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The Dialectic of Conflict and Culture: Leon Trotsky and Less Fortunate Statesmen



It is well known that the phase following the October Revolution in Russia in 1917 (of which Trotsky, my eponymous protagonist, was one of the principal agents), Russia's exit from the Great War at the Treaty of Brest-Litovsk in 1918 (at which Trotsky was the Soviet Union's chief negotiator), and the eventual Soviet victory in the Civil War which ended in 1921 (throughout which Trotsky was the leader of the Red Army), was one of extreme cultural ferment in the new-born USSR. My interest at the time I first engaged with this period was rather narrow: I was concerned with how it affected the future course of Marxist literary and cultural criticism in Western Europe, particularly, such of it as there was, in England. Today I remain interested in what another look at this period can tell us about the way we negotiate the issues of culture and conflict here and now, in an England that is certainly different, but one that, like almost everywhere else, has even less interest in Marxism than was the case in the nineteen twenties and thirties.

Topics: Critical Theory and Cultural Studies
Year: 2007
OAI identifier: oai:mlpa.nottingham.ac.uk.OAI2:63

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