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'One walked of course with one's eyes greatly open' (Henry James): London Sights in Alvin Langdon Coburn, Henry James, and Joseph Pennell

By Douglas Tallack

Abstract

Peer reviewedPost prin

Publisher: Taylor & Francis
Year: 2010
DOI identifier: 10.1080/09502360903230714
OAI identifier: oai:lra.le.ac.uk:2381/8633
Journal:

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Citations

  1. (2009). 0/ (both sites last viewed 7th
  2. (1991). Being and Nothingness: An Essay on Phenomenological Ontology, trans., Hazel E. Barnes doi
  3. (2000). City Sights: Mapping and Representing New York‟,
  4. (2008). Concrete Reveries: Consciousness and the City
  5. (1900). Earlier quotations from James and Coburn also in Weaver, Alvin Langdon Coburn, pp. 33 and 51. For insights into Coburn‟s contribution to a Whistler-inspired view of London, see William Sharpe,
  6. (2004). For expanded discussions of anecdote, see John Fagg, „Anecdote and the Painting of George Bellows‟, doi
  7. For London Bridge and Tower Bridge, see Luminous Lint www.luminouslint.com/app/vexhibit/_PHOTOGRAPHER_Alvin_Langdon__Coburn_London_01/1/
  8. (1998). Generations of a City: Memory, Prophecy, Responsibilities‟, trans., Rebecca Comay,
  9. (1990). Heart of Darkness doi
  10. (2003). Henry James's New York Edition: The Construction of Authorship (Stanford: doi
  11. (1941). Howards End (Harmondsworth, doi
  12. I am grateful to Paddy Tipping, MP, for identifying the point of view in this photograph. See The Art of the Photogravure www.photogravure.com/ and Luminous
  13. (1909). Introduction‟, doi
  14. (1909). James queried Coburn‟s inclusion of photographs of Paddington and Regent‟s Canals as an atypical urban sight when he was sent a copy of London
  15. (1912). Joseph Pennell’s Pictures of the Panama Canal: Reproductions of a Series of Lithographs made by him on the Isthmus of Panama,
  16. Langdon Coburn: Photographer, doi
  17. London at Midsummer”, Lippincott’s Magazine, doi
  18. London at Midsummer‟, doi
  19. (1984). London: A Book of Aspects
  20. London: A Book of Aspects,
  21. (1966). quoted in Alvin Langdon Coburn,
  22. Ransom Center, University of Texas at Austin, Alan Griffiths at http://Luminous-lint, and Mark Katzman at www.photogravure.com for their advice on locating images; audiences at the Universities of Leicester,
  23. See The Art of the Photogravure www.photogravure.com/ and Luminous
  24. Seeing Things Hidden: Apocalypse, Vision and Totality, doi
  25. (1968). The American Scene (Bloomington:
  26. The Art of the Novel, doi
  27. (1937). The Art of the Novel: Critical Prefaces, with an Introduction by Richard P. Blackmur (New York: Charles Scribner‟s Sons,
  28. (1888). The Century Magazine,
  29. The Image of the City doi
  30. The Philosophy of Marx, doi
  31. The Rich History of Mazawattee‟,
  32. (2004). The Subterranean Railway: How the London Underground was Built and How it Changed the City Forever (London: Atlantic Books,
  33. (1979). The World Viewed: Reflections on the Ontology of Film, enlarged edition doi
  34. (1984). Their artistic collaborations have been thoughtfully and exhaustively examined by literature experts: Ralph Bogardus, Pictures and Texts:
  35. (1987). Visual Culture: The Photo Frontispieces to the New York Edition‟, pp. 90-108; Carol Shloss, In Visible Light: Photography and the American Writer 1840-1940 (Oxford:

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