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Spontaneous Combusion #42

By Hilary Elliott

Abstract

In this presentation I offer the perspective that solo performance improvisation is both a questioning of and response to the multi-layered circumstances of the immediate performance. The inquiry into what is present - physically and imaginatively investigating its possibilities - involves understandings of 'seeing' (taking on both literal and figurative connotations); the dynamic of 'being seen' by the audience and considerations of connections between what is visible, the act of making visible and the role of an invisible in performance

Topics: NX, PN2000
OAI identifier: oai:eprints.hud.ac.uk:10770
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