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Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

By Catherine Spencer
Publisher: 'Paul Mellon Centre for Studies in British Art'
Year: 2015
DOI identifier: 10.17658/issn.2058-5462/issue-01/cspencer
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Provided by: MUCC (Crossref)
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