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Painting as a site of cultural memory: Picasso's 'The Kitchen'

By Peter Read

Abstract

A discussion of Picasso's 1948 quasi-abstract painting 'The Kitchen', discussing it's commemorative and political connotations as a monument to Apollinaire and a response to Picasso's recent visit to Warsaw and Auschwitz. Written for the official Picasso Administration website, this text also made available in French and Spanish

Topics: N
Publisher: Picasso Administration
Year: 2004
OAI identifier: oai:kar.kent.ac.uk:5732
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