which is particularly suitable, both in its form and its history, to regenerate the old Sphinx: the Greek Sphinx. As the riddle teller of the Theban legend, it shares with its Egyptian ancestor, in addition to its homonymy and hybridism, a strong taste for secret; but it also has shown, since the very beginning, its multifaceted behaviour of transgression - ontological, religious, social and, above all, sexual. Replacing esotericism by eroticism and the metaphysical quest by the physical conquest restores mystery to its libidinal aspect. It reminds us that all knowledge, be it carnal or spiritual, comes from an original transgression which, driven by the libido sciendi, exceeds the acceptable limits. This approach is not without pitfalls. An overly caricatured and systematic metamorphosis of the legendary monster into a femme fatale risks condemning the Sphinx to topos and the reader to fatigue. It would, however, omit the ultimate transgression committed by the Hellenic Sphinx: transgression of language, of course, by its riddles, obscure and ambivalent, violating the norms of logic and rhetoric. The decadent Sphinx's sexual provocation is thus accompanied by a textual innovation at all levels, leading the reader in a constant game of poetic transgressions that are as destabilizing as they are seductive. Behind the erotic revival of mystery, a new and unexpected type of language develops that is capable of re-enchanting reality, and with it, all literature

Topics: Sphinx, Chimère, Enigme, Esotérisme, Erotisme, Jules Barbey d’Aurevilly, Gustave Flaubert, Joris-Karl Huysmans, Gustave Moreau, Oscar Wilde, Norwegian literature, PT8301-9155
Publisher: Septentrio Academic Publishing
Year: 2012
DOI identifier: 10.7557/13.2043
OAI identifier: oai:doaj.org/article:e0e2167b03b040d7bc87cd44c2d02b34
Journal:
Download PDF:
Sorry, we are unable to provide the full text but you may find it at the following location(s):
  • https://doaj.org/toc/1503-2086 (external link)
  • https://doaj.org/toc/0809-1668 (external link)
  • http://septentrio.uit.no/index... (external link)
  • https://doaj.org/article/e0e21... (external link)
  • Suggested articles


    To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.