Skip to main content
Article thumbnail
Location of Repository

'Dis ain't gimme, Florida': Zora Neale Hurston's Their Eyes Were Watching God

By Judie Newman


Who owns Zora Neale Hurston? That was the question asked in 1990 by Michele Wallace, in an analysis of the ways in which Hurston has been appropriated by later scholars. Wallace's pungent comparison of later critics to so many 'groupies descending on Elvis Presley's estate' in their haste to turn Hurston to their own purposes strikes a cautionary note for any subsequent writer. As she notes, the risk of canonization is that the work will be misused to derail the future of blackwomen in literature and literary criticism. For Wallace, Harold's introduction to his Modern Critical Views anthology of 1986 is a case in point. This article is copyright 2003 MHRA, and is included in this repository with permission

Publisher: Modern Humanities Research Association
Year: 2003
OAI identifier:
Provided by: Nottingham ePrints

Suggested articles

To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.