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Die mediale Inszenierung von Katastrophen als Krise der Jahrtausendwende

By Yasemin Dayıoğlu-Yücel

Abstract

Despite the everyday presence of disasters in the media and a growing number of disaster movies made in Germany, there is only a small amount of disaster literature in contemporary German writing. This article aims to explore, how disasters are enacted in different ways in contemporary novels, film and media in German language by comparing Frank Schätzing’s beststeller “Der Schwarm”, Tomas Glavinic’s “Die Arbeit der Nacht” and the movie “Die Sturmflut.

Topics: Katastrophe <Motiv>, Katastrophenfilm, Schätzing, Frank, Glavinic, Thomas / Die Arbeit der Nacht, ddc:830, ddc:833
Year: 2011
OAI identifier: oai:publikationen.ub.uni-frankfurt.de:22957

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