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To what extent does the nostalgic tone of some German film post-1989 facilitate a 'coming-to-terms' with the subject of the GDR past and provide the basis for a new form of cultural memory in the unified Germany? Discuss with reference to 'Good Bye, Lenin!' and 'Sonnenallee'.

By Ivan Lazić


A dissertation submitted as part-fulfilment of the requirements of the MA in Cultural Memory at the IGRS, 2008-9

Topics: CLL, HIS
Year: 2009
OAI identifier:
Provided by: SAS-SPACE

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