Skip to main content
Article thumbnail
Location of Repository

Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin?

By Mona H. Abdel-Ghani, Howell G.M. Edwards, Ben Stern and Robert C. Janaway


noA comprehensive study has been undertaken into a 13th century Coptic-Byzantine icon from the St. Mercurius Church, St. Mercurius monastery, Old Cairo, Egypt. The layered structure, pigment composition and varnish identification were revealed by means of optical and Raman microscopy and gas chromatography¿mass spectrometry (GC¿MS). The structure of the icon comprised six layers; wooden panel, canvas, white ground, two bole layers and a single paint layer. Azurite (2CuCO3·Cu(OH)2), cinnabar (mercuric (II) sulfide ¿-HgS), yellow ochre (Fe2O3·H2O), hydromagnesite Mg5(CO3)4(OH)2·4H2O and lamp black (carbon, C) are the pigments identified in the icon. The green paint area is of interest as it is applied neither with a green pigment nor with a mixture of a blue and yellow pigment. Instead, a yellow layer of dammar resin was applied on top of blue azurite to obtain the green colour. Pinaceae sp. resin mixed with drying oil was used as a protective varnish

Topics: Paint characterization, ; Dammar resin, ; Varnish characterization, ; Coptic-Byzantine icons, ; St. Mercurius Church; Old Cairo; Egypt, ; Raman microscopy, ; Gas chromatography-mass spectrometry, ; Hydromagnesite, ; Pinaceae sp. resin
Publisher: Elsevier
Year: 2009
DOI identifier: 10.1016/j.saa.2008.10.050
OAI identifier:
Provided by: Bradford Scholars
Download PDF:
Sorry, we are unable to provide the full text but you may find it at the following location(s):
  • (external link)
  • (external link)
  • Suggested articles

    To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.