Skip to main content
Article thumbnail
Location of Repository

To what extent does the nostalgic tone of some German film post-1989 facilitate a 'coming-to-terms' with the subject of the GDR past and provide the basis for a new form of cultural memory in the unified Germany? Discuss with reference to 'Good Bye, Lenin!' and 'Sonnenallee'.

By Ivan Lazić

Abstract

A dissertation submitted as part-fulfilment of the requirements of the MA in Cultural Memory at the IGRS, 2008-9

Topics: CLL, HIS
Year: 2009
OAI identifier: oai:sas-space.sas.ac.uk:2290
Provided by: SAS-SPACE

Suggested articles

Citations

  1. (1999). [Film] Directed by Leander Haußmann. Germany: Boje Buck Produktion.
  2. (2003). [Film] Directed by Wolfgang Becker. Germany: X-Filme Creative Pool.
  3. (2002). Am kürzeren Ende der Sonnenallee. (Frankfurt a.M.: Fischer Taschenbuch Verlag,
  4. (1995). Andreas Huyssen, Twilight Memories: Marking Time in a Culture of Amnesia.
  5. (2006). Consensus? The New Internationalism of German Cinema’
  6. (1988). Das Kino, von dem ich träume’ in Hans Helmut Prinzler and Eric Rentschler
  7. (2006). East German cinema after unification’,
  8. (2002). Filling the Blanks: Berlin as a Public Showcase,
  9. (2006). German Cinema after Unification.
  10. (2002). Introduction', in Stuart Taberner
  11. (2007). Lenin!: Free-Market Nostalgia for Socialist Consumerism’,
  12. (2006). Normalization”: Has Helmut Kohl’s Vision Been Realized?’
  13. (2006). Normalizing’ the Past: East German Culture and Ostalgie” in Stuart Taberner and Paul Cooke (eds.), German Culture, Politics, and Literature into the Twenty-First Century.
  14. (2003). Performing Ostalgie: Leander Haußmann’s Sonnenallee’,
  15. (2005). Representing East Germany Since Unification.
  16. (2003). Requiem for Communism.
  17. (2006). Shades of Grey: Coming to Terms with German Film Since Unification’
  18. (2001). Television Culture.
  19. (2001). The Future of Nostalgia.
  20. (2002). The New Self-Understanding of the Berlin Republic: Readings of Contemporary German History’
  21. (1988). Verlag der Autoren,
  22. (2009). Wie Amerika der DDR die Freiheit gab: Thomas Brussigs Helden wie wir und Sonnenallee’. Available at: http://www.dickinson.edu/glossen/heft19/zachau.html [Accessed 12
  23. (1989). Worm’s Eye View and a Bird’s Eye View: Culture and Politics in Berlin since

To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.