Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption

Abstract

This paper arises from discussions about consumption and piracy,<br />analyzing the role of counterfeit museums, and their paradoxes in the way they communicating the ambivalences of meaning e types of commercial piracy; based on Lipovetsky’s thought (2004; 2007), the articles illustrates the debate about consumption and piracy with 3 museum cases in Thailand, Italy and France

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This paper was published in Directory of Open Access Journals.

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