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Le jaune chez Turner : Une étude matérielle

By Sarah Gould


J.M.W. Turner’s hyperbolic and experimental use of the colour yellow would often evoke surprise from his contemporaries. While often discussed as one of the main entry points of critical discourses on his work, the study of colour has often neglected its material dimension. This article proposes a reassessment of the importance of yellow, less as a colour, than as material pigments and substances carrying commercial and epistemological values in Turner’s work

Topics: History (General) and history of Europe, D
Publisher: Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
Year: 2018
DOI identifier: 10.4000/1718.1113
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