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Questions of authenticity, geopolitical division and production in the laser print era, or: Sex Violence and Procreation

By S. Hoskins

Abstract

This paper debated notions of authenticity and integrity through the changing nature of the print and its relation to reproduction, when replication of imagery is available to all. Paper given at the 2003 Southern Graphics Council Conference, Boston University, School of Museum of Fine Arts, Mass Art and the Art Institute of Boston, Boston, M

OAI identifier: oai:eprints.uwe.ac.uk:14101
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